Thursday, August 17, 2017


I can't believe it but it's been forty years since "Best of My Love" by The Emotions landed at number one on the pop chart during this week. This enduring classic, written by Maurice White and Al McKay of Earth, Wind & Fire, spent five weeks at the top of the Billboard Hot 100, won the group a Grammy for Best R&B Performance By A Duo Or Group and the single would sell over a million copies.

The Emotions, made up of the Hutchinson sisters, Jeanette, Sheila and Wanda, hail from Chicago and began singing together professionally in 1962 as teens. Their first taste of success came when their single, "So I Can Love You" reached the soul chart in 1969. After their record label, Volt folded in 1975, the trio met Maurice White and he took an interest in the group. He got them signed to his label, Columbia and began work on an album. Their first project together, "Flowers" was released in 1976 and the singles, "I Don't Wanna Lose Your Love" and the title track, became big hits on the soul chart. But it was the follow-up album, "Rejoice" that gave the Emotions' the biggest smash of their careers. Their last major chart appearance would be providing backing vocals on Earth, Wind & Fire's 1979 top-ten hit, "Boogie Wonderland".

The Emotions still occasionally perform together, with younger sister, Pamela filling in for Jeanette. Enjoy this rare live appearance of the group performing their hit on "The Midnight Special" show back in 1977:

Saturday, August 12, 2017


The last time we heard from Pink it was with her musical contribution to Disney's 2016 "Alice in Wonderland" sequel, "Alice Through The Looking Glass" and the top-ten hit, "Just Like Fire" (which was probably the best thing about that movie).

Now the thirty-seven year old singer is officially back with a song from her upcoming seventh album, "Beautiful Trauma" due out in October. "What About Us" (co-written with Johnny McDaid and Steve Mac who also produced the track) seems to be about bringing attention back to all the people that have been forgotten during this current volatile political climate. This low-key, uptempo ballad is a bit of a surprise and even a little underwhelming as a lead single but it's message is important and right on time. Have a listen:

Wednesday, August 9, 2017

GLEN CAMPBELL (1936 - 2017)

Glen Campbell, who was a popular entertainer in the '60's and '70's on the country and pop charts, has passed away on August 8th after a valiant battle with Alzheimer's disease. He was officially diagnosed with this in 2011 and soon embarked on a final tour the following year. He made his final television appearance on the 2012 Grammy Awards where he did a thrilling performance of one of his biggest hits, "Rhinestone Cowboy" with this song reaching number one on the country and pop charts back in 1975. Campbell also did his last recordings in 2012 and 2013 which would become his sixty-fourth studio album, "Adiós" and was just released this year in June.

Born the seventh of twelve children to Wesley and Carrie Campbell in Billstown, Arkansas, Glen was given a guitar as a child and learned to play from his Uncle Dick Bills who was a professional musician with his band, the Sandia Mountain Boys. Campbell dropped out of high school and later went to join his uncle's band in 1956 and stayed with the group until he started his own band in 1958.

Campbell decided to head to California to try and become a solo artist in 1960. He did manage to get a recording contract with Capitol Records but his singles were not successful. However Campbell did become a very popular studio guitarist and was part of the famous "Wrecking Crew" session musicians who backed everyone from Elvis Presley to Frank Sinatra.

Campbell did not give up on his dream to become a recording artist of his own and finally had a breakthrough in 1967 with "Gentle On My Mind" which hit the Billboard Top 40 and earned Campbell two 1968 Grammy Awards for Best Country Male Vocalist and Best Contemporary Male Vocalist. The hits continued for the singer with "By the Time I Get to Phoenix", "Wichita Lineman", "Galveston" and "Southern Nights" to name a few. Campbell became so popular that television came calling with him first making appearances on "The Smothers Brothers Comedy Hour" before getting his own variety show, "The Glen Campbell Goodtime Hour" which ran from 1969 through 1971. Campbell even made a few movies with the most notable being the 1969 John Wayne film, "True Grit".

A documentary, "Glen Campbell: I'll Be Me" was released in 2014 and covers his struggles with Alzheimer's and the farewell tour. A song from the film, "I’m Not Gonna Miss You", written by Campbell and Julian Raymond, was nominated for an Oscar for Best Original Song. In tribute, here are a few clips of the talented Glen Campbell performing some of his best known songs:

Friday, July 28, 2017


This tune is a song I have heard many times and my reaction is the same every time I hear it. So this time I want to make a comment on this.

"Woman To Woman" was a number one soul hit in 1974 for Shirley Brown and even crossed over to the pop chart, reaching number twenty-two. She was an artist on Stax Records with this single selling over a million copies and was one of the last big records for the legendary label.

If you are not familiar with this tune, let me fill you in; the song starts off in spoken word with Shirley finding the phone number of her man's mistress, Barbara in his pockets and decides to call her. Now I can understand someone wanting to confront a person messing with their spouse and setting them straight but Shirley lost me completely when she rattles off her reasons why Barbara should back off. She proceeds to boast that she pays for her man's clothes, car and "every piece of food he eats" and will do anything to keep him. It just seems sad to me that this woman so desperately wants to hang on to her cheating man who clearly doesn't respect her nor appreciate everything she has done for him. I know I may be betraying my gender but I think she deserves better than this. Have a listen to the song and judge for yourself:

"Woman To Woman" - Shirley Brown (1974) mp3

The following year, Barbara Mason (best known for her 1965 hit, "Yes, I'm Ready") came out with an answer song to Shirley Brown's tune. After a lengthy musical intro and a snippet of Brown's opening line "Barbara, this is Shirley", "From His Woman To You" tells Barbara's side of this affair. What I find humorous is that the man in the middle of all this drama between these women remained silent. Now that's an answer song I would have liked to have heard. Here's a bonus of Barbara Mason's song:

"From His Woman To You" - Barbara Mason (1975) mp3

Monday, July 24, 2017


Just as much as audiences love new music, they also enjoy looking back at their old-school favorites. Those concert packages that puts together several vintage bands of the past are a rite of the summer and the latest features the slightly odd combo of Village People, Morris Day and The Time and the headliners, Kool & The Gang. I caught them on the first day of a two-night stand at the Hollywood Bowl on July 21st.

The Village People kicked off the night with a surprisingly brief twenty minute set although in hindsight it was plenty of time as it soon began to feel like they were doing slight variations of the same song. It's not really unexpected that most of the original members of these acts have departed in one form or another but this disco novelty act of gay male fantasy types features the most of their founding members. With the Indian (Felipe Rose), the GI (Alex Briley) and lead vocalist, the cop (Ray Simpson who replaced Victor Willis in their heyday) still around, the People did a fun, high-energy show that featured them doing their signature butch-dance moves while performing their greatest hits like "Macho Man", "In The Navy" and the enduring smash, "Y.M.C.A" which they did a detailed demonstration before the song on how to properly do the hand movements.

Before The Time came out, a tribute to Prince, who they were closely associated with, played on the video screens that featured his music and early pictures of him with Morris Day. Then the band arrived on stage to the sound of the Purple One's "1999" with Day checking out his look in a mirror carried by his "valet", Jerome Benton before launching in to their first hit, "Get It Up". They sounded great but seemed to have a hard time getting this crowd engaged. I think it may be for a lack of recognizable hits as The Time didn't have a major impact on the pop charts in their day as Prince did. The group fared better when they touched on his music with them doing a cover of "D.M.S.R". During the sentimental ballad, "Gigolos Get Lonely, Too", Day had his son, Derran come on stage to belt out a verse. While he has an impressive voice, it still came across like a shameless plug with the proud father advising the audience to find him on social media afterwards.

By the time Kool & The Gang arrived to close out the show, the crowd was warmed up and ready to party. Bass player and the namesake of this popular band, Robert "Kool" Bell (who is still on hand) started this group as a funk band in the late sixties before moving towards r&b and pop with the arrival of James "J.T." Taylor as lead singer in 1979. They got everybody on their feet with solid versions of their hits "Hollywood Swinging", "Ladies' Night", "Jungle Boogie" and "Get Down On It" enhanced by a fantastic horn section that features a couple of original players. Taylor has been long gone from the group but Lavell Evans does a serviceable job of filling in for the former vocalist yet not completely escaping moments that made them sound like a wedding band. Kool and company wanted everybody to know they are still in the game as they performed a new song, "Sexy (Where'd You Get Yours)". While it was perfectly keeping with their funky spirit, it was hardly anything noteworthy and just gave people a chance to head out for a beer run. With the sound of Kool & The Gang's biggest hit, "Celebration" signaling that the night is coming to a close, it was an enjoyable evening of music and memories.

Sunday, July 16, 2017


Back in the '70's, if you wanted to create a sexy mood, all you had to do was turn down the lights, pop open a bottle of wine and put on a Teddy Pendergrass record. Shifting effortlessly from a seductive whisper to a libidinous growl, this undeniable sex symbol used his robust voice to create songs filled with longing and carnal desires and there was no shame in his game. His live concerts were known to be sensual and sweaty affairs that left his largely female audiences extremely hot and bothered.

Born and raised in Philadelphia, Pendergrass would develop his singing style, not surprisingly, in the church. While it's rumored that he was ordained as a minister at the age of ten, it's factual that he did perform at services as a singer and drummer. As a young man, Pendergrass would join several soul groups playing the drums and providing the occasional vocal. It was during his time with the Cadillacs that would change the course of his musical career.

Harold Melvin, who had his own group The Blue Notes, caught the Cadillacs in concert when Pendergrass took a turn singing at the mike. Thoroughly impressed with his voice, Melvin quickly offered him the chance to be the lead vocalist of The Blue Notes and Pendergrass seized the opportunity. Harold Melvin & The Blue Notes, who hadn't had much commercial success, signed to a new label, Philadelphia International Records in 1971.

With the label's founders, Kenny Gamble and Leon Huff taking a special interest in guiding their new artists, the group had their breakthrough hit the following year with a song written and produced by Gamble & Huff, "If You Don't Know Me By Now" which reached the top of the r&b chart and the top-ten of the pop chart. Other hits soon followed like "Bad Luck", "The Love I Lost" and "Wake Up Everybody" but with big success came bigger problems within the group. Resenting continuously being mistaken for "Harold Melvin", Pendergrass felt his name should be part of the band's title while also unhappy with his financial arrangement with Melvin. In 1975, he decided to leave the group to go solo while Harold Melvin & The Blue Notes, who never found a suitable replacement for Pendergrass, eventually faded in to obscurity.

Teddy Pendergrass released his self-titled debut album in 1977 with it receiving a lot of attention on the soul chart with the help of the singles, "I Don't Love You Anymore" and "The Whole Town's Laughing at Me". With his subsequent albums, he began to chart his path as a sexy balladeer with such seductive bedroom jams as "Close The Door", "Come Go With Me", "Turn Off The Lights" and "Love T.K.O.". When Shep Gordon, Pendergrass' manager,  realized his audiences where largely made up of excited women of all races, he created "women only" concerts that proved to be a very popular gimmick.

By 1982, Pendergrass was at the height of his fame as one of the biggest artists in soul music when tragedy struck the singer in March of that year. He was involved in a terrible car accident that left his passenger with minor injuries but he suffered a spinal cord injury, leaving him paralyzed from the chest down. After spending several years in rehabilitation, Pendergrass triumphantly returned to music in 1984 with the album, "Love Language" and found himself back on the pop charts with "Hold Me", a duet with then-new artist, Whitney Houston. He would later find himself back at number one on the r&b chart with "Joy" in 1988.

After being treated for colon cancer, he later developed severe complications causing respiratory issues and Teddy Pendergrass passed away on January 10th 2010 at the age of fifty-nine. He left behind an powerful body of music that is still able to get people in an amorous mood. Here are two of my favorite songs from the great Teddy Pendergrass:

"When Somebody Loves You Back" - Teddy Pendergrass (1978) mp3

"Come Go With Me" - Teddy Pendergrass (1979) mp3

As a bonus, here is a live version of the Harold Melvin & the Blue Notes' timely hit, "Wake Up Everybody" performed on "Soul Train":

Finally, I couldn't resist giving you the love ballad, "Hold Me" by Mr. Prendergrass and Whitney Houston:

Wednesday, July 12, 2017


After being forced to put her career on hold, Kesha is finally able to return to music. She had been embroiled in a nasty legal battle with her former producer, Dr. Luke over contractual and personal issues during the last five years and the thirty year old's first single, "Praying" seems to be directly about all of the emotional turmoil she has been through.

Kesha reveals in this moving piano-driven ballad, co-written and produced by Ryan Lewis (of Macklemore & Ryan Lewis), that despite all of the pain and abuse one can go through, you can survive and heal. What I found most surprising about this track is that it shows what a full-bodied voice the singer actually has which was never properly put on display on any of her hit singles like "Tik Tok" and "We R Who We R". This is a dramatic and uplifting moment for the singer and will certainly have people anticipating her upcoming third album, "Rainbow" which is due out in August.

Take a look at the striking music video for "Praying", directed by Jonas Åkerlund, which shows that Kesha has lost none of her colorful, eccentric style:

Sunday, July 2, 2017


After teasing us throughout the year with several tasty jams featuring an eclectic roster of artists, Calvin Harris has just released his fifth studio album, "Funk Wav Bounces Vol. 1". This ten track collection has the thirty-three year old Scottish DJ/producer moving away from the dance floor and more towards a hip-hop/soul/ska vibe. And he has enlisted the help from some of the biggest names in music right now; Frank Ocean, Nicki Minaj, Katy Perry, Pharrell Williams, Ariana Grande, John Legend and Snoop Dogg to name just a few. One of my favorite songs so far this year is "Slide" which features Ocean and Migos and the album is filled will plenty of other solid grooves that will perfectly add some additional heat to the summer.

"Feels" is the latest single which features Perry, Williams and Big Sean riding on a Caribbean-flavored beat. Enjoy the official video for that tune and here are two other tracks to check out: Nicki Minaj also grooves to a tropical beat on "Skrt On Me' while two rising artists, Kehalni and Lil Yachty deliver a mid-tempo jam with "Faking It".

Wednesday, June 21, 2017


Those Swedish musical party-girls, Caroline Hjelt and Aino Jawo, otherwise known as Icona Pop are back with a new club-banging anthem. "Girls Girls" delivers the duo's signature sing-shout sound with a throbbing tropical beat. With a co-songwriting assist from fellow Swede, Tove Lo, this shimmering jam will make a cool addition to the summer much like Icona Pop's last major pop hit, "I Love It". Check out this lyric video that features selfies from the singers and their fans:

Monday, June 19, 2017


This year marks the fortieth anniversary of the release of one of the biggest selling albums of all-time; Fleetwood Mac's "Rumours". Recorded during a difficult time of personal upheaval within the group with the divorce of bass guitarist John McVie from keyboard player/vocalist Christine McVie along with the romantic break-up between guitarist and vocalist, Lindsey Buckingham and singer/songwriter, Stevie Nicks. Even Fleetwood Mac's co-founder and drummer, Mick Fleetwood was dealing with martial problems as his wife at the time was having an affair.

Yet despite all of the emotional chaos for each member of the band, somehow all of this tension set off a profound creative spark. While all four singles, "Go Your Own Way", "Don't Stop", "You Make Loving Fun" and the number one hit, "Dreams",  made it to the top-ten on the U.S. pop chart, every song from this near-perfect album received some radio play. "Rumours" would become a world-wide massive hit, go on to win a well-deserved Grammy Award for Album of The Year and to date, has sold more than forty million copies.

Now two members of the group, Lindsey Buckingham and Christine McVie have just released a self-titled album. After coming out of semi-retirement to rejoin Fleetwood Mac in 2014, McVie hit the recording studio with Buckingham to help get herself back in to the groove. This proved to be successful sessions with new material coming together for a potential new Fleetwood Mac album. The project was put on hold to start the Fleetwood Mac On With The Show tour. Stevie Nicks was going to contribute songs for the Fleetwood Mac album after their tour but decided to pursue her own career retrospective project, "24 Karat Gold: Songs from the Vault" and tour for that album. Deciding not to wait for Nicks, Buckingham and McVie continued on with the project as a duo.

"Lindsey Buckingham/Christine McVie" is a solid album bringing a familiar, comfortable vibe by merging Buckingham's experimental style and McVie's smooth pop sound. While it's just the two musicians' name of the project, two other members of Fleetwood Mac, Mick Fleetwood and John McVie participated on a number of the tracks. This duo will be hitting the road this summer starting on June 21st in Atlanta to promote the record. Listen to the first single, "In My World", a Buckingham lead song and "Feel About You" which features McVie on vocals:

Friday, June 16, 2017



Beth Ditto, the fiery, big voice behind the alt-punk band, Gossip, has officially become a solo artist after the group mutually decided to come to an end last year. The Arkansas native had dabbled with EDM on her 2011 self-titled EP but has returned to her musical roots with her just released debut, "Fake Sugar". This collection of country-lite rockers and electrifying dance tunes features lyrics that touches on her Southern upbringing, life as a queer feminist artist and her almost four-year marriage to Kristin Ogata. Enjoy the video for the first single, "Fire":


One way to describe the visionary music of Perfume Genius is that he is the star-child of Kate Bush and David Bowie. Born Mike Hadreas in the suburbs of Seattle, WA, he was victimized as a young child due to being openly gay and even received death threats. Hadreas found solace in music and learned to play the piano. After dropping out of high school, he moved to New York in an attempt to experience a more open-minded, creative environment. Hadreas soon returned to Seattle where he decided to pursue a life in music on his terms. Reborn as "Perfume Genius", he created songs inspired by his sexuality and the dangers that confront gay men in contemporary society. For his fourth album, "No Shape", Perfume Genius has created another bold art-rock expression on his views of love and relationships. Here are the music videos for two singles from the album, "Slip Away" and  "Die 4 You" which perfectly display this artist's inventive gift for performance art.

Finally we have some new music from the glam-disco outfit, Scissor Sisters. it's been almost five years since we last heard anything from the group, which still consists of Babydaddy, Jake Shears, Ana Matronic, and Del Marquis, and they have come together with producer, MNDR for a good cause. The song, "Swerlk" was created to pay tribute to the victims of the Orlando nightclub shooting one year ago with a sassy dance-floor remembrance. It is being released in conjunction with GLAAD with proceeds from the sales benefiting the Contigo Fund, a non-profit organization for LGBTQ individuals.

Tuesday, June 13, 2017


It's hard to believe that it's been a little over a year since we lost the phenomenally talented musician, Prince. He would have turned fifty-eight on June 7th and the world still hasn't seem to have recovered from the tragic passing of this truly iconic artist.

I just recently caught up with watching this year's Rock & Roll Hall of Fame Induction and my favorite part of the program had nothing to do with any of the inductees. It was a brief musical tribute to the Purple One by Lenny Kravitz that blew me away. I have to say it's the absolute best out of the many tributes paid to Prince to date, so please check out Mr Kravitz performing inspired live versions of "When Doves Cry" and "The Cross":

Saturday, May 27, 2017


Americans probably know Rita Ora more for her fashion-forward looks on a red carpet (including her recent appearance at the Met Ball), her acting roles ("Fast & Furious 6", "Fifty Shades of Grey") or for her short stint as the host of the revived "America's Next Top Model" show. However, the twenty-six year old Brit began her career as a singer with her first two singles from her 2012 debut, "Ora", "How We Do (Party)" and "R.I.P." going to number one on the UK pop chart. Although she provided the hook for Iggy Azalea's hit, "Black Widow", Ora's own music didn't get much attention here in the States.

Ora is wanting to change that and has just released a new song entitled "Your Song".  This is her first solo single in two years and seems to be the first music from her long delayed follow-up album (although part of that had to do with her successful lawsuit to release herself from contract with Roc Nation Records). The singer has teamed up with a fellow Brit who is quite popular here, Ed Sheeran along with producer, Steve Mac to help write this song. The Sheeran connection is interesting and will certainly get people to pay some attention but I don't think "Your Song" is strong enough to get Ora to stand-out in this tough pop musical landscape.

"Your Song" - Rita Ora (2017) mp3

And as a bonus, here is the video for Ora's 2012 first single, "How We Do (Party)' which I really liked and don't know why it didn't do better here:

Thursday, May 25, 2017


U2 are in the middle of a thirty anniversary tour in celebration of their 1987 album, "The Joshua Tree". This critically acclaimed record, produced by Brian Eno and Daniel Lanois, reached number one in over twenty countries, won two Grammy Awards including Album of The Year, sold over twenty-five million copies and, most importantly, turned the band in to full-fledged rock superstars.

This number one flashback is "With or Without You", the first single from the album which stayed in this position for three weeks and became U2's first number one hit in the U.S. Bono wrote the lyrics that details his struggles with being a rock musician and a family man and how he can, ultimately, manage to be both. With his inspired vocals and The Edge's electrifying guitar work, the song builds to an intensity that makes this rock ballad soar to an incredible height. The follow-up single from "The Joshua Tree" , "I Still Haven't Found What I'm Looking For" also made it to top spot on the Billboard Hot 100.

Tuesday, May 23, 2017



After leaving one of the hottest girl-groups out right now, Fifth Harmony last December, Camila Cabello has wasted no time getting her solo career in order. The twenty year-old singer has already hit the top-twenty this year by providing vocals on Shawn Mendes' "I Know What You Did Last Summer" and Machine Gun Kelly's "Bad Things". And now she has dropped her first single as a solo artist. "Crying In The Club", using an island-flavored beat and a sample of Christina Aguilara's "Genie In a Bottle", is about the power of music helping to make it through heartbreak. This mid-tempo ballad is hardly groundbreaking and if it makes you think of a Sia track, that's because the singer co-wrote the song with Cabello along with current hit-makers, Benny Blanco, Cashmere Cat and Happy Perez. Let's see what else will come as Cabello's debut album, "The Hurting. The Healing. The Loving." is due out this fall.


Katy Perry has just released a third song from her upcoming fifth studio album, "Witness". But what makes this tune, "Swish Swish" most notable is that it may be a swipe at fellow pop princess, Taylor Swift who apparently penned a thinly-veiled attack on Perry with her 2015 song, "Bad Blood". Just like Swift, Perry does not confirm nor deny this claim but will say it's about anti-bullying with a '90's inspired dance beat. She was the musical guest on the season finale of "Saturday Night Live" and here is a live performance of the song:


The Aussie rapper, Iggy Azalea is back trying reignite her music career with a new track. Her latest single, "Switch", that features Brazilian pop star, Anitta delivering the hook, is certainly catchy but I don't know if it's enough to get her back on the pop chart. Time will tell but have a listen to judge for yourself:

"Switch" - Iggy Azalea featuring Anitta (2017) mp3


Finally, we have my favorite out of this batch of new songs. Selena Gomez has returned with "Bad Liar", a slinky, beat-driven ballad from the team of Julia Michaels and Justin Tranter who brought us the singer's hits, "Good For You" and "Hands To Myself".  Using the bassline from Talking Heads' 1977 song, "Psycho Killer" as inspiration, the song has Gomez singing about unconvincingly denying her feelings for a new love interest.

Thursday, May 18, 2017


Miley Cyrus has certainly caused a little whiplash with her drastic image shifts. She was introduced as the cute "Hannah Montana" character then becoming a more natural, sweet country-rock princess before shocking everyone as a raunchy, pot-smoking provocateur. Now the twenty-four year old singer has evolved once again. With a semi fresh-scrubbed, drug-free persona and leaving hip-hop far behind, Cyrus has returned to her pop-rock roots with a new song, "Malibu". Inspired by a reconnection with her former fiance, actor Liam Hemsworth, the guitar-driven song is about her falling in love again. I really like this and find "Malibu" a refreshing sound for pop radio.

Here are some recent music videos of follow-up songs from artists with new albums on the horizon:

I had mentioned earlier of TLC releasing new music but there is another female r&b group from the '90's also making a comeback. En Vogue, who brought us such hits like "Hold On", "My Lovin' (You're Never Gonna Get It)" and "Don't Let Go (Love)". are back with a new single, "I'm Good". Now down to a trio which includes original members, Terry Ellis and Cindy Herron along with Rhona Bennett,  the song may not be as memorable as when they were riding high on the charts but it features a classic soul vibe and their perfect harmonies. En Vogue's seventh studio album, "Electric Cafe", which feature production assistance from Raphael Saadiq and the group's original founders and producers, Denzil Foster and Thomas McElroy, is due out later this year.

"I'm Good" - En Vogue (2017) mp3

Finally, let's go back in time with a few of my favorite songs from the 1990's:

"Can We Talk" - Tevin Campbell (1993) mp3

"Get On Up" - Jodeci (1996) mp3

"All Night Long" - Faith Evans featuring P. Diddy (1999) mp3

Tuesday, May 9, 2017


The Haim sisters, Este, Danielle and Alana, have been performing music together professionally since they were children, singing and playing multiple instruments at churches, hospitals and weddings. The group known as Haim released their first major label album in 2013 , "Days Are Gone", a fascinating collection of songs they wrote inspired by their musical parents' 1970's rock albums and modern pop and hip-hop.

After taking their time, Haim has finally returned with some new music. "Want You Back", which is once again produced and co-written with Ariel Rechtshaid, is a tasty slice of classic California rock made for the 21st Century.

This first single will be on Haim's second album "Something To Tell You" which is due out on July 7. Be sure to catch the band previewing their new music live on May 13th as they are slated to be the musical guests on that evening's episode of "Saturday Night Live" with host, Melissa McCarthy.

Sunday, April 30, 2017



After thrilling the crowd during her first appearance at this year's Coachella Valley Music and Arts event, it's clear that the British electro-soul singer, Nao seems to be on the verge of jumping to the next level. The helium-voiced, twenty-nine year old artist (her name is pronounced "neigh-yo" and it's a variation of her given name Neo Jessica Joshua) has continued to build momentum ever since she released two EP's, "So Good" in 2014 and "February 15" the following year. 2016 saw her drop her acclaimed debut album, "For All We Know" with the singles, "Bad Blood" and "Girlfriend" helping it reach the top-five on the U.S. dance chart. I'm quite sure that Nao is a name you will be hearing a lot more from. Enjoy the music video for "Girlfriend" and a live performance of "Bad Blood":


Khalid is another young artist pushing the boundaries of soul music by merging other genres with it to create something different. The now nineteen year old spent his early years living in various places due to his mother serving in the army. After settling in El Paso, TX, Khalid Robinson studied singing and musical theater in high school. When he decided to pursue a music career instead of going to college, his mother, who sang with the U.S. Army band, supported her son's decision. He released his debut album, "American Teen" earlier this year after the positive response of his 2016 first single, "Location" which the tune reached the top-twenty on the pop chart and top-ten on the r&b/hip-hop chart. With his career off to a great, promising start, Khalid has made sure his mama ain't got nothing to worry about.

Monday, April 17, 2017


Lorde has already given us a little taste of her upcoming second album, "Melodrama" with "Green Light" , a song burning up the charts right now.  In an in-depth profile written by Rolling Stone writer, Jonah Weiner for the New York Times Magazine, the young singer discusses what she had been doing in the four years since her breakout debut album, "Pure Heroine" and the fascinating process involved in the creation of her new music which is due out in June.

Click below to read:

The Return of The Pop Prodigy

As a bonus, here is another song from the album, "Liability", a ballad she performed live during her recent appearance on an episode of "Saturday Night Live":

Saturday, April 15, 2017


TLC, one of the biggest girl groups of all time that ruled the charts back in the 1990's,  has just returned with new music after taking a recording hiatus following the tragic death of member, Lisa "Left Eye" Lopes in 2002.  With the use of Kickstarter to help raise funds to record what will be their fifth and (apparently) final album, the surviving members, Tionne "T-Boz" Watkins and Rozonda "Chilli" Thomas have released the first single, "Way Back" that features a rap verse by Snoop Dogg. The song delivers a nostalgic vibe with lyrics that reminisces about the past while name-checking some musical greats like James Brown and Michael Jackson. This is a great jam that really should return TLC back to the charts.

Tuesday, April 11, 2017



Blondie began as a scrappy New York punk band in the mid-'70's before "Heart of Glass", their worldwide smash rock/disco hybrid, transformed them in to a slightly glossier pop-rock outfit yet they managed to maintain their rebellious spirit. The group, with a line-up at the time that featured Nigel Harrison on bass guitar, Jimmy Destri on keyboards, Frank Infante on guitar, Clem Burke on drummer, Chris Stein on guitar and his girlfriend at the time, Debbie Harry who was the official voice and unofficial face of the band, enjoyed mainstream success for a few years before jealousy, in-fighting and Stein's near-fatal illness drove them apart by 1982.

Each member went on to explore their own musical endeavors, including Harry's moderately successful solo career, before the original five band members of Blondie (which includes Gary Valentine on bass before he was replaced by Harrison in 1977) came back together first for a few live performances in 1997, an international tour the following year and then a new album, "No Exit" in 1999 although Valentine had left the band again before the recording of it.

Now down to Harry, Stein and Burke (with Leigh Foxx on bass, Matt Katz-Bohen on piano and Tommy Kessler on guitar filling out the rest of the band), Blondie has kept plugging away ever since and are preparing to release their eleventh studio album, "Pollinator" in May.  The first single, "Fun" features the early propulsive energy of the band while feeling quite modern.


The members of the British band, Depeche Mode dabbled in rock and acoustic before moving on to exploring synthesisers in the early '80's. The quartet, consisting of Martin Gore, Vince Clarke, Andy Fletcher and Dave Gahan, helped usher in the new wave-synthpop scene in England and reached the top twenty on the UK chart with "New Life", "Dreaming Of Me" and "Just Can't Get Enough" from their debut album, "Speak & Spell" in 1981. Due to his apparent discomfort with their pop success, Clarke left Depeche Mode although he quickly went and formed Yazoo ("Yaz" in the U.S.) with Alison Moyet and later Erasure with Andy Bell. Clarke was replaced with Alan Wilder in 1982 and he remained with the band until 1995.

The sound of Depeche Mode has evolved over the years with the utilizing of more guitars and offering songs with far weightier subjects. The trio have just released their fourteenth album, "Spirit" and are speaking on these politically charged times. The first single, "Where's The Revolution" pretty much says it all. The band has returned to filmmaker, Anton Corbijn to create the video for the song.

Wednesday, April 5, 2017


After her New Year's Eve performance fiasco, Mariah Carey seems eager to put that out of people's minds with some new music. Clearly inspired by her recent break-up with former fiance, billionaire James Packer, "I Don't" is a bitter "her" side of the story backed up with an old-school r&b beat with YG adding a rap for a modern touch. I'm really digging the song but the cartoon sexuality in the music video is just too much. The forty-six year old mother of two directed this clip and it simply features endless shots of herself in ridiculously revealing outfits gyrating and flipping her hair seductively. I know the over-the-top, sexy diva image has always been her thing but it's getting a little sad now. "I Don't" is the first of several singles that will be released throughout the year with an album that will likely happen depending on how well these songs do.

And here is a far more classier Carey paying loving tribute to the recently departed George Michael with an incredible live version of his ballad, "One More Try":

Here is a collection of some dynamic music videos of recent songs I've been digging:

Wednesday, March 29, 2017


Judy Garland's classic ballad from "The Wizard of Oz", Barbra Streisand's classic ballad from "Funny Girl",  the original version of "Hound Dog", a collection of the greatest hits by the Eagles and the debut album from N.W.A.  are just some of the recordings that have just been inducted in to the National Recording Registry.

Since 2002, the Library of Congress have selected sound recordings that are culturally, historically, or aesthetically important that informs or reflect life in the United States. The twenty-five selected this year feature a wide range of music, commentaries, radio programs, comedy albums and speeches. To date, there have been 475 recordings placed in the National Recording Registry.

Here is the complete list of the twenty-five recordings being inducted in the 2017 National Recording Registry:

The London cylinder recordings of Col. George Gouraud (1888)

Lift Every Voice and Sing” (singles) - Manhattan Harmony Four (1923) and Melba Moore & Friends (1990)

Puttin’ on the Ritz” (single) - Harry Richman (1929)

Over the Rainbow” (single) - Judy Garland (1939)

I’ll Fly Away” (single) - The Chuck Wagon Gang (1948)

Hound Dog” (single) - Big Mama Thornton (1953)

Saxophone Colossus” - Sonny Rollins (1956)

"The Brooklyn Dodgers and the New York Giants at the Polo Grounds", announced by Vin Scully (September 8, 1957)

Gunfighter Ballads and Trail Songs” - Marty Robbins (1959)

The Incredible Jazz Guitar of Wes Montgomery” - Wes Montgomery (1960)

People” (single) - Barbra Streisand (1964)

In the Midnight Hour” (single) - Wilson Pickett (1965)

Amazing Grace” (single) - Judy Collins (1970)

American Pie” (single) - Don McLean (1971)

All Things Considered” - first broadcast (May 3, 1971)

The Rise and Fall of Ziggy Stardust and the Spiders from Mars” - David Bowie (1972)

The Wiz: Original Broadway Cast Album” - (1975)

Their Greatest Hits (1971–1975)” - Eagles (1976)

Scott Joplin’s Treemonisha” - (Gunter Schuller, arranger) (1976)

Wanted: Live in Concert” - Richard Pryor (1978)

We Are Family” (single) - Sister Sledge (1979)

Remain in Light” - Talking Heads (1980)

Straight Outta Compton” - N.W.A (1988)

Rachmaninoff’s Vespers (All-Night Vigil)” - Robert Shaw Festival Singers (1990)

Signatures” - Renée Fleming (1997)

Monday, March 27, 2017


I didn't realize this but two iconic female vocalists (and two of my all-time favorites) celebrated birthdays over this past weekend.

"The Queen of Soul", Aretha Franklin turned seventy-five on March 25th while MISS Diana Ross turned seventy-three yesterday. I know it may not be polite to tell a woman's age but there's no reason for them not to be proud. I could go on and on about what amazing talents they are or how much each has greatly influenced popular music but there is no need. It's simply old, wonderful news.

To celebrate the day of each of their births, I have presented my very favorite songs from each performer. Enjoy:

Monday, March 20, 2017


It's a pretty bold move to try and identify what direction popular music is heading but for the New York Times Magazine's annual music issue, they have selected twenty-five songs that may possibly let us in on that idea. Not all of these songs are new, as some are a few years old or have been remixed to address our modern times but what many of these songs appear to share in common is a search for identity and where do we fit in this complicated and increasingly isolated planet.

I know this will sound like a really scratched record but there is no denying that this current state of political turmoil has made that question even more relevant and will effect the type of music that will come from artists in the future. Songs that reflect unease, desperation, sadness, outrage and anger will certainly be a more common occurrence as the divisive actions of this administration continues to unfold. Time will tell but in the meantime, check out these innovative and powerful songs.

Click below to read:

The Music Issue: 25 Songs That Tell Us Where Music Is Going

CHUCK BERRY (1926 - 2017)

Chuck Berry, the guitarist who took country and rhythm and blues and merged them with his inventive guitar solos and dynamic showmanship to help create what we know as rock & roll, passed away on March 18th at the age of ninety. With his signature "duck walk" he did when he played, Berry was an innovative artist who broke down the deep musical and racial divide at the time in this country and helped integrate teenagers through his music.

Berry was born and raised in St. Louis, MO and was interested in music at an early age, performing for audiences while a student in high school. However, his fledgling career as a professional musician was briefly derailed after he was convicted of armed robbery and sentenced to a reformatory for young men until he was twenty-one. Berry formed a singing group while there and was so good, he was allowed to perform occasionally outside of the detention facility. After he was released, Berry started his music career again, developing his unique guitar style and played with giving country music a blues makeover.

Berry's big break came in 1955 when he traveled to Chicago and met blues great, Muddy Waters. He suggested that Berry meet Leonard Chess of Chess Records and the record executive became very interested in the young musician. The first single released was "Maybellene", a reworking of a traditional country tune, "Ida Red" that was made famous by Bob Wills in 1938. The song went straight to number one on the R&B chart and sold over a million copies. The following year a song Berry wrote, "Roll Over Beethoven" actually crossed over and reached the top forty on the pop chart. Berry soon went on tour with other popular rock acts of the day like Buddy Holly and the Everly Brothers and he became a major music star.

More hits followed, "School Days", "Sweet Little Sixteen", "Rock and Roll Music", "Little Queenie", "Back In The U S A" and his most famous, "Johnny B. Goode". Berry even made appearances in two early rock & roll films, "Rock Rock Rock" and "Go, Johnny, Go!". But his successful career took a hit when he was convicted of violating the Mann Act and eventually sentenced to a year and a half in prison in 1962.

By the time Berry was released from jail, the British Invasion in the U.S. had begun and these acts were covering many of his hit songs which brought interest back to the originator. While he did record several albums during this period, they were not nearly as successful as in his glory days. But Berry remained a top concert draw and went around the globe performing. In 1972, Berry released a live recording of an innuendo-laden, novelty song, "My Ding-a-Ling" and this would become Berry's first and only number one song on the Billboard Hot 100 chart.

Chuck Berry received a Grammy Lifetime Achievement Award in 1984, a Kennedy Center Honor in 2000 and was one of the first group of musicians to be inducted in to the Rock & Roll Hall of Fame in 1986. Berry had continued to perform all these years although he was recently only playing once a month at a restaurant bar in St. Louis.

Here are a few classic moments from the pioneering musician, Chuck Berry performing live:

Sunday, March 12, 2017


You may not know who Stargate is by name but you are very familiar with their music. What do Beyoncé‘s "Irreplaceable", Ne-Yo's "So Sick", Rihanna's "Don't Stop the Music", Katy Perry's "Firework", Selena Gomez's "Come & Get It", Fifth Harmony's "Worth It", Wiz Khalifa‘s "Black and Yellow" and Coldplay's "Hymn for the Weekend" all have in common?

These are just a very small number of songs that the Norwegian production team of Tor Hermansen and Mikkel Eriksen have been creating that have found their way on the international pop charts since 2001. Now after years of writing and producing for other artists, Stargate has decided to release some new music under their own name.

And for the official first single under their recording contract with RCA Records, the duo have brought together two of the hottest singers in pop music right now; Sia and P!nk. On "Waterfall", these two vocal powerhouses do not disappoint with them trading verses in this slinky love jam of yearning for another touch from a lover. I certainly think that Stargate has another hit on their hands. Have a listen:

Saturday, March 11, 2017


EDM (or "electronic dance music") has slowly become a dominant force in pop music over the last few years. At first, these musicians would discover their own vocalists to sing on their dance tracks which in turn created new pop music stars. And as soon as these DJ/producers found amazing success on the charts, established artists began seeking out this talent to help them create their music. Now these EDM artists are attempting to expand their sound, merging with different genres of music to create something fresh.

Calvin Harris was one of the first artists to move successfully from the dance floor to the pop charts. Born Adam Wiles, he began as a DJ in his native Scotland before moving towards creating his own music in his teens. The award-winning Harris has become an international star with his own albums and producing dance-pop tracks for such distinguished acts like Kylie Minogue, Pitbull, Scissor Sisters, Mary J. Blige and Rihanna, who he has helped reach the top of the charts several times with "Where Have You Been", "We Found Love" and with last year's smash, "This is What You Came For". With his latest, "Slide", Harris is actively trying to bring together electronic dance and hip-hop with vocal assistance from Frank Ocean and the Southern-based outfit, Migos, currently riding the charts with their hit, "Bad and Boujee".

"Slide" - Calvin Harris featuring Frank Ocean and Migos (2017) mp3

Stephen Bruner, or as he is professionally known, Thundercat, may not exactly be considered an EDM artist as he has performed and produced wildly eclectic styles of music throughout his career including jazz-fusion, alt-rock, classic R&B, hip-hop and even heavy metal. But the Los Angeles native bass guitarist has an electronic pulse beating through his recently released third studio album, "Drunk", a collection of fragmented, eccentric and musically diverse tracks. One highlight is "Show You The Way", a '70's inspired, funky, slow jam that features vocals from two icons of that era; Kenny Loggins and Michael McDonald. This sensual track will fit perfectly on either the dance floor or in the bedroom.

"Show You The Way" - Thundercat featuring Kenny Loggins and Michael McDonald (2017) mp3

Finally, we have the Chainsmokers, one of the hottest EDM acts of the last couple of years, who have teamed up with one of the biggest rock groups of the last decade, Coldplay.  On the very catchy, "Something Like Like This", the duo,  Alex Pall and Drew Taggart, bring their throbbing beats that blends nicely with Chris Martin's vocals which gives us the best of both bands. This song will appear on the Chainsmokers' debut studio album, "Memories. . .  Do Not Open"  due out on April 7th and on Coldplay's upcoming EP, "Kaleidoscope" which features leftover tracks from their 2015 album, "A Head Full of Dreams" and is expected in June. Here is a clip of this super-team performing the song live at the recent Brit Awards:

Friday, March 3, 2017


I must admit I have been very impatient waiting for some new music from Lorde, the New Zealand artist who came on the scene in 2013 with her thoughtful, electropop album, "Pure Heroine" and the worldwide smash single, "Royals".  I keep forgetting she was just sixteen when it came out and surely needed some serious time away after her whirlwind success to simply be a teenager.

I suspected something was on the horizon when it was announced that the now-twenty year old singer will be the musical guest on the March 11th episode of "Saturday Night Live" and today a new single was released. "Green Light", co-written with Jack Antonoff of the bands, fun and the Bleachers and producer and fellow New Zealander, Joel Little, surprises as it's much more like a dance-pop anthem than the dark and far edgier material that first brought her to our attention. I guess hanging out with BFF, Taylor Swift has inspired Lorde in more ways than one. Yet let me be clear that it still feels and sounds very much like Lorde which is a very good thing. I really loved the track the first time I heard it and I'm sure the rest of the world will respond in kind.

The title of her forthcoming second album has been revealed to be "Melodrama" and due sometime later this summer with a tour to follow. For now, enjoy the music video, directed by Grant Singer, which features just the singer wildly dancing in the streets and on top of a limo:

Monday, February 20, 2017


After a few years out of the spotlight, Lana Del Rey is back on the music scene and has dropped "Love" in to the world. With writing and production assistance from Rick Nowels and Benny Blanco, the thirty-one year old vocalist has returned to the ethereal glam-pop styling that initially caught our attention back in 2011.

"Love" was at first teased to the public on February 17th but was rushed out after leaked versions hit the web. The lyrics might travel down familiar territory about the difficulties of being young and desperately in love but Del Rey elevates the tune with her girlish yet highly emotive vocals. I'm really digging this dramatic song, which sounds like nothing else happening right now in pop music, and expect this will make a big impact on radio. I can't wait to hear more with Del Rey's fifth studio album due out sometime later this year.

Thursday, February 16, 2017

AL JARREAU (1940 - 2017)

Al Jarreau, the smooth jazz vocalist who also dabbled in pop and soul music, sadly passed away on February 12th at the age of seventy-six. He had just announced his retirement from live performing just two days before his death due to declining health.

Born in Milwaukee, WI , Jarreau found his love of music in the Church. His father was a minister and his mother was the pianist while he and his siblings performed during services. After earning a master's degree in vocational rehabilitation, Jarreau worked as a counselor in San Francisco while occasionally singing with a jazz trio after hours. He latter teamed with guitarist Julio Martinez and they became a popular act in the Bay Area. It was at this point Jarreau decided to pursue music full time.

Jarreau soon headed to the Southland where he made a name performing at nightclubs and on television variety shows. He was signed to Warner Bros. Records and released his debut album, "We Got By" in 1975 to rave reviews. Jarreau would win the first of his seven career Grammy Awards for his first live album, "Look At The Rainbow" in 1977.

In 1981, Jarreau released "Breakin' Away" which would help the singer crossover to the pop and soul worlds and became his biggest selling album at over a million copies sold. The single, "We're In This Love Together" reached the top-twenty on the pop chart, the top-ten on the r&b chart and would win Jarreau the Grammy for Best Male Pop Vocal Performance. He would also win Best Male Jazz Vocal Performance for "(Round, Round, Round) Blue Rondo à la Turk" from that album as well.

Other career highlights include performing the theme song for the popular late '80's television romantic comedy-drama, "Moonlighting" which reached the top-thirty on the pop charts and he was one of the participating pop singers who lent their voices on the charity single for African famine relief, "We Are The World" in 1985.

But Jarreau was admired most as an outstanding live performer and since the beginning of his musical journey he would tour extensively in countless concerts and jazz festivals, dazzling audiences around the world in the process. The singer even appeared in the role of Teen Angel in "Grease" on Broadway in 1996. He was a great talent who will truly be missed. Enjoy a small sample of the amazing music of Al Jarreau:

"We're In This Love Together" - Al Jarreau (1981) mp3

Tuesday, February 14, 2017


I knew there was no way we were going to get through over three hours during one of music's biggest nights without politics somehow making it's way on to the stage of the 59th Annual Grammy Awards. And of course it did, subtlety with an image of the Constitution being projected at the end of Katy Perry's performance of her new song, "Chained To The Rhythm" and quite aggressively during A Tribe Called Quest's number where they, along with Anderson Paak, Busta Rhymes and Consequence, referred to "President Agent Orange" and urged the audience to continue resisting his outrageously divisive policies. There were also inspiring messages of tolerance and moving words on the importance of the arts in speeches from Beyoncé during her acceptance of the Best Urban Contemporary Album award and from the Recording Academy President, Neil Portnow.

James Cordon, the host of CBS' "The Late Late Show", took over the hosting duties of the Grammys this year and brought a much-needed new energy to the show. No offense to LL Cool J but the comedian kept the show light and breezy (and just in time considering the political climate) with his infectious enthusiasm and cheerful good humor. But he could still be cheeky with a funny bit involving his parents and their "cheat dates". Cordon is a true music lover which is evident from his very popular "Carpool Karaoke" segment (which he couldn't resist squeezing in to the show by doing an all-star version of Neil Diamond's "Sweet Caroline" but it would really seem unavoidable with so many of the top music people in the audience)  and appeared to be just as thrilled to be hosting as he was watching the performers.

And music was the real focus of the evening and there were plenty of outstanding performances to witness. Adele kicked off the show with a flawless rendition of "Hello" but ran in to some trouble during a tribute to George Michael with a reworking of "Fast Love" (an odd choice out of all of his songs). She was so unhappy with her performance that she insisted on stopping in the middle and starting over. Adele triumphed in the end but was still quite visibly upset despite the enthusiastic response. Other highlights include Bruno Mars who also did double duty with a slick, old-school funk performance of his own song "That's What I Like" before showing off impressive guitar skills on a cover of "Let's Go Crazy" during the tribute to Prince. Ed Sheeran astonished as a one-man band as he did his new single, "Shape of You", Keith Urban and Carrie Underwood brought some fiery soul to country with "The Fighter" and the duet of John Legend and "Color Purple" star, Cynthia Erivo performing the Beach Boys' "God Only Knows" during the in-memoriam segment was absolutely breathtaking. Get them to a recording studio ASAP!

I wasn't particularly impressed with the teaming of Metallica and Lady Gaga which was just loud and inaudible with the technical difficulties not helping and while I was thrilled with the celebration of the Bee Gees and the fortieth anniversary of their "Saturday Night Fever" soundtrack, the performers involved (which included Demi Lovato, Tori Kelly and Little Big Town) underwhelmed.

But it was Beyoncé, hardly surprising, who left a spectacularly memorable impression. Merging bold religious imagery with a hallucinogenic flower-child vibe, the singer, resplendent in a revealing, golden gown and the glow of impending motherhood, took over the show for nine minutes with a amazing production of two songs from "Lemonade", "Love Drought" and "Sandcastles" that featured video projection, the usual army of female dancers and dazzling visual effects that made a statement in more ways than one.

There was much made of the Adele vs Beyoncé showdown but it was the British singer who ultimately was the big winner taking all five of the Grammys she was nominated for including Album of The Year while the expectant mother received only two from her nine nominations. Now while I think "25" is a good, solid album but I completely agree with Adele 100% that "Lemonade" should have taken that top prize for it's innovation and craftsmanship. It was a slight to an album that will long endure as a groundbreaking work. But I couldn't help being moved just as much as Beyoncé by Adele's graciousness, honesty and genuine affection for the singer. Adele proved to me she was a winner just by being endearing, humble and a class act.

Here is the complete list of winners from the 2017 Grammy Awards:

Album of the Year: “25”, Adele
Record of the Year: “Hello”, Adele
Song of the Year: “Hello”, Written by Adele Adkins & Greg Kurstin (Adele, artist)
Best New Artist: Chance the Rapper
Best Pop Vocal Album: “25”, Adele
Best Pop Solo Performance: “Hello”, Adele
Best Pop Duo/Group Performance: “Stressed Out”, Twenty One Pilots
Best Traditional Pop Vocal Album: “Summertime: Willie Nelson Sings Gershwin”, Willie Nelson
Best Urban Contemporary Album: “Lemonade”, Beyoncé
Best R&B Album: “Lalah Hathaway Live”, Lalah Hathaway
Best R&B Performance: “Cranes in the Sky”, Solange
Best Traditional R&B Performance: “Angel", Lalah Hathaway
Best R&B Song: “Lake By the Ocean”, Written by Hod David & Musze, (Maxwell, Artist)
Best Rap Album: “Coloring Book”, Chance the Rapper
Best Rap Performance: “No Problem”, Chance the Rapper Featuring Lil Wayne & 2 Chainz
Best Rap/Sung Performance: “Hotline Bling”, Drake
Best Rap Song: “Hotline Bling”, Written by Aubrey Graham & Paul Jefferies, (Drake, artist)
Best Country Album: "A Sailor’s Guide to Earth", Sturgill Simpson
Best Country Solo Performance: “My Church”, Maren Morris
Best Country Duo/Group Performance: “Jolene", Pentatonix featuring Dolly Parton
Best Country Song: “Humble and Kind”, Written by Lori McKenna (Tim McGraw, artist)
Best Rock Album: “Tell Me I’m Pretty”, Cage the Elephant
Best Rock Performance: “Blackstar”, David Bowie
Best Rock Song: “Blackstar”, David Bowie
Best Alternative Music Album: “Blackstar,” David Bowie
Best Metal Performance: “Dystopia”, Megadeth
Best Dance/Electronic Album: “Skin”, Flume
Best Dance Recording: “Don’t Let Me Down”, The Chainsmokers Featuring Daya
Best Contemporary Instrumental Album: “Culcha Vulcha”, Snarky Puppy
Best New Age Album: "White Sun II", White Sun
Best Gospel Album: "Losing My Religion", Kirk Franklin
Best Roots Gospel Album: "Hymns", Joey + Rory
Best Contemporary Christian Music Album: "Love Remains", Hillary Scott & The Scott Family
Best Gospel Performance/Song: “God Provides”, Tamela Mann
Best Contemporary Christian Music Performance/Song: “Thy Will”, Hillary Scott & The Scott Family
Best Latin Pop Album: "Un Besito Mas", Jesse & Joy
Best World Music Album: "Sing Me Home", Yo-Yo Ma and The Silk Road Ensemble
Best Children’s Album: "Infinity Plus One", Secret Agent 23 Skidoo
Best Spoken Word Album: "In Such Good Company: Eleven Years Of Laughter, Mayhem and Fun in the Sandbox", Carol Burnett
Best Large Jazz Ensemble Album: "Presidential Suite: Eight Variations on Freedom", Ted Nash Big Band
Best Jazz Instrumental Album: "Country for Old Men", John Scofield
Best Jazz Vocal Album: "Take Me to the Alley", Gregory Porter
Best Improvised Jazz Solo: “I’m So Lonesome I Could Cry”, John Scofield
Best Musical Theater Album: "The Color Purple"
Best Compilation Soundtrack for Visual Media: "Miles Ahead"
Best Score Soundtrack for Visual Media: "Star Wars: The Force Awakens", John Williams
Best Song Written for Visual Media: “Can’t Stop the Feeling!”, Justin Timberlake
Best Instrumental Composition: “Spoken at Midnight”, Ted Nash
Best Arrangement, (Instrumental or A Cappella): “You and I”, Jacob Collier
Best Arrangement, (Instruments and Vocals): “Flintstones”, Jacob Collier
Best Recording Package: "Blackstar", David Bowie
Best Boxed or Special Limited Edition Package: "Edith Piaf 1915-2015", Edith Piaf
Best Album Notes: "Sissle and Blake Sing Shuffle Along", Eubie Blake and Noble Sissle
Best Historical Album: "The Cutting Edge 1965-1966: The Bootleg Series, Vol.12 (Collector’s Edition)", Bob Dylan
Best Engineered Album, (Non-Classical): "Blackstar", David Bowie
Best Remixed Recording: “Tearing Me Up (RAC Remix)", Bob Moses
Producer of the Year, (Non-Classical): Greg Kurstin
Best Surround Sound Album: "Dutilleux: Sur Le Même Accord; Les Citations; Mystère De L’instant & Timbres, Espace, Mouvement", Ludovic Morlot & Seattle Symphony
Best Engineered Album, (Classical): "Corigliano: The Ghosts of Versailles", Mark Donahue and Fred Vogler
Producer of the Year, (Classical): David Frost
Best Orchestral Performance: “Shostakovich: Under Stalin’s Shadow - Symphonies Nos. 5, 8 & 9”, Boston Symphony Orchestra
Best Music Video: “Formation”, Beyoncé
Best Music Film: "The Beatles: Eight Days a Week the Touring Years"


I can't believe it but it's been forty years since " Best of My Love " by The Emotions landed at number one on the pop...