RANDOM SIGHTS + SOUNDS

After her last venture into '80's synth-pop and hard rock and roll with "Plastic Hearts", Miley Cyrus is back with "Endless Summer Vacation", a new collection that falls more into contemporary dance-pop and mellow rock. Cyrus has teamed up with some of today's top hitmakers on this album, collaborating with Greg Kurstin, Justin Tranter, Tobias Jesso Jr. (who won the very first Grammy Award for Songwriter of the Year last month), Mike Will Made It, Sia and Kid Harpoon, the British musician who handled much of the album's production, crafting an album that is an ode to the city of LA with contrasting musical styles that surprisingly work well together. There are guest artists on board as well with Sia, who provides vocals on "Muddy Feet", and Brandi Carlile is featured on "Thousand Miles". Following the first hit single, "Flowers", this latest album from the thirty year old Cyrus has proven to put even more distance between her early days as a perky, Disney pop-star and effectively displays her growth and maturity as a serious musical artist.

Sparks, the art-rock band made-up of the Mael brothers, Russell on vocals and Ron on keyboards, have been making music together professionally since 1970. Their sound is a quirky blend of various pop music elements and caustic lyrics. The duo has released the title track of their upcoming twenty-sixth (!!) studio album, "The Girl Is Crying In Her Latte", due out in May with Sparks returning to a major label, Island Records. But it's the music video of this song that has drawn a lot of attention due to the star in the clip. Meeting her at France's César Awards last year, the Maels asked Cate Blanchett to appear in the video and she happily agreed, showing off her dancing skills in the process. Sparks will be hitting the road beginning this summer with an extensive world tour which includes a stop at the Hollywood Bowl in their hometown of Los Angeles.



Here is a spotlight on some new songs that I like from Usher (which is giving a Prince vibe), Róisín Murphy, Mae Stephens and the rally calls of the pretty people from Big Boss Vette and Soulja Boy Tell'em:

And finally, I would like to pay tribute to Bobby Caldwell, the r&b musician who passed away on March 14th at the age of seventy-one. He is best remembered for the 1978 ballad, "What You Won't Do for Love" which has gone on to become an enduring classic. But what was not popularly known at the time, largely because it was never actually publicized and Caldwell was not prominently featured on his first album cover, is that the singer behind this soulful song was actually White. Born in New York but raised in Miami, Caldwell was exposed to a variety of soul and Carribean music which would greatly influence his style when he would turn to becoming a professional musician. His first break came playing rhythm guitar on tour for Little Richard in the early '70's. Caldwell later went on to pursue a solo career, eventually signing with TK Records. As they were a r&b label, his self-titled debut was released with an artist rendering that didn't reveal his face, hoping not to alienate their African-American audience. But they had nothing to worry about as the song (which Caldwell co-wrote with Alfons Kettner) was warmly embraced, reaching number six on the r&b chart and cracking the top-ten on the pop chart. "What You Won't Do" went on to be covered and sampled by many artists over the following years, increasing the popularity of the original version. This would be Caldwell's only significant hit as an artist but would go on to write songs for other musicians, most notably "The Next Time I Fall", a hit for Peter Cetera and Amy Grant in 1986.

2023 OSCAR NOMINEES FOR BEST ORIGINAL SONG

In a matter of days, one of these five songs will receive this year's Oscar for Best Original Song, an eclectic bunch of compositions that adds some real intrigue to this category. There are a couple of nominees that created music for two of the biggest box-office hits of 2022 who also happen to be two of today's greatest pop superstars. Lady Gaga contributed the '80's styled, power-ballad, "Hold My Hand" to the long-awaited sequel, "Top Gun: Maverick" which displayed Tom Cruise still has a need for speed. After a few years away from working on new music, Rihanna returned with a mournful ballad for the soundtrack to "Black Panther: Wakanda Forever" with the director, Ryan Coogler also nominated for co-writing the song. The teaming of the idiosyncratic artists, David Byrne, Mitski and Ryan Lott of the band, Son Lux was the perfect combination to come up with, "This is a Life" for the absurdist comedy-fantasy, "Everything Everywhere All at Once". Lott along with bandmates, Ian Chang, and Rafiq Bhatia were also recognized for creating the original music score for the film. I'm still shocked that the only nomination that the epic Indian action drama, "RRR" received was for the song, "Naatu Naatu", a Telugu-language song that was used in the high-energy dance sequence which is one of many highlights in this movie. And Diane Warren received her fourteenth nomination for the ballad, "Applause" from the little-seen, anthology film, "Tell It like a Woman". I'm afraid to say Warren will probably have to continue enjoying the Honorary Oscar she received last year.

As for the winner, I think it could be Gaga's "Hold My Hand" if the Academy is feeling safe but the more adventurous "Naatu Naatu" would be the more thrilling selection. Here are the five nominated songs to hear and judge for yourself:

"Applause" from "Tell It like a Woman" - (Music and Lyric by Diane Warren)



"Hold My Hand" from "Top Gun: Maverick" - (Music and Lyric by Lady Gaga and BloodPop)



"Lift Me Up" from "Black Panther: Wakanda Forever" - (Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler)



"Naatu Naatu" from "RRR" - (Music by M.M. Keeravaani; Lyric by Chandrabose)



"This Is A Life" from "Everything Everywhere All at Once" - (Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne)

NEW SOUNDS

JANELLE MONAE

After spending some time working in front of the camera, appearing as an actor in several movies including "Glass Onion", the recent hit sequel to "Knives Out", Janelle Monáe has returned to what first brought her attention: music. A new song, "Float" is the first studio venture from the queer, Afrofuturistic artist since her third album, "Dirty Computer" in 2018. Using Muhammed Ali's amusing riff, "Float like a butterfly, sting like a bee" as a starting point, this uplifting song takes on rising above challenges and not allowing anybody to get you down. And if the track sounds a bit familiar, that's because a snippet of "Float" (which features horns by Nigerian musician, Seun Kuti and Egypt 80) had been used for NBA promos on ESPN. This seems like just the beginning with more music on the horizon from Monáe.

KELELA

It has been almost seven years since the alt-r&b chanteuse, Kelela released her debut album, "Take Me Apart", a progressive collection that combined electronic beats and classic soul to create a shimmering futuristic sound. Now the follow-up to that critically acclaimed album has arrived. The Ethiopian-American performer, born Kelela Mizanekristos, had dabbled in jazz and heavy metal before settling into neo-soul and with "Raven", she has continued on her innovative journey into beat-driven funky jams and pulsating, sensual ballads yet this adventurously stylish record also dives further into intimate reflections. The openly queer artist had been vocal about her concerns regarding Black women in entertainment, particularly feeling isolated working in dance music, with the songs focused more on personal relationships and identity than on the previous album.