NEW SOUNDS

Katy Perry has dropped some new music with "Watch It Burn", a hard-driving pop-rock song that recaptures the singer's classic sound. This track details about finally releasing some long, bottled-up anger in order to reclaim personal power after years of holding it back. The music video for the song is a cinematic, high production clip where Perry goes through several dramatic, physical transformations:



Chlöe Bailey and legendary producer, Timbaland have teamed up for a joint mixtape called "Resurrection". This inspired pairing combines Bailey's incredible vocals with Timba's bounce beats and smooth production, creating a classic '90's vibe with a contemporary feel. A highlight from the album is the track, "Better Than She Can":



Sam Smith has new music on the way with his fifth studio album, "Hazel Eyes" due out in August. The record is deeply personal for the singer and very romantic in spirit with the first single, "My Guy", a love ballad which Smith no longer being coy about who he is singing about:



Muni Long has been away for a while but she recently revealed that she had a serious health issue last year, having to undergo a double lung transplant after being told she only had about a week to live due to complications with pneumonia. Thankfully, she has recovered with the singer/songwriter returning to music with a ballad, "Richest" which is about true wealth being in love:



"Baby, Can We?" is the latest single from Dawn Richard and it's a duet with fellow alt-soul artist, Durand Bernarr. Coasting along lyrics from Aretha Franklin‘s 1972 classic hit, "Day Dreaming", the former Danity Kane member captures the desire to flee from daily life with a potential lover on this track:



"She’s My Religion" is the latest single from Willow's upcoming eighth studio album, "The Thread" due out in July. This provocative song is about using love, spiritual growth, and a feminine spirit as a guide, rather than a formal, traditional religion:



And Jennifer Lopez teams up with the Brazilian musician and DJ, Alok with "Everything's Fine". There are two versions of this song with each offering a different perspective on the same emotional story. Exploring the stories people tell themselves in order to convince themselves to keep moving forward, one take is more intimate and beat driven called "AM" while the other is a clearly dance floor-oriented "PM" version.

CLIVE DAVIS (1932 - 2026)

Clive Davis, the legendary music executive who had an amazing ear for discerning talent, has passed away on June 22nd at the age of ninety-four. The five-time Grammy Award winner and inductee into the Rock and Roll Hall of Fame had been hospitalized with respiratory problems late last month but had been released. Davis was largely responsible for signing and nurturing the careers of some of the greatest artists in popular music which includes Bruce Springsteen, Pink Floyd, Sly and the Family Stone, Janis Joplin, Barry Manilow, Santana, Chicago, Earth, Wind & Fire, Aerosmith, Billy Joel and Whitney Houston to name just a few.

Born in Brooklyn, NY on April 4, 1932, Davis began his professional career as a lawyer working for a small firm. He was hired as an assistant counsel for a subsidiary of CBS Records, Columbia Records and later became general counsel. Despite not having much knowledge about music or the business, Davis soon worked his way into the industry going from from general manager of the label to president by 1966. While Columbia Records had been best known for releasing jazz, theatrical soundtracks and pop standards, Davis was interested in moving more heavily into rock and roll. One of the first artists he signed was the folk-rock musician, Donovan. During the Monterey Pop Festival in 1967, Davis was advised to attend and was mesmerized by the live performance of Janis Joplin with Big Brother and the Holding Company, signing the band immediately. Other acts that Davis would go on to sign during his time at Columbia included Laura Nyro, Blood, Sweat & Tears, Loggins and Messina, and Santana.

But in 1973, Davis was abruptly fired from CBS Records. It had been rumored that the reason was that he allegedly used company funds to bankroll his son's bar mitzvah. However an article in Rolling Stone magazine claimed he was actually let go due to him supplying drugs to musicians and being a part of an alleged payola scandal, all of which Davis had vehemently denied.

After regrouping, Davis founded Arista Records in 1974. He set about signing well-known artists to his label that either he previously worked directly with at Columbia or had greatly admired their artistry, performers like Aretha Franklin, Dionne Warwick, the Grateful Dead, Patti Smith, Lou Reed and Carly Simon, with him working to revitalize their recording careers and achieving great success. And Davis developed new talent, helping to establish Alicia Keys, Kenny G, Taylor Dayne, Ace of Base, Air Supply, and most notably, Whitney Houston, who he signed at nineteen and worked extensively towards making her a global pop music superstar. Davis also helped found LaFace Records with L.A. Reid and Babyface as well as Sean "Puffy" Combs' Bad Boy Records.

In 2000, Davis left Arista to start J Records, an independent label that received financial backing from Bertelsmann Music Group. Four years later, BMG merged with Sony Music Entertainment to form Sony BMG with Davis named chief creative officer. He was made chief creative officer of Sony Music Entertainment in 2018 and had remained in the position until his death.

YOU SEEM PRETTY SAD FOR A GIRL SO IN LOVE

For her third studio album, "You Seem Pretty Sad For a Girl So In Love", Olivia Rodrigo has taken the thrashing beats of 90's grunge rock and filtered it through contemporary Gen Z angst. This riveting collection, which Rodrigo continues her creative collaboration with producer, Dan Nigro, displays a maturity and artistic evolution for the twenty-three year old performer. Experimenting with other sounds ranging from indie pop to New Romantic-era rock, the album feels fresh as the singer shares her intimate thoughts on love and heartbreak that is spun through a wide range of classic rock. Rodrigo even teams up with Robert Smith of the '80's goth band, the Cure (who she is a huge fan) on the love ballad, "What's Wrong With Me".

What I truly admire the most about Rodrigo and her new album is how she's bopping wildly to her own beat, blissfully unconcerned about pop music trends or chart placement. Too few musicians today are planning for maintaining their careers and simply chasing what is hot at the moment. "You Seem Pretty Sad For a Girl So In Love" proves that Rodrigo is a true artist and working towards being around for the long haul.

RANDOM SIGHTS + SOUNDS

After spending her time emoting musically on the big screen and dazzling audiences with her performance in the two-part film musical, "Wicked", Ariana Grande is returning to her pop music career. "Hate That I Made You Love Me" is the lead single off of her upcoming eighth studio album, "Petal" which is due out at the end of July. Teaming once again with frequent collaborators, Ilya Salmanzadeh, and Max Martin, the song is a bit of a departure for Grande with this synth-pop ballad having a subtle, minimalist vibe. "Hate That I Made You Love Me" deals with her complicated relationship with fame and the public scrutiny that comes with it, especially commentary regarding her appearance and body. The humorous video for the song, directed by Christian Breslauer and features actor, Justin Long, plays like a short film that involves a man who has apparently murdered his wife (played by Grande) and buried her body while he is continuously being haunted by her. Grande has also begun her long awaited Eternal Sunshine Tour on June 6th which will take her through the US and Canada before concluding in September with a ten-date stop at the O2 Arena in England.



June is the month where we celebrate Pride and here is a collection of LGBTQ+ artists who have new music out: for his upcoming sixth studio album, "Adam", Adam Lambert digs into the sounds of '90's electronic and alternative rock with the first single, "Eat U Alive"; free from her label, pop diva, Kim Petras is now independently releasing her music and the latest song is "Brutalist"; the queer Nashville-based country group, the Cowgays (made-up of solo artists, Brooke Eden, Chris Housman, and Adam Mac) have released a campy tune, "Good Hoedown"; the English synth-pop act, La Roux has dropped a new track, "Cabin Fever" from their upcoming album, "Old Flames"; Frankie Grande is currently appearing in the Broadway production of "Titanique" and has delivered a fast-paced "Pride anthem" of the number he does in the show, "I Drove All Night"; David Archuleta has dropped his latest dance-pop tune, "Love For Free" and the electroclash performer, Slayyter has the single, "Dance..." from her second studio album, "Worst Girl in America".

And with her next album, "Confessions II" due out on July 3rd, Madonna is moving into overdrive to promote this dance music collection. First she was involved with doing some playfully sexy promo on the gay networking app, Grindr and then did a mini concert in the middle of Times Square in NYC. Now, the Queen of Pop has released "Confessions II – The Film". This fourteen minute visual album directed by TORSO features the first six tracks from the upcoming album. The short film made its premiere on June 5th at the Tribeca Festival and was released three days later on YouTube. Filled with wild imagery and many notable famous faces, this dazzling musical film is an impressive reminder of what a powerful and enduring force she is as a visual stylist and performer.

PEABO BRYSON (1951- 2026)

Peabo Bryson, the smooth voiced, soul crooner who would win two Grammy Awards for his work on popular theme songs for two Disney animated features, has sadly passed away on June 2nd. The singer had a heart attack seven years ago but made a full recovery but recently had suffered from a stroke on May 31st and died from complications. He was seventy-five.

Born Robert Peapo Bryson in Greenville, SC, on April 13th, he began his career singing background vocals for a local band at the age of fourteen. Taking on his middle name as his stage moniker and changing the pronunciation to "Peabo", Bryson went to work with other bands before an opportunity lead him to Bang Records in Atlanta and was encouraged to move from the background and into the foreground as a performer. This lead to his debut album on Bang, "Peabo" in 1977 and this recording would capture the attention of a major label, Capitol Records who would sign him.

The song that first helped launch him as a performer was "Feel The Fire" which he wrote from his first album on Capitol, "Reaching for the Sky". This love ballad was later covered by Stephanie Mills in 1979 for her debut studio album, "What Cha Gonna Do with My Lovin'". Bryson would have more hit songs that included "If Ever You're in My Arms Again" (his first top-ten pop single), "Tonight, I Celebrate My Love", a duet with Roberta Flack, "Without You", a duet with Regina Belle for the soundtrack of the 1987 comedy, "Leonard Part 6" and "Can You Stop the Rain" which reached number one on the US Hot R&B/Hip-Hop Songs chart in 1991.

In 1991, Bryson was teamed with Celine Dion, a rising vocalist from Canada at the time, to perform a pop recording of the title track for the Disney animated film, "Beauty and the Beast". This ballad would also go on to win the Academy Award and Golden Globe for Best Original Song. Bryson would later be approached to record a pop music version of "A Whole New World" for the 1992 animated movie, "Aladdin" and would join forces again with Belle to duet on the love ballad. More major awards would be won for this song and Bryson and Belle would reach number one on the Billboard Hot 100 chart for this recording.

KYLIE

"Kylie", a three part, Netflix limited series about the global pop superstar from Down Under, with this documentary about her life and career told largely through Kylie Minogue herself. And with the singer very much involved in this film, directed by Emmy winner, Michael Harte, what we see is a honest and largely unfiltered account of her journey from acting into music and the incredible ups and downs that went with her meteoric rise to become a beloved pop icon.

The film begins with Minogue telling the story of how she was whisked off to England to quickly record a couple of tracks with the production team of Mike Stock, Matt Aitken and Pete Waterman. But having forgotten that she was arriving and unaware who she was, they had her waiting for hours before getting her in the studio, record the vocals and sending her on her way. The team found out later that Minogue was a star of the wildly popular Australian soap opera, "Neighbours" and when the single they recorded with her, "I Should Be So Lucky" was released in 1987, it became an instant global hit. A self-titled album was released with her smash hit cover of Little Eva's "The Loco-Motion" helping her become a true pop star. Minogue reveals that she had originally wanted to actually get into music, which was her first love, but acting fell her way first.

After being written off of "Neighbours", Minogue went full steam ahead with her successful music career with Stock, Aitken and Waterman, recording two more albums, but soon became frustrated with the lack of creative input during recording. She soon gained more control, taking her sound from bubblegum pop to more mature and sexier. After one more album with the team, she parted ways by 1992 and signed with indie label, Deconstruction. With her fifth studio album, "Kylie Minogue", the singer sought out more harder edged producers to enhance her dance-pop sound. And while her music was initially well received but by "Impossible Princess" in 1997, which Minogue wrote most of the lyrics and brought indie and techno to her sound, the response was critically mixed and became her lowest selling album. Deciding to take a hiatus from recording music, when she returned three years later, Minogue entered the new century with a sound more aligned to what first brought her fame with "Spinning Around" which took her back to the top of the international charts.

"Kylie" features plenty of concert footage, home movies and music video clips that covers her extensive career. In addition to Minogue, there are interviews with family which includes her sister, Dannii who had her own success as a pop singer; producer, Pete Waterman; Jason Donovan, her co-star on "Neighbours" who she shared a romance on and off screen; and fellow Aussie, indie rocker, Nick Cave with the two coming together for an unlikely creative collaboration and deep friendship. Minogue also goes into detail about her brief love affair with the late INXS singer, Michael Hutchence, her deep love and respect for the LGBTQ communities and regarding her harrowing ordeal with breast cancer which became a media nightmare not only for herself but for her family. My only real critique of "Kylie" is that it just feels way too short, missing many other highlights over her forty year profession. Perhaps there will be a second part? In the meantime, sit back and enjoy learning more about the Princess of Pop in her own words.



A concert film of Minogue's Tension Tour was released on May 27th on Netflix. And the new song, "Light Up", which closes the documentary, was co-written with Chris Martin of Coldplay and is an uplifting anthem about unconditional love and human potential.

RANDOM SIGHTS + SOUNDS

Last month, the Brit pop singer, Charli XCX made a bold proclamation with "I think the dance floor is dead, so now we're making rock music". Many of her fans were taken aback by this statement since she made her name by creating energized music that you could dance to since her breakout single, "Boom Clap" back in 2014. But the singer/songwriter, born Charlotte Aitchison, was actually doing a little promoting for her newest bit of music, "Rock Music". And while this track has an edgy and rough vibe, it's not exactly a hardcore rock song but more guitar-driven with a dance beat driving the tune along. Charli has been busy: contributing music for the soundtrack of Emerald Fennell's adaptation of "Wuthering Heights" and performing as an actor in the films, "The Moment", "Faces of Death" and the upcoming Gregg Araki comedy-thriller, "I Want Your Sex". But she has not abandoned her pop music career with "Rock Music" being the first release from her seventh studio album with no title or street date revealed just yet.



Here's a round up of some intriguing new music: the soul music legend, Chaka Khan is back with "Chakzilla", an oddly titled funky dance track (with production by Greg Kurstin) which also happens to be the title of her upcoming studio album, Khan's first in seven years; the latest single from Harry Styles, "Dance No More" has the former boy band member busting out some serious dance moves in the music video; the Swedish artist, Tove Lo has dropped a raw and edgy new single, "I'm Your Girl, Right?" with an equally oddball video; "Five Past Three" is an electropop single from the Chainsmokers’ newest EP, "Love Is Kind", which is a collaboration with the Swedish performer, Oaks; and Sir Paul McCartney has his twentieth solo album, "The Boys of Dungeon Lane" on the way with the song, "Home to Us", is a duet with his former bandmate, Ringo Starr.

The 2026 Eurovision Song Contest recently concluded on May 16th with thirty-five countries competing for the top prize of the best international original pop song. Held at Wiener Stadthalle in Vienna for the contest's 70th edition, Dara from Bulgaria won the Grand Prize for "Bangaranga", a dance-pop song with the title taken from Jamaican Patois and has been translated as "a joyful kind of disorder". This song, the first win for this country, won both the jury vote and televote, the first entry to do so since 2017. The runner-up was from Israel with "Michelle" by Noam Bettan and in third is "Choke Me" by Romania's Alexandra Căpitănescu. Several countries had declined to participate this year in protest at Israel's inclusion in the contest due to the on-going Gaza war.

Clarence Carter, the blind soul singer behind the hits, "Patches" and Strokin'", passed away on May 13th at the age of ninety. Born in Montgomery, Alabama, Carter (blind since birth) attended the Alabama School for the Blind in Talladega and later went to Alabama State University, graduating with a Bachelor of Science degree in music. After pursuing music professionally with friend, Calvin Scott in 1960, the duo formed the C & C Boys and recorded several singles but none of them gained much traction commercially. Six years later, Scott was seriously injured in an auto accident with Carter deciding to continue as a solo performer.

His first break came the following year with "Tell Daddy", his answer record to Etta James' hit, "Tell Mama", which reached the top forty on the r&b chart. Carter joined Atlantic Records which began a string of hits on the R&B and pop charts, starting with "Slip Away", "Too Weak to Fight", "Snatching It Back" and the naughty, "Back Door Santa". Carter's biggest hit came in 1970 with his version of "Patches", originally recorded by Chairmen of the Board, which reached number two in the UK and number four on the U.S. pop chart. The record would sell over one million copies and win the Grammy Award for Best R&B Song.

Carter's career would cool down following this but he did have one more hit record with "Strokin'" in 1986. While the song was considered too raunchy to actually be played on the radio, it was discovered by fans with it being played on jukeboxes and later found even bigger success when it was included on the soundtracks for Eddie Murphy's remake of "The Nutty Professor" and the 2011 crime-drama, "Killer Joe". Carter was briefly married to Candi Staton, who began as one of his background singers, in 1970 and they had a son together, Clarence Carter Jr., before divorcing in 1973.