MAXWELL'S URBAN HANG SUITE: THE 30TH ANNIVERSARY

This year marks the thirtieth anniversary of the release of "Maxwell's Urban Hang Suite", the debut album by the r&b artist, Maxwell. Inspired by the legends of classic soul, Maxwell took the music he loved and put his own distinctive spin to create a sound that was fresh and contemporary yet also capturing an old school vibe. "Maxwell's Urban Hang Suite", along with D'Angelo's "Brown Sugar" in 1995 and Erykah Badu's "Baduizm" released in 1997, would define the neo soul movement and helped reshape popular black music.

The Brooklyn native born Gerald Maxwell Rivera began creating music at seventeen after receiving a Casio keyboard. While hip-hop was becoming the dominate sound being played on r&b radio at the time, Rivera remained a fan of the soul he heard growing up in the 1980's. As he got older, he continued pursuing music, learning to play other instruments and gaining access to a recording studio where he worked on demos. Rivera had begun performing around in small clubs throughout New York City, which created some buzz for him, while his demos where making the rounds, leading to him being signed to Columbia Records in 1994

Taking on his middle name as his professional moniker, Maxwell went to work on his debut with songwriter, Leon Ware. But after completing the record about a year later, the label put it on hold due to concerns of it's commercial appeal. When "Maxwell's Urban Hang Suite" was finally released on April 2, 1996, the concept album did struggle a bit to receive attention with the first single, "...Til the Cops Come Knockin'" failing to chart. But the mellow collection of funk, jazz, smooth soul did gain some serious traction with the help of the second single, "Ascension (Don't Ever Wonder)" peaking at number eight on the US Billboard R&B/Hip-Hop Songs chart and crossing over to the top forty on the Billboard Hot 100 chart. The follow-up single, "Sumthin' Sumthin'" also charted, helping "Maxwell's Urban Hang Suite" go on to sell over two million copies in the US alone.

The album would land on several Top-Ten Album of the Year lists and receive a Grammy Award nomination for Best R&B Album. This success lead to him being featured live on MTV Unplugged (which was highly unusual since he only had one album to date) with the EP being released the following year with his cover of Kate Bush's "This Woman's Work" becoming a hit, reaching number sixteen on the Billboard Hot R&B/Hip-Hop Songs chart.

I FEEL SO FREE

It has been six years since she has released new music and Madonna is ready for a return. It has been teased for a few years and her fifteenth studio album is now official with "Confessions On A Dance Floor: Part II" which is due out on July 3rd. This spiritual sequel to the 2005 album has the Queen of Pop reteaming with producer, Stuart Price to create a modern and further exploration into dance music.

The first taste of this record is the song, "I Feel So Free", a deep house track that has Madonna speaking seductively (over a sample of the 1989 acid house song, "French Kiss" by Lil Louis) about being able to fully let loose while dancing. This is a thrilling preview and hopefully we'll get even more in a very short matter of time. In the meanwhile, here is the official visualizer for "I Feel So Free" with the lyrics and Lil Louis' original version of "French Kiss":

NUMBER ONE FLASHBACK

The number one song on the Billboard Hot 100 chart during the week of April 19, 1975, was "Philadelphia Freedom" by Elton John. The British rock artist was still riding high with a string of hit singles with this song becoming his fourth number one song on the US chart and held this position for two weeks.

"Philadelphia Freedom" was originally written by John with his musical collaborator, Bernie Taupin to pay tribute to tennis player, Billie Jean King as she was playing with the Philadelphia Freedoms, a part of a charter franchise of the World Team Tennis in 1974. Taupin could not really find a way to write a song about tennis so he went on to convey a message that was uplifting and somewhat patriotic. The song is also dedicated in part to the feeling of "the Philadelphia sound" which was the soul music of writer-producers Kenny Gamble, Leon Huff, and Thom Bell. In fact, John would later perform "Philadelphia Freedom" on "Soul Train" on May 17. 1975, making him the second White artist to appearance on the r&b music program following Gino Vannelli who was on about four months earlier.

RANDOM SIGHTS + SOUNDS

We'll be seeing a lot of the actress, Anne Hathaway over the next couple of weeks. First she will be seen on the big screen in "Mother Mary" from writer/director, David Lowery on April 24th. In this psychological-drama musical, Hathaway plays a pop singer called Mother Mary who reunites with her estranged best friend and former costume designer (played by Michaela Coel) on the eve of her comeback performance. The original songs in the film will be available on a soundtrack album, "Mother Mary: Greatest Hits" set for release on April 17th. Hathaway is performing the songs and a couple of the tracks have been released. "Burial" (written by Jack Antonoff and Charli XCX) delivers a "Lady Gaga" vibe while "My Mouth Is Lonely For You" feels like a "FKA Twigs" track and it should since it was co-written by the artist (who makes a screen appearance in "Mother Mary").

Then on May 1st, the long awaited sequel to the 2006 high-fashion comedy, "The Devil Wears Prada" hits theaters worldwide with Hathaway reprising her role as Andrea Sachs along with Emily Blunt, Stanley Tucci and Meryl Streep as fashion editor, Miranda Priestly. An original song for the movie's soundtrack, "Runway" teams up Lady Gaga and Doechii for a euphoric house music song. Andrew Watt, Bruno Mars, Cirkut and D'Mile all co-wrote and produced this track.



The alternative R&B artist, Kelela makes her highly anticipated return after three years with "idea 1" who co-wrote and produced the track with PinkPantheress; Kehlani, who won two Grammy awards this year for her smash r&b single, "Folded", is back with new music delivering "Back and Forth" that features Missy Elliott; Saint Harison, the Brit singer/songwriter, has released a soulful ballad, "Stuck" from his upcoming EP, "Ghost"; another British act trying to gain some traction in the US is Flo, a classic girl hip-hop/soul group, that has dropped the lead single, "Leak It" from their upcoming second album

And I will close by paying tribute to the passing of two artists: Dash Crofts, one half of the the soft rock duo, Seals & Crofts, passed away on March 26th at the age of eighty-seven. Born Darrell George Crofts in Cisco, Texas, he got his nickname "Dash" when he was a baby. Crofts first started playing the piano as child before switching to the drums as a teenager. In high school, he played in a band where he met the saxophone player, Jim Seals. The two decided to try their luck as professional musicians by moving to Southern California in 1958. They briefly joined a rock band, the Champs before Crofts was drafted and spent two years with the Army. By 1969, they started recording under "Seals & Crofts" and by their second album, "Summer Breeze" with the title track becoming a top-ten pop hit in 1972, the duo had a string of popular songs. Seals (who died in 2022) and Crofts would part ways as an act in 1983 but would reunite for a concert tour in 1991 to 1992 and again in 2004 after the duo recorded their first new album since 1980 and also final recording together, "Traces".

And one of the pioneers that would greatly influence hip-hop culture, Afrika Bambaataa has passed away on April 9th. The Bronx native, who was was an originator of breakbeat DJing, died from complications of from prostate cancer and was sixty-eight. Born Lance Taylor, he was exposed to the ideologies of the Black Liberation Movement through his parents as a teen as well as the sounds of their eclectic record collection. After wining an essay contest that earned him a trip to Africa, Taylor was inspired by the sense of community while he was there and determined create one in his own neighborhood. Adopting the name, "Afrika Bambaataa Aasim", he set about creating the "Bronx River Organization" which was a positive alternative to the street gangs that infiltrated the Bronx and that he had once been affiliated. Bambaataa soon turned his attention to music after hosting several block parties and forming the Universal Zulu Nation which brought together socially and politically aware rappers and graffiti artists. Inspired by the emerging electronic music scene, he released "Planet Rock" in 1982 with the Soul Sonic Force that merged electro beats and hip-hop. The single, produced by Arthur Baker, reached the top five on the US R&B and Dance charts.

WHATEVER'S CLEVER

Charlie Puth has been around making music since 2011 after getting a record deal from his growing popularity posting himself singing covers on YouTube. His first single, "Marvin Gaye", that pays tribute to the Motown legend, was a duet with Meghan Trainor in 2015. And while the song was a popular in several countries, this doo-wop styled track was savaged by many music critics and even found its way on Worst Song of the Year lists.

Puth managed to rebound spectacularly by co-writing, producing, and providing vocals on Wiz Khalifa's single "See You Again" for the soundtrack of the film, "Furious 7". This song, which is in honor of actor, Paul Walker who had died before filming and had been a star in this movie franchise, spent twelve non-consecutive weeks atop the US Billboard Hot 100, received three nominations at the 58th Annual Grammy Awards, a Golden Globe nomination for Best Original Song and was the best selling-song of 2015 worldwide.

Puth went on to release his debut album, "Nine Track Mind" which achieved great success as well as his following albums, "Voicenotes" in 2018 and "Charlie" in 2022. And while these albums and the singles went high on the charts and he received more award recognition, I must admit I wasn't overly impressed by his music, finding much of his work far too colorless for my taste.

Now the thirty-four year old New Jersey native has captured my attention with his just released fourth studio album, "Whatever's Clever". Puth has stated that he had charged his approach on how he created his music, opening himself to reveal more and put a personal touch into his songs. And I think it shows with the album feeling far more authentic and I'm able to make more of a connection to him as an artist. Inspired by the easy listening sounds of the 1980's, specifically what is currently being defined as "yacht rock", Puth teamed up with Michael Tucker, who is better known as BloodPop, to co-write and produce this album. "Whatever's Clever" is loaded with guest musicians that range from soft rock pioneers, Michael McDonald and Kenny Loggins, jazz-pop star, Kenny G; Japanese pop artist, Hikaru Utada and contemporary r&b vocalists, Ravyn Lenae and Coco Jones. The album closes with the brutally honest, guitar driven ballad, "I Used To be Cringe" where Puth acknowledges that he tried a bit too hard to fit in as his idea of a musician. But with "Whatever's Clever", I think it's clear he has evolved, letting loose and allowing himself to go much deeper as a musical artist.

Puth had previewed a few tracks from the album during a four-night stand at Blue Note Jazz Club in New York late last year and did a follow-up residency at the recently opened Blue Note in Los Angeles. He plans on hitting the road on a world tour that will begin on April 22nd in San Diego and ending in Warsaw, Poland by July.

THIS MUSIC MAY CONTAIN HOPE

With her second studio album, the shrewdly titled, "This Music May Contain Hope", Raye is offering songs of encouragement and optimism, fearlessly using her life experiences and explaining her emotional state on each song. The British artist, born Rachel Keen, dabbles far beyond the current popular sounds of soul and hip-hop on this record by mixing in classic jazz, big band, gospel and orchestral textures to expand her musical expression.

Raye has enlisted inspired collaborators on some tracks which includes film composer Hans Zimmer on the latest single, "Click Clack Symphony" and soul music legend, Al Green on "Goodbye Henry" while on the final track, "Fin", she appreciatively reads off many of the names of the creatives, friends and family who contributed to help in the completion of this album. 

Raye (who co-wrote all the tracks with a variety of writers) has lyrically explored the complexities of human emotion in "This Music May Contain Hope" while digging deep sonically to make a bold and contemporary album. Having stated that music has helped heal her through the most challenging and difficult times in her life, Raye hopes this collection of songs will possibly do the same for listeners.

NEW SOUNDS

JAMES BLAKE

The British musician, James Blake is probably best known for his innovative work behind the scenes, handling production for a wide number of artists which includes Jay-Z, Kanye West, Kendrick Lamar, Frank Ocean and Beyoncé. But Blake had been making music as a solo performer long before his success as a go-to-producer. After living in Los Angeles for the last ten years, Blake decided to return to his native England. This move helped inspire his latest studio album, "Trying Times" and it is his first recording since departing from Republic Records and joining indie label, Good Boy Records. On the album, Blake reflects on some of the turmoil he had experienced with LA living and settling into a more tranquil state of being back in his home country. Unlike what he has usually done with other artists he had worked with, Blake is able to push even further his disjointed collection of fragmented sounds and beats to transform them into beautifully flowing, hypnotic songs rippling with his expressive, angelic vocals. A brilliantly deconstructed soul record, "Trying Times" takes you on a emotional musical adventure, one that is calmly offbeat and soothingly chaotic.





ELLA LANGLEY

I had become aware of country artist, Ella Langley from her charming single, "You Look Like You Love Me", a duet with Riley Green two years ago. This breakthrough along with a second single, "Weren't for the Wind" from her debut, "Hungover" made this twenty-six year old performer from Alabama one of the biggest new acts in country music of 2025. Now Langley is back with the catchy single, "Choosin' Texas" (co-written and co-produced with Miranda Lambert) that not only went to number one on the country chart but also reached the top of the Billboard Hot 100 chart and even became a major hit globally. Her upcoming second studio album, "Dandelion" will be co-executive produced by Langley, Lambert and Ben West and due out on April 10th. Another recently released single, "Be Her" is also moving up the country and pop charts.





DIONNE WARWICK

One of the true living legends of popular music, Dionne Warwick has been making music professionally for an incredible sixty-five years. Now the iconic eighty-five year old artist has announced a new album, "Dwets" (pronounced "duets") and it will officially become her final recording. Warwick's son, Damon Elliott, is producing the album and Diane Warren has written all of the songs for this collection which will most certainly be a heartfelt and celebratory finale to Warwick's amazing recording career. While the complete list of duet partners and the exact release date of "Dwets" will be announced soon, the first single has been released and features actress and singer Cynthia Erivo on the song, "Ocean in the Desert". This lovely ballad is about friendship and support during difficult times. And Warwick, who does plan to slow down after this album, has stated that she will still be around for the occasional live performance.