We'll be seeing a lot of the actress, Anne Hathaway over the next couple of weeks. First she will be seen on the big screen in "Mother Mary" from writer/director, David Lowery on April 24th. In this psychological-drama musical, Hathaway plays a pop singer called Mother Mary who reunites with her estranged best friend and former costume designer (played by Michaela Coel) on the eve of her comeback performance. The original songs in the film will be available on a soundtrack album, "Mother Mary: Greatest Hits" set for release on April 17th. Hathaway is performing the songs and a couple of the tracks have been released. "Burial" (written by Jack Antonoff and Charli XCX) delivers a "Lady Gaga" vibe while "My Mouth Is Lonely For You" feels like a "FKA Twigs" track and it should since it was co-written by the artist (who makes a screen appearance in "Mother Mary").
Then on May 1st, the long awaited sequel to the 2006 high-fashion comedy, "The Devil Wears Prada" hits theaters worldwide with Hathaway reprising her role as Andrea Sachs along with Emily Blunt, Stanley Tucci and Meryl Streep as fashion editor, Miranda Priestly. An original song for the movie's soundtrack, "Runway" teams up Lady Gaga and Doechii for a euphoric house music song. Andrew Watt, Bruno Mars, Cirkut and D'Mile all co-wrote and produced this track.
The alternative R&B artist, Kelela makes her highly anticipated return after three years with "idea 1" who co-wrote and produced the track with PinkPantheress; Kehlani, who won two Grammy awards this year for her smash r&b single, "Folded", is back with new music delivering "Back and Forth" that features Missy Elliott; Saint Harison, the Brit singer/songwriter, has released a soulful ballad, "Stuck" from his upcoming EP, "Ghost"; another British act trying to gain some traction in the US is Flo, a classic girl hip-hop/soul group, that has dropped the lead single, "Leak It" from their upcoming second album
And I will close by paying tribute to the passing of two artists: Dash Crofts, one half of the the soft rock duo, Seals & Crofts, passed away on March 26th at the age of eighty-seven. Born Darrell George Crofts in Cisco, Texas, he got his nickname "Dash" when he was a baby. Crofts first started playing the piano as child before switching to the drums as a teenager. In high school, he played in a band where he met the saxophone player, Jim Seals. The two decided to try their luck as professional musicians by moving to Southern California in 1958. They briefly joined a rock band, the Champs before Crofts was drafted and spent two years with the Army. By 1969, they started recording under "Seals & Crofts" and by their second album, "Summer Breeze" with the title track becoming a top-ten pop hit in 1972, the duo had a string of popular songs. Seals (who died in 2022) and Crofts would part ways as an act in 1983 but would reunite for a concert tour in 1991 to 1992 and again in 2004 after the duo recorded their first new album since 1980 and also final recording together, "Traces".
And one of the pioneers that would greatly influence hip-hop culture,Afrika Bambaataa has passed away on April 9th. The Bronx native, who was was an originator of breakbeat DJing, died from complications of from prostate cancer and was sixty-eight. Born Lance Taylor, he was exposed to the ideologies of the Black Liberation Movement through his parents as a teen as well as the sounds of their eclectic record collection. After wining an essay contest that earned him a trip to Africa, Taylor was inspired by the sense of community while he was there and determined create one in his own neighborhood. Adopting the name, "Afrika Bambaataa Aasim", he set about creating the "Bronx River Organization" which was a positive alternative to the street gangs that infiltrated the Bronx and that he had once been affiliated. Bambaataa soon turned his attention to music after hosting several block parties and forming the Universal Zulu Nation which brought together socially and politically aware rappers and graffiti artists. Inspired by the emerging electronic music scene, he released "Planet Rock" in 1982 with the Soul Sonic Force that merged electro beats and hip-hop. The single, produced by Arthur Baker, reached the top five on the US R&B and Dance charts.
Charlie Puth has been around making music since 2011 after getting a record deal from his growing popularity posting himself singing covers on YouTube. His first single, "Marvin Gaye", that pays tribute to the Motown legend, was a duet with Meghan Trainor in 2015. And while the song was a popular in several countries, this doo-wop styled track was savaged by many music critics and even found its way on Worst Song of the Year lists.
Puth managed to rebound spectacularly by co-writing, producing, and providing vocals on Wiz Khalifa's single "See You Again" for the soundtrack of the film, "Furious 7". This song, which is in honor of actor, Paul Walker who had died before filming and had been a star in this movie franchise, spent twelve non-consecutive weeks atop the US Billboard Hot 100, received three nominations at the 58th Annual Grammy Awards, a Golden Globe nomination for Best Original Song and was the best selling-song of 2015 worldwide.
Puth went on to release his debut album, "Nine Track Mind" which achieved great success as well as his following albums, "Voicenotes" in 2018 and "Charlie" in 2022. And while these albums and the singles went high on the charts and he received more award recognition, I must admit I wasn't overly impressed by his music, finding much of his work far too colorless for my taste.
Now the thirty-four year old New Jersey native has captured my attention with his just released fourth studio album, "Whatever's Clever". Puth has stated that he had charged his approach on how he created his music, opening himself to reveal more and put a personal touch into his songs. And I think it shows with the album feeling far more authentic and I'm able to make more of a connection to him as an artist. Inspired by the easy listening sounds of the 1980's, specifically what is currently being defined as "yacht rock", Puth teamed up with Michael Tucker, who is better known as BloodPop, to co-write and produce this album. "Whatever's Clever" is loaded with guest musicians that range from soft rock pioneers, Michael McDonald and Kenny Loggins, jazz-pop star, Kenny G; Japanese pop artist, Hikaru Utada and contemporary r&b vocalists, Ravyn Lenae and Coco Jones. The album closes with the brutally honest, guitar driven ballad, "I Used To be Cringe" where Puth acknowledges that he tried a bit too hard to fit in as his idea of a musician. But with "Whatever's Clever", I think it's clear he has evolved, letting loose and allowing himself to go much deeper as a musical artist.
Puth had previewed a few tracks from the album during a four-night stand at Blue Note Jazz Club in New York late last year and did a follow-up residency at the recently opened Blue Note in Los Angeles. He plans on hitting the road on a world tour that will begin on April 22nd in San Diego and ending in Warsaw, Poland by July.
With her second studio album, the shrewdly titled, "This Music May Contain Hope", Raye is offering songs of encouragement and optimism, fearlessly using her life experiences and explaining her emotional state on each song. The British artist, born Rachel Keen, dabbles far beyond the current popular sounds of soul and hip-hop on this record by mixing in classic jazz, big band, gospel and orchestral textures to expand her musical expression.
Raye has enlisted inspired collaborators on some tracks which includes film composer Hans Zimmer on the latest single, "Click Clack Symphony" and soul music legend, Al Green on "Goodbye Henry" while on the final track, "Fin", she appreciatively reads off many of the names of the creatives, friends and family who contributed to help in the completion of this album.
Raye (who co-wrote all the tracks with a variety of writers) has lyrically explored the complexities of human emotion in "This Music May Contain Hope" while digging deep sonically to make a bold and contemporary album. Having stated that music has helped heal her through the most challenging and difficult times in her life, Raye hopes this collection of songs will possibly do the same for listeners.
The British musician, James Blake is probably best known for his innovative work behind the scenes, handling production for a wide number of artists which includes Jay-Z, Kanye West, Kendrick Lamar, Frank Ocean and Beyoncé. But Blake had been making music as a solo performer long before his success as a go-to-producer. After living in Los Angeles for the last ten years, Blake decided to return to his native England. This move helped inspire his latest studio album, "Trying Times" and it is his first recording since departing from Republic Records and joining indie label, Good Boy Records. On the album, Blake reflects on some of the turmoil he had experienced with LA living and settling into a more tranquil state of being back in his home country. Unlike what he has usually done with other artists he had worked with, Blake is able to push even further his disjointed collection of fragmented sounds and beats to transform them into beautifully flowing, hypnotic songs rippling with his expressive, angelic vocals. A brilliantly deconstructed soul record, "Trying Times" takes you on a emotional musical adventure, one that is calmly offbeat and soothingly chaotic.
ELLA LANGLEY
I had become aware of country artist, Ella Langley from her charming single, "You Look Like You Love Me", a duet with Riley Green two years ago. This breakthrough along with a second single, "Weren't for the Wind" from her debut, "Hungover" made this twenty-six year old performer from Alabama one of the biggest new acts in country music of 2025. Now Langley is back with the catchy single, "Choosin' Texas" (co-written and co-produced with Miranda Lambert) that not only went to number one on the country chart but also reached the top of the Billboard Hot 100 chart and even became a major hit globally. Her upcoming second studio album, "Dandelion" will be co-executive produced by Langley, Lambert and Ben West and due out on April 10th. Another recently released single, "Be Her" is also moving up the country and pop charts.
DIONNE WARWICK
One of the true living legends of popular music, Dionne Warwick has been making music professionally for an incredible sixty-five years. Now the iconic eighty-five year old artist has announced a new album, "Dwets" (pronounced "duets") and it will officially become her final recording. Warwick's son, Damon Elliott, is producing the album and Diane Warren has written all of the songs for this collection which will most certainly be a heartfelt and celebratory finale to Warwick's amazing recording career. While the complete list of duet partners and the exact release date of "Dwets" will be announced soon, the first single has been released and features actress and singer Cynthia Erivo on the song, "Ocean in the Desert". This lovely ballad is about friendship and support during difficult times. And Warwick, who does plan to slow down after this album, has stated that she will still be around for the occasional live performance.
Sienna Spiro, a rising pop-soul singer from the UK is gaining attention on this side of the pond with her single, "Die on This Hill", The twenty year old has been performing and writing songs since she was ten, inspired by the records of her parents that included Frank Sinatra and Nina Simone and the hip-hop that was playing during her youth, dropping out of high school at sixteen to pursue music full time. As is common these days for aspiring musicians, Spiro posted clips of herself singing covers and original songs on social media. Two years ago, she released her first single, "Need Me". Spiro released more music and began performing around London, making an impression at the All Points East music festival. Last year, she released an EP, "Sink Now, Swim Later" on Capitol Records and went on tour throughout Britain. In October, the power ballad, "Die On This Hill", co-written by Spiro with Omer Fedi and Michael Pollack, was released and has gone on to become an international top-ten smash. Spiro is currently putting together her debut album and is in the middle of a headlining tour in the US.
Here is a round-up of new sounds that I'm listening to at the moment: "American Girls", the second single from Harry Styles' recently released album, "Kiss All the Time. Disco, Occasionally"; Mary J Blige is back in fine form with a soulful ballad, "More Than a Lover"; Another single, "Ride" from Jessie Ware's upcoming sixth studio album, "Superbloom" is a shimmering dance track with the video featuring actor, James Norton; Bebe Rexha teams with Brit electro band, Faithless for a high energy, house track, "New Religion" and the first single by country artist, Kacey Musgraves, "Dry Spell" from her next album, "Middle of Nowhere" due out in May.
The sounds of classic disco, which enjoyed the height of its popularity during the mid-1970's, has climbed back up onto the current music charts. Donna Summer's 1978 version of Jimmy Webb's trippy ode to the Los Angeles site, "MacArthur Park" and Anita Ward's 1979 number one worldwide smash hit, "Ring My Bell" both recently made it back to the top ten of the iTunes music chart. Alysa Liu had skated to Summer’s song during the 2026 Winter Olympics and won the gold medal, helping this disco track receive rejuvenated popularity. A viral TikTok trend with "Ring My Bell" made sales and streaming of this song skyrocket this month. Ward, who went from schoolteacher to overnight disco star, only enjoyed success with this one song while Summer had a far more extensive and influential career before passing away in 2012, still known to the world as "The Queen of Disco". Let's get back on the dance floor and get lost in the beat of these songs with the entire seventeen minute epic version of the "MacArthur Park Suite" (which includes another charting single, "Heaven Knows") and Ward performing her hit on the British program, "Top of the Pops":
With just a week until the winners of Best Original Song for the 98th annual Academy Awards are announced, here's a rundown of this year's nominees. For her seventeen nomination (the most of any individual without a win), Diane Warren has written a song for a movie that is about herself. "Dear Me" is featured in the documentary, "Diane Warren: Relentless" which covers this songwriter's impressively prolific career with her writing over four hundred songs for some of the biggest pop artists in history. The ballad, "Dear Me", handpicked by Warren to be performed by Kesha, was written about overcoming difficult times while offering a message of hope. "KPop Demon Hunters", which became the most-watched original title in Netflix history, featured a song that attained worldwide commercial success and garnering millions of streams. In this animated movie, "Golden" is performed by the fictional K-pop girl group,Huntr/x who lead double lives as demon hunters. "I Lied To You" is a rousing, blues number in the supernational thriller and box-office smash, "Sinners", performed by musician-turned-actor, Miles Caton and written by the film's composer, Ludwig Göransson and r&b musician, Raphael Saadiq. "Viva Verdi!" is a documentary that looks into the lives of veteran opera singers and musicians that are mentoring young music students. A song from the film, "Sweet Dreams of Joy" is written by English composer, Nicholas Pike and performed by Puerto Rican soprano, Ana María Martínez. And American composer, Bryce Dessner and Australian rocker, Nick Cave have teamed-up to create the title track for the intimate, period drama, "Train Dreams" that details the challenging life of an American railroad laborer.
The nominations are very strong this year with each song more than worthy of winning. But there can only be one winner and I think it will be that brightly exhilarating K-pop song that will get the gold statue this time. And once again, the show does not plan to have all of the nominated songs performed during the telecast. Only "Golden" and "I Lied To You" will be done in special musical segments which is really not fair to the other nominees.
"Dear Me" from "Diane Warren: Relentless" (Music and Lyrics by Diane Warren)
"Golden" from "KPop Demon Hunters" (Music and Lyrics by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park)
"I Lied To You” from "Sinners" (Music and Lyrics by Raphael Saadiq and Ludwig Göransson)
"Sweet Dreams Of Joy" from "Viva Verdi!" (Music and Lyrics by Nicholas Pike)
"Train Dreams" from "Train Dreams" (Music by Nick Cave and Bryce Dessner; Lyric by Nick Cave)
Neil Sedaka, the pop performer and prolific songwriter, has passed away on February 27th at the age of eighty-six. After briefly singing with a doo-wop group, the Tokens as a teenager, the Brooklyn-born performer teamed up with Howard Greenfield to write many chart topping songs together at the Brill Building for other artists before becoming a popular recording artist himself, all which happened not long after Sedaka had turned eighteen.
During his time at the Brill, which began in 1958, Greenfield was handling the lyrics while Sedaka writing the music. The team had their first hit with their song, "Stupid Cupid" for Connie Francis that year. They would write other songs for Francis including "Where The Boys Are" which was the theme song for the 1960 movie which she co-starred and became Francis' signature song.
Sedaka was still determined to become a recording artist himself and signed with RCA Records. His first charting song was "The Diary", which was inspired by Francis not allowing him to read her own journal, reaching number fourteen on the Billboard Hot 100 chart. But his next single, "Oh! Carol" (which was inspired by his former girlfriend, Carole King) became an even bigger hit, peaking at number nine in 1959. More hits followed for Sedaka which included "Calendar Girl", "Happy Birthday, Sweet Sixteen" and "Breaking Up is Hard To Do".
Once the British invasion began around 1964, like many of the clean-cut, American pop stars, Sedaka could no longer get his music to chart. He was dropped by his label in 1966 and went back to songwriting full time. Sedaka wrote or co-wrote songs with Greenfield and other writers for The Monkees, the 5th Dimension, Patti Drew and Frankie Valli. But by the early 1970's, Sedaka was back trying to revive his own music career. He found some success touring in Australia and England and was able to rejoin RCA, recording the albums, "Emergence" in 1971 and "Solitaire" the following year. Neither album attracted much attention but the song, "Solitaire" found chart success for Andy Williams and the Carpenters.
Sedaka's fortunes began to shift around 1974 when he recorded the album, "Laughter in the Rain" in Britain. This title track went on to become a number one hit for the singer in the US in 1975, leading to Sedaka being signed to Elton John's label, The Rocket Record Company and a compilation album, "Sedaka's Back" featured material from three previous records he had recorded in the UK. Then later that year, Captain & Tennille recorded a version of Sedaka's song, "Love Will Keep Us Together", becoming a worldwide number one hit. Sedaka's follow-up album, "The Hungry Years" had the first single, "Bad Blood" (that features an uncredited Elton John) become his second number one hit that year. Another single from the album was a slowed-down version of Sedaka's 1962 hit, "Breaking Up is Hard To Do" which this ballad made it to number eight on the pop chart in 1976, making him the only artist to ever record an entirely new version of the same song with both reaching the Billboard Top Ten.
Unfortunately, Sedaka was unable to maintain this remarkable comeback. He recorded one more album, "Steppin' Out" for Rocket before joining Elektra Records, creating a bit of riff between himself and John but their relationship was repaired years later. None of the albums Sedaka recorded on his new label achieved great success. His last charting song was "Should've Never Let You Go", a duet with his daughter, Dara, which made it to number nineteen on the US pop chart in 1980.
But Sedaka would go on to receive plenty of appreciation for his sweeping and influential work. He was inducted into the Songwriters Hall of Fame in 1983, a jukebox musical, "Breaking Up Is Hard To Do" came out in 2005 and a theatrical musical biography, "Laughter in the Rain" appeared five years later. Sedaka toured extensively over the last thirty years and even did a series of free mini-concerts online during the COVID-19 shutdown.
