RANDOM SIGHT + SOUNDS

Sienna Spiro, a rising pop-soul singer from the UK is gaining attention on this side of the pond with her single, "Die on This Hill", The twenty year old has been performing and writing songs since she was ten, inspired by the records of her parents that included Frank Sinatra and Nina Simone and the hip-hop that was playing during her youth, dropping out of high school at sixteen to pursue music full time. As is common these days for aspiring musicians, Spiro posted clips of herself singing covers and original songs on social media. Two years ago, she released her first single, "Need Me". Spiro released more music and began performing around London, making an impression at the All Points East music festival. Last year, she released an EP, "Sink Now, Swim Later" on Capitol Records and went on tour throughout Britain. In October, the power ballad, "Die On This Hill", co-written by Spiro with Omer Fedi and Michael Pollack, was released and has gone on to become an international top-ten smash. Spiro is currently putting together her debut album and is in the middle of a headlining tour in the US.





Here is a round-up of new sounds that I'm listening to at the moment: "American Girls", the second single from Harry Styles' recently released album, "Kiss All the Time. Disco, Occasionally"; Mary J Blige is back in fine form with a soulful ballad, "More Than a Lover"; Another single, "Ride" from Jessie Ware's upcoming sixth studio album, "Superbloom" is a shimmering dance track with the video featuring actor, James Norton; Bebe Rexha teams with Brit electro band, Faithless for a high energy, house track, "New Religion" and the first single by country artist, Kacey Musgraves, "Dry Spell" from her next album, "Middle of Nowhere" due out in May.

The sounds of classic disco, which enjoyed the height of its popularity during the mid-1970's, has climbed back up onto the current music charts. Donna Summer's 1978 version of Jimmy Webb's trippy ode to the Los Angeles site, "MacArthur Park" and Anita Ward's 1979 number one worldwide smash hit, "Ring My Bell" both recently made it back to the top ten of the iTunes music chart. Alysa Liu had skated to Summer’s song during the 2026 Winter Olympics and won the gold medal, helping this disco track receive rejuvenated popularity. A viral TikTok trend with "Ring My Bell" made sales and streaming of this song skyrocket this month. Ward, who went from schoolteacher to overnight disco star, only enjoyed success with this one song while Summer had a far more extensive and influential career before passing away in 2012, still known to the world as "The Queen of Disco". Let's get back on the dance floor and get lost in the beat of these songs with the entire seventeen minute epic version of the "MacArthur Park Suite" (which includes another charting single, "Heaven Knows") and Ward performing her hit on the British program, "Top of the Pops":

NEW SOUNDS

KACEY MUSGRAVES

Kacey Musgraves explored the end of her marriage and the painful healing process with her last album, "Star-Crossed". And with that collection, the country singer had distanced herself somewhat musically from the genre, diving deeper into pop, folk and rock textures. Now with her sixth studio album, "Deeper Well", Musgraves has returned closer to her musical roots. Since we last heard from her, she has done some work on herself, getting rid of bad habits that were a distraction in her life and moving into a new phase emotionally and spiritually. This is revealed musically on this record with Musgraves sharing her new life discoveries yet with her rebellious spirit still firmly intact. Beginning in April, Musgraves will be spending the rest of the year on a world tour to support the album.





LEDISI

With her eleventh studio album out now, "Good Life",  Ledisi has released more of her stylish classic soul that spotlights her gloriously rousing voice. Following the already charting songs, "I Need to Know" and "Sell Me No Dreams", the latest single is "Perfect Stranger", a sensual ballad that features a duet with fellow crooner, Kenny Latimore. Ledisi is currently on the road for the Good Life tour with a twenty-seven US city stop.





ST. VINCENT

Annie Clark, known to the world as St Vincent, is on the verge of delivering a new collection of music. "All Born Screaming" will be the eclectic artist's seventh album and due out in April. Not only will it be released on Clark's own label, Total Pleasure but it is the first time she has self-produced her own music. This album also moves in an unexpected direction with St. Vincent stating she wanted to go even further with darker and edgier sounds. The first single, "Broken Man" is an eerie track filled with throbbing beats and thrashing guitars. Cate Lebron of the alt-band, Drinks and Dave Grohl of Foo Fighters make contributions and there is a musical tribute to the late Scottish electronic musician, Sophie with the song, "Sweetest Fruit".

2021 VMAS

It was forty years ago this year that MTV was launched and delivered to the world the music video, a perfect blend of energized visuals with hard-driving music that completely changed how we were exposed to new songs. I was drawn to the channel immediately as it combined my great love of cinema and music and I would spend as much time as I possibly could watching my MTV. There is no denying MTV helped create pop stars, aiding these musicians by promoting their songs through the rotation of their videos which also defined these performers with a distinctive image. Sure, some of these artists probably would have been fine without the music channel but there is no doubt that many were able to achieve incredible global success with the far-reaching assistance of MTV.

The 2021 Video Music Awards celebrates the legacy of MTV and while the channel doesn't really show these clips anymore, they still enthusiastically honor the artistry behind the music video. Held at the Barclays Center in Brooklyn, Doja Cat was this year's host and while she might be one of the hottest pop acts at the moment, the singer didn't leave much of an impact. As a host, she was barely on stage, didn't say anything meaningful and never made much of an impression beyond her progressively weird outfits (which included some sort of worm-like contraption and a literal chair on her head). Even Madonna, who showed up just to kick off the show, was able to make more of a significant impression in her brief appearance where the still rebellious sixty-three year old highlighted her completely covered yet fully exposed, oddly enhanced backside.

And the Queen of Pop was just one of several musical artists from MTV's glory days that appeared throughout the evening to present awards. There was Madonna's "rival", Cyndi Lauper; Tommy Lee of the metal band, Motley Crew; AJ McLean of Backstreet Boys, Lance Bass of N'Sync and Nick Lachey of 98 Degrees who represented the "Boy Band" era and the still very witty, David Lee Roth of Van Halen. Busta Rhymes appeared on the show (along with his hype-man, Spliff Star) to do a melody of many of his hits from the '90's and '00's but the hip-hop legend was largely out-of-breath and low-energy.

Even though Nicki Minaj and Lorde (due to a "change in production elements") decided to drop out at the last moment, there were still plenty of big names that turned up live on stage. Some highlights included Justin Bieber appearing with The Kid Laroi to do their hit, "Stay" and then Biebs did his newest single, "Ghosts"; Ed Sheeran took to a stage at the Brooklyn Bridge Park to deliver his latest single, "Shivers"; lovebirds, Camila Cabello and Shawn Mendes appeared separately to perform their songs, "Don't Go Yet" and "Summer of Love" respectively; and our host, Doja Cat had to get on stage, doing a mash-up of "Been Like This" and "You Right" while soaring high above the audience in the air. A few of my favorite appearances included a fierce Chlöe performing (without her sister, Halle) her first solo song, "Have Mercy"; Normani bringing her hit, "Wild Life" to life with a sizzling performance; Kacey Musgraves brought a touch of country-pop while encircled by a ring of fire with the title track of her new album, "Star-Crossed" and the always welcome, Alicia Keys delivering a new song and a tribute to New York City with "Empire State of Mind". And Global Icon Award winners, Foo Fighters did a roaring set of their songs that reminded us that rock & roll is far from dead.

As for the awards, Lil Nas X and Olivia Rodrigo were the big winners of the night, each receiving three awards with Rodrigo winning Song of the Year for "Drivers License" and Best New Artist while Nas took the big Video of the Year award for his controversial clip, "Montero (Call Me by Your Name)". These young entertainers each had a moment on the show to make their presence felt with big, splashy production numbers surrounded by a small army of dancers. But this was were their inexperience as live performers came in to sharp focus. Nas and Rodrigo both looked slightly uncomfortable on stage while struggling to stand out from their massive productions.

This points out a glaring problem with some of today's musicians who manage to get a hit record yet never paid any dues by learning to perform their music in front of an audience. Lil Nas X and Ms Rodrigo are appealing pop stars and have made some great records but are they artists that will still be around in ten years? Five years? No one really knows as talent alone is not necessarily enough to keep people interested. Yet I think the era of "American Idol" insta-pop-stars has done a great disservice to young singers who think skipping much of the long, hard work involved and jumping straight to fame is enough to maintain a career.

STAR-CROSSED

With "Golden Hour", Kacey Musgraves pushed the idea of what a country music album could sound like, with psychedelic-pop, alt-rock and disco unexpectedly and delicately sprinkled throughout. This 2018 collection brought the Texas native new-found fame and critical acclaim, leading Musgraves to win four Grammy Awards including the prestigious Album of the Year. After all this great success, life should have been wonderful for the singer. But her almost four year marriage to fellow musician, Ruston Kelly came to an end last year. Musgraves carried on and tried to keep busy despite the forced isolation of the pandemic.

This has lead Musgraves to deliver her fifth studio album, "Star-Crossed" which she co-wrote and produced with Ian Fitchuk and Daniel Tashian who both worked on "Golden Hour". She calls this record a "modern tragedy", shaping it like a three-act play with many of the songs unavoidably touching on themes of heartbreak and healing. And while "Star-Crossed" is not exactly country (citing Bill Withers, Daft Punk and Weezer as musical influences), it's not a complete abandonment like Taylor Swift's first foray in to pure pop with "1989".

The title track opener, driven by a sad guitar, touches directly on the end of her relationship, listing the process and ultimate acceptance. The rest of the album boldly experiments with a variety of sounds and beats while Musgraves even-handily discusses her experiences with love, disappointment and offers some hard-earned advice. "Star-Crossed" surprisingly closes with a cover of a Spanish-language ballad, "Gracias a la vida (Thanks to life)" written by the late, Chilean musician, Violeta Parra that begins like a grainy, vinyl record before further distorting the sound throughout the rest of the song.

"Star-Crossed" is an adventurous record that doesn't fit comfortably in to any specific genre by design. This will surely make some listeners very uncomfortable, particularly country music purists. But I think that's also what makes Musgraves' new collection one of the most exciting albums released so far this year. And there is a fifty-minute, mini-movie for the album, directed by Bardia Zeinali with camerawork by Oscar-nominated cinematographer, Matthew Libatique, that can be seen now exclusively on Paramount+.

THE 25 SONGS THAT MATTER RIGHT NOW

For the New York Times magazine's 2019 Music Issue, the focus is on songs that are making a statement right now. The previous issues tried to predict which direction music was heading and now it's about twenty-five current pop songs which explore wistful intimacy, address troubling issues in our society and attempt to ignite conversation about our turbulent times. These diverse artists here, who range from well-known (Bruce Springsteen, Ariana Grande, Weezer) to not-as-well-known (Parquet Courts, Tierra Whack, Sons of Kemet), express their ideas and feelings in a variety of interesting styles and reactions.

Click below to read the article:

The 25 Songs That Matter Right Now

And here are a few songs from this list that I particularly like:

THE 61ST ANNUAL GRAMMY AWARDS

What a difference a year makes.

Last year, Lorde was the only female nominated for Album Of The Year and the only spot she was offered on the show was being a part of the Tom Petty tribute (which she respectfully turned down). Now with The 2019 Grammy Awards, there were five female artists receiving a place in the Best Album category. And the fifteen-time Grammy winner, Alicia Keys was selected as the host of the telecast which is the first time a woman has done that in fourteen years. With this year's Grammys, women dominated the evening by delivering some of the most electrifying performances of the night while also receiving a fair share of the trophies handed out including the top prize of Album Of The Year.

Ms Keys proved to be a perfect host, bringing a positive energy and laid-back style to the event. She brought some excitement almost immediately when she brought out an impressive roster of powerful women to the stage; Lady Gaga, Jennifer Lopez, Jada Pinkett-Smith, and the very missed, former First Lady, Michelle Obama who all shared the importance of music in their lives. Keys later in the program displayed why she won all those Grammys as she impressively played two pianos at the same time (which she acknowledged was in the style of jazz pianist, Hazel Scott) and performed a melody of her favorite old tunes (a tribute to birthday girl, Lauryn Hill) and new (Ella Mai's Grammy-winning hit, "Boo'd Up").

This year had a particularly strong line-up of musical performances that kicked off with Camilla Cabello celebrating Latin music in a lively production number of her hit, "Havana" with some help from Ricky Martin and J Balvin, which they ended the performance with his song, "Mi Gente". A tribute to Dolly Parton, who was this year's MusiCares honoree, was a respectable affair to the beloved country artist starting with Kacey Musgraves and Katy Perry doing a shaky version of "Here You Come Again". Parton, who seemed to take over this retrospective medley at this point, sang with Miley Cyrus for a cover of "Jolene"  before they were joined by Maren Morris for a beautiful rendition of "After The Gold Rush". Little Big Town came out to join Parton on a new song from the "Dumplin" soundtrack, "Red Shoes" before everyone took the stage to close with Dolly's biggest hit, "9 To 5".

Unlike Ms Parton, Diana Ross didn't need anyone's help to pay tribute to her career. With her proudly announcing she's celebrating her seventy-fifth birthday next month, the still quite stunning singer had the usually jaded industry crowd mesmerized as she did lively versions of "The Best Years of My Life" and "Reach Out and Touch (Somebody's Hand)". Sure, she was a little pitchy but she still displayed why she has remained a musical legend.

Other highlights include Janelle Monáe tearing it up with a futuristic fembot staging of her songs, "Make Me Feel", "Django Jane" and "Pynk"; H.E.R. taking advantage of her first major television appearance and delivered a solid performance with "Hard Place"; Dua Lipa and St. Vincent bringing a sensual Sapphic vibe to a mash-up of their songs "One Kiss" and "Masseduction" while briefly shouting out Aretha in the middle and we had Andra Day, Yolanda Adams and Fantasia together to sing "(You Make Me Feel Like) A Natural Woman" which I think was one of the best tributes for the Queen of Soul to date.

Cardi B had a very good night for her first time at the Grammys. She dazzled during a performance of "Money" in a Busby Berkeley styled production (with a few stripper moves added) before she was left almost uncharacteristically speechless after winning Best Rap Album which she became the first woman to take that prize.

My absolutely favorite moment of the night was when the sister act, Chloe X Halle did a perfectly harmonized version of Donny Hathaway (who was honored this year with a Grammy Lifetime Achievement Award) and Roberta Flack's "Where is The Love?" before presenting an award. It was stunning and way too short.

And that leads me to what I thought was the worst moment which was Jennifer Lopez doing a musical tribute for the 60th anniversary of Motown Records. I could have thought of many different ways to honor one of the first black-owned record labels that brought soul music to a worldwide audience and helped create respected African-American pop superstars but JLo and her high-flying, Vegas showgirl routine would not have been one of them. And no, the brief appearance by Motown legend, Smokey Robinson in the middle did not help.

While it was inspiring and long overdue in honoring so much female musical talent, I'm just hoping this is not some short-lived event for the Grammys. During her acceptance speech for Best New Artist, Dua Lipa reminded the audience of the words by the now-outgoing President of the Recording Academy, Neil Portnow implying that female artists needed to "step up" in order to win the award that stirred a backlash last year. It may seem like this might be an overreaction to that uproar but it is important to recognize that in order to have diversity and inclusion, a conscious effort has to be made to ensure that can happen.

Here is a partial list of winners of the 2019 Grammy Awards:

Album of the Year: "Golden Hour" - Kacey Musgraves
Record of the Year: "This Is America" - Childish Gambino
Song of the Year: "This Is America" - Donald Glover and Ludwig Goransson, songwriters (Childish Gambino)
Best New Artist: Dua Lipa
Best Pop Vocal Album: "Sweetener" — Ariana Grande
Best Pop Solo Performance: "Joanne (Where Do You Think You’re Goin’?)" — Lady Gaga
Best Pop Duo/Group Performance: "Shallow" — Lady Gaga and Bradley Cooper
Best Traditional Pop Vocal Album: "My Way" — Willie Nelson
Best Rock Album: "From the Fires" — Greta Van Fleet
Best Rock Performance: "When Bad Does Good" — Chris Cornell
Best Rock Song: "Masseduction" — Jack Antonoff and Annie Clark, songwriters (St. Vincent)
Best Alternative Music Album: "Colors" — Beck
Best Rap Album: "Invasion of Privacy" — Cardi B
Best Rap Song: "God’s Plan" — Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels and Noah Shebib, songwriters (Drake)
Best Rap Performance: "King’s Dead" — Kendrick Lamar, Jay Rock, Future and James Blake and "Bubblin" — Anderson .Paak (tie)
Best Rap/Sung Performance: "This Is America" — Childish Gambino
Best R&B Album: "H.E.R." — H.E.R.
Best R&B Song: "Boo’d Up" — Larrance Dopson, Joelle James, Ella Mai and Dijon Mcfarlane, songwriters (Ella Mai)
Best R&B Performance: "Best Part" — H.E.R. featuring Daniel Caesar
Best Traditional R&B Performance: "Bet Ain’t Worth the Hand" — Leon Bridges and "How Deep Is Your Love" — PJ Morton featuring Yebba (tie)
Best Urban Contemporary Album: "Everything Is Love" — The Carters
Best Dance/Electronic Album: "Woman Worldwide" — Justice
Best Dance Recording: "Electricity" — Silk City and Dua Lipa featuring Diplo and Mark Ronson
Best Country Album: "Golden Hour" — Kacey Musgraves
Best Country Song: "Space Cowboy" — Luke Laird, Shane Mcanally and Kacey Musgraves, songwriters (Kacey Musgraves)
Best Country Solo Performance: "Butterflies" — Kacey Musgraves
Best Country Duo/Group Performance: "Tequila" — Dan + Shay
Best Bluegrass Album: "The Travelin’ Mccourys" — The Travelin’ Mccourys
Best Jazz Vocal Album: "The Window" — Cécile Mclorin Salvant
Best Jazz Instrumental Album: "Emanon" — The Wayne Shorter Quartet
Best Latin Pop Album: "Sincera" — Claudia Brant
Best Latin Rock, Urban or Alternative Album: "Aztlán" — Zoé
Best Reggae Album: "44/876" — Sting and Shaggy
Best Americana Album: "By the Way, I Forgive You" — Brandi Carlile
Best American Roots Performance: "The Joke" — Brandi Carlile
Best American Roots Song: "The Joke" — Brandi Carlile, Dave Cobb, Phil Hanseroth and Tim Hanseroth, songwriters (Brandi Carlile)
Best Folk Album: "All Ashore" — Punch Brothers
Best Gospel Album: "Hiding Place" — Tori Kelly
Best Gospel Performance/Song: "Never Alone" — Kirk Franklin and Victoria Kelly, songwriters (Tori Kelly featuring Kirk Franklin)
Best Roots Gospel Album: "Unexpected" — Jason Crabb
Best World Music Album: "Freedom" — Soweto Gospel Choir
Best Comedy Album: "Equanimity & the Bird Revelation" — Dave Chappelle
Best Musical Theater Album: "The Band’s Visit" — Etai Benson, Adam Kantor, Katrina Lenk and Ari’el Stachel, principal soloists; Dean Sharenow and David Yazbek, producers; David Yazbek, composer and lyricist
Best Song Written for Visual Media: "Shallow" — Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt, songwriters (Lady Gaga and Bradley Cooper)
Best Compilation Soundtrack for Visual Media: "The Greatest Showman" — Alex Lacamoire, Benj Pasek, Justin Paul and Greg Wells, compilation producers (Various Artists)
Best Score Soundtrack for Visual Media: "Black Panther" — Ludwig Göransson, (composer)
Best Music Film: "Quincy" — Alan Hicks and Rashida Jones, (video directors); Paula Dupré Pesmen, (video producer)
Best Music Video: "This Is America" — Childish Gambino
Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling): "Faith - A Journey for All" — Jimmy Carter
Producer of the Year (Non-Classical): Pharrell Williams

2018 GRAMMY AWARD NOMINATIONS

After being delayed a few days due to the funeral of former President, George H. W. Bush, the 2018 Grammy Award nominations have finally been unveiled and it appears that the Recording Academy seems to have caught up to the 21st century. The organization for years has tended to nominate critically-acclaimed, veteran artists who were long past their prime while pretty much ignoring exciting, contemporary musicians for top honors.

Kendrick Lamar, one of the most innovative and accomplished artists creating music today, leads with eight Grammy nominations for his curated soundtrack of what became the top-grossing movie of the year, "Black Panther". Drake, who has been very vocal about feeling that the Grammys have been long out-of-touch, follows with seven noms for his smash album, "Scorpion". And after female artists were barely recognized last year with Lorde as the only woman to receive an Album of The Year nomination, there are five in this category this time with hip-hop breakout, Cardi B (receiving five noms), alt-rocker, Brandi Carlile (with six nominations), country artist, Kacey Musgraves, r&b newcomer, H.E.R (who got five total nominations). and psychedelic soul performer, Janelle Monáe. Rapper, Post Malone and his popular album, "Beerbongs & Bentleys" rounds out the category.

Now if it seems like there are a lot more nominees this time, you are correct. In a call for diversity, the Academy decided to expand the four general fields of Album, Record, Song and Best New Artist of The Year from five to eight. I really don't understand the logic behind this move as there is still only going to be one winner and I think you can be diverse without crowding these categories. Besides, someone deserving is always going to be left out for recognition.

The 61st annual Grammy Awards will be presented on February 10th at the Staples Center in Los Angeles.

Here is a partial list of the 2018 Grammy Award nominations. Please click below to see the complete list of the nominations:

Grammy.com

Album of the Year:

"Invasion Of Privacy" - Cardi B
"By the Way, I Forgive You" - Brandi Carlile
"Scorpion" - Drake
"H.E.R." - H.E.R.
"Beerbongs & Bentleys" - Post Malone
"Dirty Computer" - Janelle Monáe
"Golden Hour" - Kacey Musgraves
"Black Panther: The Album, Music From and Inspired By" - Various Artists

Record of the Year:

"I Like It" - Cardi B
"The Joke" - Brandi Carlile
"This Is America" - Childish Gambino
"God's Plan" - Drake
"Shallow" - Lady Gaga & Bradley Cooper
"All the Stars" - Kendrick Lamar & SZA
"Rockstar" - Post Malone Featuring 21 Savage
"The Middle" - Zedd, Maren Morris & Grey

Song of the Year:

"All the Stars" - Kendrick Duckworth, Solana Rowe, Al Shuckburgh, Mark Spears & Anthony Tiffith, songwriters - (Kendrick Lamar & SZA)
"Boo'd Up" - Larrance Dopson, Joelle James, Ella Mai & Dijon McFarlane, songwriters - (Ella Mai)
"God's Plan" - Aubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels & Noah Shebib, songwriters - (Drake)
"In My Blood" - Teddy Geiger, Scott Harris, Shawn Mendes & Geoffrey Warburton, songwriters - (Shawn Mendes)
"The Joke" - Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters - (Brandi Carlile)
"The Middle" - Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha & Anton Zaslavski, songwriters - (Zedd, Maren Morris & Grey)
"Shallow" -Lady Gaga, Mark Ronson, Anthony Rossomando & Andrew Wyatt, songwriters - (Lady Gaga & Bradley Cooper)
"This is America" -Donald Glover & Ludwig Goransson, songwriters - (Childish Gambino)

Best New Artist:

Chloe x Hale
Luke Combs
Greta van Fleet
H.E.R.
Dua Lipa
Margo Price
Bebe Rexha
Jorja Smith

Best Traditional Pop Vocal Album:

"Love Is Here To Stay" - Tony Bennett & Diana Krall
"My Way" - Willie Nelson
"Nat "King" Cole & Me" - Gregory Porter
"Standards" - Seal
"The Music...The Mem'ries...The Magic!" - Barbra Streisand

Best Pop Vocal Album:

"Camila" - Camila Cabello
"Meaning Of Life" - Kelly Clarkson
"Sweetner" - Ariana Grande
"Shawn Mendes" - Shawn Mendes
"Beautiful Trauma" - Pink
"Reputation" - Taylor Swift

Best Pop Solo Performance:

"Colors" - Beck
"Havana (Live)" - Camila Cabello
"God Is A Woman" - Ariana Grande
"Joanne (Where Do You Think You're Goin'?)" - Lady Gaga
"Better Now" - Post Malone

Best Pop Duo/Group Performance:

"Fall in Line" - Christina Aguilera Featuring Demi Lovato
"Don't Go Breaking My Heart" - Backstreet Boys
"'S Wonderful" - Tony Bennett & Diana Krall
"Shallow" - Lady Gaga & Bradley Cooper
"Girls Like You" - Maroon 5 Featuring Cardi B
"Say Something" - Justin Timberlake Featuring Chris Stapleton
"The Middle" - Zedd, Maren Morris & Grey

Best Rock Album:

"Rainer Fog" - Alice In Chains
"Mania" Fall Out Boy
"Prequelle" - Ghost
"From the Fires" - Greta Van Fleet
"Pacific Daydream" - Weezer

Best Alternative Music Album:

"Tranquility Base Hotel + Casino" - Arctic Monkeys
"Colors" - Beck
"Utopia" - Bjork
"American Utopia" - David Byrne
"Masseduction" - St. Vincent

Best Urban Contemporary Album:

"Everything Is Love" - The Carters
"The Kids Are Alright" - Chloe x Halle
"Chris Dave And The Drumhedz" - Chris Dave And The Drumhedz
"War & Leisure" - Miguel
"Ventriloquism" - Meshell Ndegeocello

Best R&B Album:

"Sex & Cigarettes" - Toni Braxton
"Good Thing" - Leon Bridges
"Honestly" - Lalah Hathaway
"H.E.R." - H.E.R.
"Gumbo Unplugged (Live)" - PJ Morton

Best Rap Album:

"Invasion of Privacy" - Cardi B
"Swimming" - Mac Miller
"Victory Lap" - Nipsey Hussle
"Daytona" - Pusha T
"Astroworld" - Travis Scott

Best Country Album:

"Unapologetically" - Kelsea Ballerini
"Port Saint Joe" - Brothers Osborne
"Girl Going Nowhere" - Ashley McBryde
"Golden Hour" - Kacey Musgraves
"From A Room: Volume 2" - Chris Stapleton

Best Dance/Electronic Album:

"Singularity" -Jon Hopkins
"Woman Worldwide" - Justice
"Treehouse" - Sofi Tukker
"Oil of Every Pearl's Un-Insides" - Sophie
"Lune Rouge" - TOKiMONSTA

Best Comedy Album:

"Annihilation" - Patton Oswalt
"Equanimity & The Bird Revelation" - Dave Chappelle
"Noble Ape" - Jim Gaffigan
"Standup For Drummers" - Fred Armisen
"Tamborine" - Chris Rock

Best Compilation Soundtrack for Visual Media:

"Call Me By Your Name"
"Deadpool 2"
"The Greatest Showman"
"Lady Bird"
"Stranger Things"

Producer of the Year - (Non-Classical):

Boi-1da
Larry Klein
Linda Perry
Kanye West
Pharrell Williams

RANDOM SIGHTS + SOUNDS

I have said that I've never been a huge country music fan but I can say that I have become a big fan of Kacey Musgraves. The twenty-nine year old singer from Mineola, TX. hardly does what would be considered "traditional" country as she embraces classic pop, alt-rock, electronica and even a little disco which has been slyly blended in to her sound. Since the beginning of her career, Musgraves has never played it safe as she has fearlessly tackled subjects like drug-use, one-night stands and same-sex love in her songs which is hardly standard country music fare.

I had heard a lot of good buzz about her fourth studio album, "Golden Hour" that was released back in March but only recently took the time to actually listen to it. And I'm so upset I didn't get to enjoy this incredible record sooner. Musgraves met her future husband, Rustin Kelly while writing the album and the budding romance is reflected in "Golden Hour". The track, "Butterflies" was written with Kelly in mind and the rest of the album is filled with more love songs than usual for the singer. Here are the music videos for a couple of Musgraves' singles:





Here are a few new songs I'm digging right now:











And we close with the latest single from Ariana Grande. While I think "God Is a Woman"(which will be on her upcoming third album, "Sweetener") is okay, it's the music video for the song that I find absolutely breathtaking. The clip is directed by music video veteran, Dave Meyers and incorporates vibrant visual imagery of the cosmos and mythology with Grande interacting with it. And if that female voice sounds familiar during the spoken monologue, it should. It is none other than the Queen of Pop, Madonna who recites a slightly revised part of the bible verse that was spoken by Jules in "Pulp Fiction":