It has been six years since she has released new music and Madonna is ready for a return. It has been teased for a few years and her fifteenth studio album is now official with "Confessions On A Dance Floor: Part II" which is due out on July 3rd. This spiritual sequel to the 2005 album has the Queen of Pop reteaming with producer, Stuart Price to create a modern and further exploration into dance music.
The first taste of this record is the song, "I Feel So Free", a deep house track that has Madonna speaking seductively (over a sample of the 1989 acid house song, "French Kiss" by Lil Louis) about being able to fully let loose while dancing. This is a thrilling preview and hopefully we'll get even more in a very short matter of time. In the meanwhile, here is the official visualizer for "I Feel So Free" with the lyrics and Lil Louis' original version of "French Kiss":
The number one song on the Billboard Hot 100 chart during the week of April 19, 1975, was "Philadelphia Freedom" by Elton John. The British rock artist was still riding high with a string of hit singles with this song becoming his fourth number one song on the US chart and held this position for two weeks.
"Philadelphia Freedom" was originally written by John with his musical collaborator, Bernie Taupin to pay tribute to tennis player, Billie Jean King as she was playing with the Philadelphia Freedoms, a part of a charter franchise of the World Team Tennis in 1974. Taupin could not really find a way to write a song about tennis so he went on to convey a message that was uplifting and somewhat patriotic. The song is also dedicated in part to the feeling of "the Philadelphia sound" which was the soul music of writer-producers Kenny Gamble, Leon Huff, and Thom Bell. In fact, John would later perform "Philadelphia Freedom" on "Soul Train" on May 17. 1975, making him the second White artist to appearance on the r&b music program following Gino Vannelli who was on about four months earlier.
We'll be seeing a lot of the actress, Anne Hathaway over the next couple of weeks. First she will be seen on the big screen in "Mother Mary" from writer/director, David Lowery on April 24th. In this psychological-drama musical, Hathaway plays a pop singer called Mother Mary who reunites with her estranged best friend and former costume designer (played by Michaela Coel) on the eve of her comeback performance. The original songs in the film will be available on a soundtrack album, "Mother Mary: Greatest Hits" set for release on April 17th. Hathaway is performing the songs and a couple of the tracks have been released. "Burial" (written by Jack Antonoff and Charli XCX) delivers a "Lady Gaga" vibe while "My Mouth Is Lonely For You" feels like a "FKA Twigs" track and it should since it was co-written by the artist (who makes a screen appearance in "Mother Mary").
Then on May 1st, the long awaited sequel to the 2006 high-fashion comedy, "The Devil Wears Prada" hits theaters worldwide with Hathaway reprising her role as Andrea Sachs along with Emily Blunt, Stanley Tucci and Meryl Streep as fashion editor, Miranda Priestly. An original song for the movie's soundtrack, "Runway" teams up Lady Gaga and Doechii for a euphoric house music song. Andrew Watt, Bruno Mars, Cirkut and D'Mile all co-wrote and produced this track.
The alternative R&B artist, Kelela makes her highly anticipated return after three years with "idea 1" who co-wrote and produced the track with PinkPantheress; Kehlani, who won two Grammy awards this year for her smash r&b single, "Folded", is back with new music delivering "Back and Forth" that features Missy Elliott; Saint Harison, the Brit singer/songwriter, has released a soulful ballad, "Stuck" from his upcoming EP, "Ghost"; another British act trying to gain some traction in the US is Flo, a classic girl hip-hop/soul group, that has dropped the lead single, "Leak It" from their upcoming second album
And I will close by paying tribute to the passing of two artists: Dash Crofts, one half of the the soft rock duo, Seals & Crofts, passed away on March 26th at the age of eighty-seven. Born Darrell George Crofts in Cisco, Texas, he got his nickname "Dash" when he was a baby. Crofts first started playing the piano as child before switching to the drums as a teenager. In high school, he played in a band where he met the saxophone player, Jim Seals. The two decided to try their luck as professional musicians by moving to Southern California in 1958. They briefly joined a rock band, the Champs before Crofts was drafted and spent two years with the Army. By 1969, they started recording under "Seals & Crofts" and by their second album, "Summer Breeze" with the title track becoming a top-ten pop hit in 1972, the duo had a string of popular songs. Seals (who died in 2022) and Crofts would part ways as an act in 1983 but would reunite for a concert tour in 1991 to 1992 and again in 2004 after the duo recorded their first new album since 1980 and also final recording together, "Traces".
And one of the pioneers that would greatly influence hip-hop culture,Afrika Bambaataa has passed away on April 9th. The Bronx native, who was was an originator of breakbeat DJing, died from complications of from prostate cancer and was sixty-eight. Born Lance Taylor, he was exposed to the ideologies of the Black Liberation Movement through his parents as a teen as well as the sounds of their eclectic record collection. After wining an essay contest that earned him a trip to Africa, Taylor was inspired by the sense of community while he was there and determined create one in his own neighborhood. Adopting the name, "Afrika Bambaataa Aasim", he set about creating the "Bronx River Organization" which was a positive alternative to the street gangs that infiltrated the Bronx and that he had once been affiliated. Bambaataa soon turned his attention to music after hosting several block parties and forming the Universal Zulu Nation which brought together socially and politically aware rappers and graffiti artists. Inspired by the emerging electronic music scene, he released "Planet Rock" in 1982 with the Soul Sonic Force that merged electro beats and hip-hop. The single, produced by Arthur Baker, reached the top five on the US R&B and Dance charts.
Charlie Puth has been around making music since 2011 after getting a record deal from his growing popularity posting himself singing covers on YouTube. His first single, "Marvin Gaye", that pays tribute to the Motown legend, was a duet with Meghan Trainor in 2015. And while the song was a popular in several countries, this doo-wop styled track was savaged by many music critics and even found its way on Worst Song of the Year lists.
Puth managed to rebound spectacularly by co-writing, producing, and providing vocals on Wiz Khalifa's single "See You Again" for the soundtrack of the film, "Furious 7". This song, which is in honor of actor, Paul Walker who had died before filming and had been a star in this movie franchise, spent twelve non-consecutive weeks atop the US Billboard Hot 100, received three nominations at the 58th Annual Grammy Awards, a Golden Globe nomination for Best Original Song and was the best selling-song of 2015 worldwide.
Puth went on to release his debut album, "Nine Track Mind" which achieved great success as well as his following albums, "Voicenotes" in 2018 and "Charlie" in 2022. And while these albums and the singles went high on the charts and he received more award recognition, I must admit I wasn't overly impressed by his music, finding much of his work far too colorless for my taste.
Now the thirty-four year old New Jersey native has captured my attention with his just released fourth studio album, "Whatever's Clever". Puth has stated that he had charged his approach on how he created his music, opening himself to reveal more and put a personal touch into his songs. And I think it shows with the album feeling far more authentic and I'm able to make more of a connection to him as an artist. Inspired by the easy listening sounds of the 1980's, specifically what is currently being defined as "yacht rock", Puth teamed up with Michael Tucker, who is better known as BloodPop, to co-write and produce this album. "Whatever's Clever" is loaded with guest musicians that range from soft rock pioneers, Michael McDonald and Kenny Loggins, jazz-pop star, Kenny G; Japanese pop artist, Hikaru Utada and contemporary r&b vocalists, Ravyn Lenae and Coco Jones. The album closes with the brutally honest, guitar driven ballad, "I Used To be Cringe" where Puth acknowledges that he tried a bit too hard to fit in as his idea of a musician. But with "Whatever's Clever", I think it's clear he has evolved, letting loose and allowing himself to go much deeper as a musical artist.
Puth had previewed a few tracks from the album during a four-night stand at Blue Note Jazz Club in New York late last year and did a follow-up residency at the recently opened Blue Note in Los Angeles. He plans on hitting the road on a world tour that will begin on April 22nd in San Diego and ending in Warsaw, Poland by July.
