This year marks the thirtieth anniversary of the release of "Maxwell's Urban Hang Suite", the debut album by the r&b artist, Maxwell. Inspired by the legends of classic soul, Maxwell took the music he loved and put his own distinctive spin to create a sound that was fresh and contemporary yet also capturing an old school vibe. "Maxwell's Urban Hang Suite", along with D'Angelo's "Brown Sugar" in 1995 and Erykah Badu's "Baduizm" released in 1997, would define the neo soul movement and helped reshape popular black music.
The Brooklyn native born Gerald Maxwell Rivera began creating music at seventeen after receiving a Casio keyboard. While hip-hop was becoming the dominate sound being played on r&b radio at the time, Rivera remained a fan of the soul he heard growing up in the 1980's. As he got older, he continued pursuing music, learning to play other instruments and gaining access to a recording studio where he worked on demos. Rivera had begun performing around in small clubs throughout New York City, which created some buzz for him, while his demos where making the rounds, leading to him being signed to Columbia Records in 1994
Taking on his middle name as his professional moniker, Maxwell went to work on his debut with songwriter, Leon Ware. But after completing the record about a year later, the label put it on hold due to concerns of it's commercial appeal. When "Maxwell's Urban Hang Suite" was finally released on April 2, 1996, the concept album did struggle a bit to receive attention with the first single, "...Til the Cops Come Knockin'" failing to chart. But the mellow collection of funk, jazz, smooth soul did gain some serious traction with the help of the second single, "Ascension (Don't Ever Wonder)" peaking at number eight on the US Billboard R&B/Hip-Hop Songs chart and crossing over to the top forty on the Billboard Hot 100 chart. The follow-up single, "Sumthin' Sumthin'" also charted, helping "Maxwell's Urban Hang Suite" go on to sell over two million copies in the US alone.
The album would land on several Top-Ten Album of the Year lists and receive a Grammy Award nomination for Best R&B Album. This success lead to him being featured live on MTV Unplugged (which was highly unusual since he only had one album to date) with the EP being released the following year with his cover of Kate Bush's "This Woman's Work" becoming a hit, reaching number sixteen on the Billboard Hot R&B/Hip-Hop Songs chart.
Taking on his middle name as his professional moniker, Maxwell went to work on his debut with songwriter, Leon Ware. But after completing the record about a year later, the label put it on hold due to concerns of it's commercial appeal. When "Maxwell's Urban Hang Suite" was finally released on April 2, 1996, the concept album did struggle a bit to receive attention with the first single, "...Til the Cops Come Knockin'" failing to chart. But the mellow collection of funk, jazz, smooth soul did gain some serious traction with the help of the second single, "Ascension (Don't Ever Wonder)" peaking at number eight on the US Billboard R&B/Hip-Hop Songs chart and crossing over to the top forty on the Billboard Hot 100 chart. The follow-up single, "Sumthin' Sumthin'" also charted, helping "Maxwell's Urban Hang Suite" go on to sell over two million copies in the US alone.
The album would land on several Top-Ten Album of the Year lists and receive a Grammy Award nomination for Best R&B Album. This success lead to him being featured live on MTV Unplugged (which was highly unusual since he only had one album to date) with the EP being released the following year with his cover of Kate Bush's "This Woman's Work" becoming a hit, reaching number sixteen on the Billboard Hot R&B/Hip-Hop Songs chart.
