NEW SOUNDS

NORTH WEST

North West is the twelve year old daughter of the erratic hip-hop musician, Kanye West (currently going by "Ye") and the media personality-turned-entrepreneur, Kim Kardashian. And it's not really much of a surprise that she has been dabbling in professionally performing and making music since she was ten. Now, West has just debuted her first EP as a solo artist, "N0rth4evr". She was fully hands on in the production and songwriting of this recording with the six tracks featuring an intriguing blend of rap, goth rock and hyperpop. Most of the songs are under two minutes but I have to say that this album is a solid collection, twisting sounds and beats to inventively blast out her Gen Alpha angst. With "N0rth4evr", West reveals she has much in common with her father, credibly displaying that she does have the essential qualities to potentially become a major musical artist.





MAYA HAWKE

The actor and musician, Maya Hawke has released her fourth studio album with "Maitreya Corso". The title represents a fictional "magical misfit" persona that allows Hawke to boldly explore themes of ego, ambition, and reinvention. The songs possess an other-worldly vibe, transporting us through with eclectic sounds, understated arrangements and whimsical thoughts. The twenty-seven year old offspring of actors, Ethan Hawke and Uma Thurman has crafted an indie-pop record that also pays tribute to her community of fellow musicians in the New York scene, collaborating with local performers like Benjamin Lazar Davis, Will Graefe, and Michael Riddleberger. 

MAXWELL'S URBAN HANG SUITE: THE 30TH ANNIVERSARY

This year marks the thirtieth anniversary of the release of "Maxwell's Urban Hang Suite", the debut album by the r&b artist, Maxwell. Inspired by the legends of classic soul, Maxwell took the music he loved and put his own distinctive spin to create a sound that was fresh and contemporary yet also capturing an old school vibe. "Maxwell's Urban Hang Suite", along with D'Angelo's "Brown Sugar" in 1995 and Erykah Badu's "Baduizm" released in 1997, would define the neo soul movement and helped reshape popular black music.

The Brooklyn native born Gerald Maxwell Rivera began creating music at seventeen after receiving a Casio keyboard. While hip-hop was becoming the dominate sound being played on r&b radio at the time, Rivera remained a fan of the soul he heard growing up in the 1980's. As he got older, he continued pursuing music, learning to play other instruments and gaining access to a recording studio where he worked on demos. Rivera had begun performing around in small clubs throughout New York City, which created some buzz for him, while his demos where making the rounds, leading to him being signed to Columbia Records in 1994

Taking on his middle name as his professional moniker, Maxwell went to work on his debut with songwriter, Leon Ware. But after completing the record about a year later, the label put it on hold due to concerns of it's commercial appeal. When "Maxwell's Urban Hang Suite" was finally released on April 2, 1996, the concept album did struggle a bit to receive attention with the first single, "...Til the Cops Come Knockin'" failing to chart. But the mellow collection of funk, jazz, smooth soul did gain some serious traction with the help of the second single, "Ascension (Don't Ever Wonder)" peaking at number eight on the US Billboard R&B/Hip-Hop Songs chart and crossing over to the top forty on the Billboard Hot 100 chart. The follow-up single, "Sumthin' Sumthin'" also charted, helping "Maxwell's Urban Hang Suite" go on to sell over two million copies in the US alone.

The album would land on several Top-Ten Album of the Year lists and receive a Grammy Award nomination for Best R&B Album. This success lead to him being featured live on MTV Unplugged (which was highly unusual since he only had one album to date) with the EP being released the following year with his cover of Kate Bush's "This Woman's Work" becoming a hit, reaching number sixteen on the Billboard Hot R&B/Hip-Hop Songs chart.

I FEEL SO FREE

It has been six years since she has released new music and Madonna is ready for a return. It has been teased for a few years and her fifteenth studio album is now official with "Confessions On A Dance Floor: Part II" which is due out on July 3rd. This spiritual sequel to the 2005 album has the Queen of Pop reteaming with producer, Stuart Price to create a modern and further exploration into dance music.

The first taste of this record is the song, "I Feel So Free", a deep house track that has Madonna speaking seductively (over a sample of the 1989 acid house song, "French Kiss" by Lil Louis) about being able to fully let loose while dancing. This is a thrilling preview and hopefully we'll get even more in a very short matter of time. In the meanwhile, here is the official visualizer for "I Feel So Free" with the lyrics and Lil Louis' original version of "French Kiss":

NUMBER ONE FLASHBACK

The number one song on the Billboard Hot 100 chart during the week of April 19, 1975, was "Philadelphia Freedom" by Elton John. The British rock artist was still riding high with a string of hit singles with this song becoming his fourth number one song on the US chart and held this position for two weeks.

"Philadelphia Freedom" was originally written by John with his musical collaborator, Bernie Taupin to pay tribute to tennis player, Billie Jean King as she was playing with the Philadelphia Freedoms, a part of a charter franchise of the World Team Tennis in 1974. Taupin could not really find a way to write a song about tennis so he went on to convey a message that was uplifting and somewhat patriotic. The song is also dedicated in part to the feeling of "the Philadelphia sound" which was the soul music of writer-producers Kenny Gamble, Leon Huff, and Thom Bell. In fact, John would later perform "Philadelphia Freedom" on "Soul Train" on May 17. 1975, making him the second White artist to appearance on the r&b music program following Gino Vannelli who was on about four months earlier.

RANDOM SIGHTS + SOUNDS

We'll be seeing a lot of the actress, Anne Hathaway over the next couple of weeks. First she will be seen on the big screen in "Mother Mary" from writer/director, David Lowery on April 24th. In this psychological-drama musical, Hathaway plays a pop singer called Mother Mary who reunites with her estranged best friend and former costume designer (played by Michaela Coel) on the eve of her comeback performance. The original songs in the film will be available on a soundtrack album, "Mother Mary: Greatest Hits" set for release on April 17th. Hathaway is performing the songs and a couple of the tracks have been released. "Burial" (written by Jack Antonoff and Charli XCX) delivers a "Lady Gaga" vibe while "My Mouth Is Lonely For You" feels like a "FKA Twigs" track and it should since it was co-written by the artist (who makes a screen appearance in "Mother Mary").

Then on May 1st, the long awaited sequel to the 2006 high-fashion comedy, "The Devil Wears Prada" hits theaters worldwide with Hathaway reprising her role as Andrea Sachs along with Emily Blunt, Stanley Tucci and Meryl Streep as fashion editor, Miranda Priestly. An original song for the movie's soundtrack, "Runway" teams up Lady Gaga and Doechii for a euphoric house music song. Andrew Watt, Bruno Mars, Cirkut and D'Mile all co-wrote and produced this track.



The alternative R&B artist, Kelela makes her highly anticipated return after three years with "idea 1" who co-wrote and produced the track with PinkPantheress; Kehlani, who won two Grammy awards this year for her smash r&b single, "Folded", is back with new music delivering "Back and Forth" that features Missy Elliott; Saint Harison, the Brit singer/songwriter, has released a soulful ballad, "Stuck" from his upcoming EP, "Ghost"; another British act trying to gain some traction in the US is Flo, a classic girl hip-hop/soul group, that has dropped the lead single, "Leak It" from their upcoming second album

And I will close by paying tribute to the passing of two artists: Dash Crofts, one half of the the soft rock duo, Seals & Crofts, passed away on March 26th at the age of eighty-seven. Born Darrell George Crofts in Cisco, Texas, he got his nickname "Dash" when he was a baby. Crofts first started playing the piano as child before switching to the drums as a teenager. In high school, he played in a band where he met the saxophone player, Jim Seals. The two decided to try their luck as professional musicians by moving to Southern California in 1958. They briefly joined a rock band, the Champs before Crofts was drafted and spent two years with the Army. By 1969, they started recording under "Seals & Crofts" and by their second album, "Summer Breeze" with the title track becoming a top-ten pop hit in 1972, the duo had a string of popular songs. Seals (who died in 2022) and Crofts would part ways as an act in 1983 but would reunite for a concert tour in 1991 to 1992 and again in 2004 after the duo recorded their first new album since 1980 and also final recording together, "Traces".

And one of the pioneers that would greatly influence hip-hop culture, Afrika Bambaataa has passed away on April 9th. The Bronx native, who was was an originator of breakbeat DJing, died from complications of from prostate cancer and was sixty-eight. Born Lance Taylor, he was exposed to the ideologies of the Black Liberation Movement through his parents as a teen as well as the sounds of their eclectic record collection. After wining an essay contest that earned him a trip to Africa, Taylor was inspired by the sense of community while he was there and determined create one in his own neighborhood. Adopting the name, "Afrika Bambaataa Aasim", he set about creating the "Bronx River Organization" which was a positive alternative to the street gangs that infiltrated the Bronx and that he had once been affiliated. Bambaataa soon turned his attention to music after hosting several block parties and forming the Universal Zulu Nation which brought together socially and politically aware rappers and graffiti artists. Inspired by the emerging electronic music scene, he released "Planet Rock" in 1982 with the Soul Sonic Force that merged electro beats and hip-hop. The single, produced by Arthur Baker, reached the top five on the US R&B and Dance charts.

WHATEVER'S CLEVER

Charlie Puth has been around making music since 2011 after getting a record deal from his growing popularity posting himself singing covers on YouTube. His first single, "Marvin Gaye", that pays tribute to the Motown legend, was a duet with Meghan Trainor in 2015. And while the song was a popular in several countries, this doo-wop styled track was savaged by many music critics and even found its way on Worst Song of the Year lists.

Puth managed to rebound spectacularly by co-writing, producing, and providing vocals on Wiz Khalifa's single "See You Again" for the soundtrack of the film, "Furious 7". This song, which is in honor of actor, Paul Walker who had died before filming and had been a star in this movie franchise, spent twelve non-consecutive weeks atop the US Billboard Hot 100, received three nominations at the 58th Annual Grammy Awards, a Golden Globe nomination for Best Original Song and was the best selling-song of 2015 worldwide.

Puth went on to release his debut album, "Nine Track Mind" which achieved great success as well as his following albums, "Voicenotes" in 2018 and "Charlie" in 2022. And while these albums and the singles went high on the charts and he received more award recognition, I must admit I wasn't overly impressed by his music, finding much of his work far too colorless for my taste.

Now the thirty-four year old New Jersey native has captured my attention with his just released fourth studio album, "Whatever's Clever". Puth has stated that he had charged his approach on how he created his music, opening himself to reveal more and put a personal touch into his songs. And I think it shows with the album feeling far more authentic and I'm able to make more of a connection to him as an artist. Inspired by the easy listening sounds of the 1980's, specifically what is currently being defined as "yacht rock", Puth teamed up with Michael Tucker, who is better known as BloodPop, to co-write and produce this album. "Whatever's Clever" is loaded with guest musicians that range from soft rock pioneers, Michael McDonald and Kenny Loggins, jazz-pop star, Kenny G; Japanese pop artist, Hikaru Utada and contemporary r&b vocalists, Ravyn Lenae and Coco Jones. The album closes with the brutally honest, guitar driven ballad, "I Used To be Cringe" where Puth acknowledges that he tried a bit too hard to fit in as his idea of a musician. But with "Whatever's Clever", I think it's clear he has evolved, letting loose and allowing himself to go much deeper as a musical artist.

Puth had previewed a few tracks from the album during a four-night stand at Blue Note Jazz Club in New York late last year and did a follow-up residency at the recently opened Blue Note in Los Angeles. He plans on hitting the road on a world tour that will begin on April 22nd in San Diego and ending in Warsaw, Poland by July.

THIS MUSIC MAY CONTAIN HOPE

With her second studio album, the shrewdly titled, "This Music May Contain Hope", Raye is offering songs of encouragement and optimism, fearlessly using her life experiences and explaining her emotional state on each song. The British artist, born Rachel Keen, dabbles far beyond the current popular sounds of soul and hip-hop on this record by mixing in classic jazz, big band, gospel and orchestral textures to expand her musical expression.

Raye has enlisted inspired collaborators on some tracks which includes film composer Hans Zimmer on the latest single, "Click Clack Symphony" and soul music legend, Al Green on "Goodbye Henry" while on the final track, "Fin", she appreciatively reads off many of the names of the creatives, friends and family who contributed to help in the completion of this album. 

Raye (who co-wrote all the tracks with a variety of writers) has lyrically explored the complexities of human emotion in "This Music May Contain Hope" while digging deep sonically to make a bold and contemporary album. Having stated that music has helped heal her through the most challenging and difficult times in her life, Raye hopes this collection of songs will possibly do the same for listeners.

NEW SOUNDS

JAMES BLAKE

The British musician, James Blake is probably best known for his innovative work behind the scenes, handling production for a wide number of artists which includes Jay-Z, Kanye West, Kendrick Lamar, Frank Ocean and Beyoncé. But Blake had been making music as a solo performer long before his success as a go-to-producer. After living in Los Angeles for the last ten years, Blake decided to return to his native England. This move helped inspire his latest studio album, "Trying Times" and it is his first recording since departing from Republic Records and joining indie label, Good Boy Records. On the album, Blake reflects on some of the turmoil he had experienced with LA living and settling into a more tranquil state of being back in his home country. Unlike what he has usually done with other artists he had worked with, Blake is able to push even further his disjointed collection of fragmented sounds and beats to transform them into beautifully flowing, hypnotic songs rippling with his expressive, angelic vocals. A brilliantly deconstructed soul record, "Trying Times" takes you on a emotional musical adventure, one that is calmly offbeat and soothingly chaotic.





ELLA LANGLEY

I had become aware of country artist, Ella Langley from her charming single, "You Look Like You Love Me", a duet with Riley Green two years ago. This breakthrough along with a second single, "Weren't for the Wind" from her debut, "Hungover" made this twenty-six year old performer from Alabama one of the biggest new acts in country music of 2025. Now Langley is back with the catchy single, "Choosin' Texas" (co-written and co-produced with Miranda Lambert) that not only went to number one on the country chart but also reached the top of the Billboard Hot 100 chart and even became a major hit globally. Her upcoming second studio album, "Dandelion" will be co-executive produced by Langley, Lambert and Ben West and due out on April 10th. Another recently released single, "Be Her" is also moving up the country and pop charts.





DIONNE WARWICK

One of the true living legends of popular music, Dionne Warwick has been making music professionally for an incredible sixty-five years. Now the iconic eighty-five year old artist has announced a new album, "Dwets" (pronounced "duets") and it will officially become her final recording. Warwick's son, Damon Elliott, is producing the album and Diane Warren has written all of the songs for this collection which will most certainly be a heartfelt and celebratory finale to Warwick's amazing recording career. While the complete list of duet partners and the exact release date of "Dwets" will be announced soon, the first single has been released and features actress and singer Cynthia Erivo on the song, "Ocean in the Desert". This lovely ballad is about friendship and support during difficult times. And Warwick, who does plan to slow down after this album, has stated that she will still be around for the occasional live performance.

RANDOM SIGHT + SOUNDS

Sienna Spiro, a rising pop-soul singer from the UK is gaining attention on this side of the pond with her single, "Die on This Hill", The twenty year old has been performing and writing songs since she was ten, inspired by the records of her parents that included Frank Sinatra and Nina Simone and the hip-hop that was playing during her youth, dropping out of high school at sixteen to pursue music full time. As is common these days for aspiring musicians, Spiro posted clips of herself singing covers and original songs on social media. Two years ago, she released her first single, "Need Me". Spiro released more music and began performing around London, making an impression at the All Points East music festival. Last year, she released an EP, "Sink Now, Swim Later" on Capitol Records and went on tour throughout Britain. In October, the power ballad, "Die On This Hill", co-written by Spiro with Omer Fedi and Michael Pollack, was released and has gone on to become an international top-ten smash. Spiro is currently putting together her debut album and is in the middle of a headlining tour in the US.





Here is a round-up of new sounds that I'm listening to at the moment: "American Girls", the second single from Harry Styles' recently released album, "Kiss All the Time. Disco, Occasionally"; Mary J Blige is back in fine form with a soulful ballad, "More Than a Lover"; Another single, "Ride" from Jessie Ware's upcoming sixth studio album, "Superbloom" is a shimmering dance track with the video featuring actor, James Norton; Bebe Rexha teams with Brit electro band, Faithless for a high energy, house track, "New Religion" and the first single by country artist, Kacey Musgraves, "Dry Spell" from her next album, "Middle of Nowhere" due out in May.

The sounds of classic disco, which enjoyed the height of its popularity during the mid-1970's, has climbed back up onto the current music charts. Donna Summer's 1978 version of Jimmy Webb's trippy ode to the Los Angeles site, "MacArthur Park" and Anita Ward's 1979 number one worldwide smash hit, "Ring My Bell" both recently made it back to the top ten of the iTunes music chart. Alysa Liu had skated to Summer’s song during the 2026 Winter Olympics and won the gold medal, helping this disco track receive rejuvenated popularity. A viral TikTok trend with "Ring My Bell" made sales and streaming of this song skyrocket this month. Ward, who went from schoolteacher to overnight disco star, only enjoyed success with this one song while Summer had a far more extensive and influential career before passing away in 2012, still known to the world as "The Queen of Disco". Let's get back on the dance floor and get lost in the beat of these songs with the entire seventeen minute epic version of the "MacArthur Park Suite" (which includes another charting single, "Heaven Knows") and Ward performing her hit on the British program, "Top of the Pops":

2026 OSCAR NOMINEES FOR BEST ORIGINAL SONG

With just a week until the winners of Best Original Song for the 98th annual Academy Awards are announced, here's a rundown of this year's nominees. For her seventeen nomination (the most of any individual without a win), Diane Warren has written a song for a movie that is about herself. "Dear Me" is featured in the documentary, "Diane Warren: Relentless" which covers this songwriter's impressively prolific career with her writing over four hundred songs for some of the biggest pop artists in history. The ballad, "Dear Me", handpicked by Warren to be performed by Kesha, was written about overcoming difficult times while offering a message of hope. "KPop Demon Hunters", which became the most-watched original title in Netflix history, featured a song that attained worldwide commercial success and garnering millions of streams. In this animated movie, "Golden" is performed by the fictional K-pop girl group, Huntr/x who lead double lives as demon hunters. "I Lied To You" is a rousing, blues number in the supernational thriller and box-office smash, "Sinners", performed by musician-turned-actor, Miles Caton and written by the film's composer, Ludwig Göransson and r&b musician, Raphael Saadiq. "Viva Verdi!" is a documentary that looks into the lives of veteran opera singers and musicians that are mentoring young music students. A song from the film, "Sweet Dreams of Joy" is written by English composer, Nicholas Pike and performed by Puerto Rican soprano, Ana María Martínez. And American composer, Bryce Dessner and Australian rocker, Nick Cave have teamed-up to create the title track for the intimate, period drama, "Train Dreams" that details the challenging life of an American railroad laborer.

The nominations are very strong this year with each song more than worthy of winning. But there can only be one winner and I think it will be that brightly exhilarating K-pop song that will get the gold statue this time. And once again, the show does not plan to have all of the nominated songs performed during the telecast. Only "Golden" and "I Lied To You" will be done in special musical segments which is really not fair to the other nominees.

"Dear Me" from "Diane Warren: Relentless" (Music and Lyrics by Diane Warren)



"Golden" from "KPop Demon Hunters" (Music and Lyrics by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park)



"I Lied To You” from "Sinners" (Music and Lyrics by Raphael Saadiq and Ludwig Göransson)



"Sweet Dreams Of Joy" from "Viva Verdi!" (Music and Lyrics by Nicholas Pike)



"Train Dreams" from "Train Dreams" (Music by Nick Cave and Bryce Dessner; Lyric by Nick Cave)

NEIL SEDAKA (1939 - 2026)

Neil Sedaka, the pop performer and prolific songwriter, has passed away on February 27th at the age of eighty-six. After briefly singing with a doo-wop group, the Tokens as a teenager, the Brooklyn-born performer teamed up with Howard Greenfield to write many chart topping songs together at the Brill Building for other artists before becoming a popular recording artist himself, all which happened not long after Sedaka had turned eighteen.

During his time at the Brill, which began in 1958, Greenfield was handling the lyrics while Sedaka writing the music. The team had their first hit with their song, "Stupid Cupid" for Connie Francis that year. They would write other songs for Francis including "Where The Boys Are" which was the theme song for the 1960 movie which she co-starred and became Francis' signature song. 

Sedaka was still determined to become a recording artist himself and signed with RCA Records. His first charting song was "The Diary", which was inspired by Francis not allowing him to read her own journal, reaching number fourteen on the Billboard Hot 100 chart. But his next single, "Oh! Carol" (which was inspired by his former girlfriend, Carole King) became an even bigger hit, peaking at number nine in 1959. More hits followed for Sedaka which included "Calendar Girl",  "Happy Birthday, Sweet Sixteen" and "Breaking Up is Hard To Do".

Once the British invasion began around 1964, like many of the clean-cut, American pop stars, Sedaka could no longer get his music to chart. He was dropped by his label in 1966 and went back to songwriting full time. Sedaka wrote or co-wrote songs with Greenfield and other writers for The Monkees, the 5th Dimension, Patti Drew and Frankie Valli. But by the early 1970's, Sedaka was back trying to revive his own music career. He found some success touring in Australia and England and was able to rejoin RCA, recording the albums, "Emergence" in 1971 and "Solitaire" the following year. Neither album attracted much attention but the song, "Solitaire" found chart success for Andy Williams and the Carpenters.

Sedaka's fortunes began to shift around 1974 when he recorded the album, "Laughter in the Rain" in Britain. This title track went on to become a number one hit for the singer in the US in 1975, leading to Sedaka being signed to Elton John's label, The Rocket Record Company and a compilation album, "Sedaka's Back" featured material from three previous records he had recorded in the UK. Then later that year, Captain & Tennille recorded a version of Sedaka's song, "Love Will Keep Us Together", becoming a worldwide number one hit. Sedaka's follow-up album, "The Hungry Years" had the first single, "Bad Blood" (that features an uncredited Elton John) become his second number one hit that year. Another single from the album was a slowed-down version of Sedaka's 1962 hit, "Breaking Up is Hard To Do" which this ballad made it to number eight on the pop chart in 1976, making him the only artist to ever record an entirely new version of the same song with both reaching the Billboard Top Ten.

Unfortunately, Sedaka was unable to maintain this remarkable comeback. He recorded one more album, "Steppin' Out" for Rocket before joining Elektra Records, creating a bit of riff between himself and John but their relationship was repaired years later. None of the albums Sedaka recorded on his new label achieved great success. His last charting song was "Should've Never Let You Go", a duet with his daughter, Dara, which made it to number nineteen on the US pop chart in 1980.

But Sedaka would go on to receive plenty of appreciation for his sweeping and influential work. He was inducted into the Songwriters Hall of Fame in 1983, a jukebox musical, "Breaking Up Is Hard To Do" came out in 2005 and a theatrical musical biography, "Laughter in the Rain" appeared five years later. Sedaka toured extensively over the last thirty years and even did a series of free mini-concerts online during the COVID-19 shutdown.

BILLY STEINBERG (1950 - 2026)

Billy Steinberg, the incredibly prolific songwriter who was behind many of the most popular songs throughout the 1980's and 1990's, has passed away on February 16th at the age of seventy-five. With his with longtime songwriting partner, Tom Kelly, together wrote or co-wrote with other artists the songs, "Like a Virgin" by Madonna, "True Colors" by Cyndi Lauper, "So Emotional" by Whitney Houston, "I Touch Myself" by Divinyls and "I'll Stand by You" by The Pretenders to name just a few.

Born in Palm Springs and raised in Fresno, Steinberg formed a band called, Billy Thermal and they were signed to Richard Perry's Planet Records. The band's actual breakthrough came only when their songs that Steinberg wrote were covered by other artists like Linda Ronstadt who did her version of "How Do I Make You", the lead single form her 1980, "Mad Love" album and Pat Benatar recorded "I'm Gonna Follow You" for her 1980 album, "Crimes of Passion". After the band broke-up, Steinberg soon moved behind the scenes, working with Benatar the following year on her next album and writing the title track, "Precious Time" and teaming with Kelly to co-write another track, "Fire and Ice". This lead to Steinberg and Kelly being suggested to work with Madonna, a rising artist who was working on her follow-up album to her self-titled debut. "Like a Virgin" would be the lead single and title of that album, reaching number one in 1984 on the US pop chart for six weeks.

This helped this newly formed songwriting team become very in demand and other popular songs Steinberg and Kelly wrote include "Alone" (recorded by Heart), "Eternal Flame", "In My Room" (both co-written with Susanna Hoffs and recorded by the Bangles) and "I Drove All Night" (recorded by Cyndi Lauper, Roy Orbison and Celine Dion). By the mid-1990s, Kelly had lost enthusiasm for songwriting, leaving the business. But Steinberg continued on with his career, going on to co-write with other musicians including Rick Nowels, Marie-Claire D'Ubaldo and Josh Alexander.

RANDOM SIGHTS + SOUNDS

The first time I had heard of Durand Bernarr was when I saw the clip of him racing to the stage during this year's Grammys to accept the award for Best Progressive R&B Album and delivering a humorously exuberant speech of joyous gratitude. But I must shamefully admit that I had not heard of Bernarr's album, "Bloom" which won him the prize. So I immediately set about listening to his record and now understand completely why he was the recipient of this honor.  

The Cleveland, Ohio native was surrounded by music, raised by parents who were involved in the business with his mother being a music teacher and vocal coach and his father was an audio engineer. After learning production by working with his father, Bernarr began his professional career posting videos on YouTube and released a mixtape that featured his versions of popular songs of the day in 2009. Another mixtape that was covers of Erykah Badu songs lead to him working with her as a backing vocalist. Bernarr went on to record some EPs and collaborate with various other artists as a featured vocalist or providing background vocals. He received attention with "Wanderlust" in 2022 and "En Route" was Grammy nominated for Best Progressive R&B Album in 2024. Openly queer, Bernarr is an artist to watch who is boldly pushing r&b in exciting new directions.





Taylor Swift has released the music video for her single, "Opalite" which came together following her appearance on the British chat program, "The Graham Norton Show" and features the guests that was on her episode; Karyn White has finally returned to music with "You Gonna Want Me Back" that has the r&b vocalist, who made a splash with her self-titled debut back in 1988, delivering a fresh, midtempo groove; No Na is an Indonesian girl group that is receiving attention on this side of the world thanks to their latest single, "Work" and their energetic music video.

Another artist I slept on was Rochelle Jordan and her third studio album, "Through The Wall" released last year. This collection is an explosive mix of funky progressive soul and sleek electronic sounds that will leave you exhilarated as you are dancing through the night. Born in London and raised in Toronto, Jordan has been creating music since 2012, releasing her debut album, "1021" two years later which featured fairly traditional r&b. But it wouldn't be until almost seven years later when she would return with her follow-up, "Play with the Changes" which was due to some health issues and a battle with her former label over her artistic expression. With this album, Jordan was able to experiment further with underground dance and house, finding that she was in her element. A performer who is not sonically aggressive, Jordan prefers to keep her luxurious beats smooth and steady to help elevate the dance floor.

And I will close by paying tribute to Chuck Negron, one of the vocalists of the pop-rock group, Three Dog Night, who passed away on February 2nd at the age of eighty-three. Born and raised in New York, Negron (whose father was nightclub performer, Charles Negron) sang in local vocal groups as a teen. He headed to Los Angeles after being recruited to play basketball at CAL State. His interests soon returned to music and in 1967, Negron, along with fellow singers, Cory Wells and Danny Hutton came together to form a musical group called Redwood, They were briefly signed to the Beach Boys' imprint record label, Brother Records. But during recording sessions, Brian Wilson was producing their demos and not happy with their sound. The rest of the Beach Boys soon wanted him to concentrate on their band's next album so Redwood was dropped. Not long after, these vocalists assembled their own backing band with Ron Morgan on guitar, Floyd Sneed on drums, Joe Schermie on bass, and Jimmy Greenspoon on keyboards and became "Three Dog Night" which refers to the practice of using dogs for warmth in the outback with "three dogs" indicating a freezing night. 

Beginning with their 1968 self-titled debut album that featured their first pop hit, "One" which was a cover of Harry Nilsson's song, Three Dog Night went on to have twenty-one top-forty singles including three reaching number one. But legal battles, internal conflicts and drug abuse, the band imploded by 1976. Negron had his own struggles with serious drug addiction, even living for a period on Skid Row in Los Angeles, before seeking recovery and finally getting clean by 1991. He found his way back to music, recording four solo albums including "Negron Generations" from 2017 which featured him with two of his daughters. Here are a couple of Three Dog Night songs that Negron sang lead vocals on:

CONTROL: THE 40TH ANNIVERSARY

I can't believe that it's been forty years (February 4, 1986, to be exact) since the release of the breakthrough album by Janet Jackson, "Control". I remember like it was yesterday when the first single, "What Have You Done For Me Lately?" was dropped, a blunt feminist anthem with a funky beat that was enhanced by Jimmy Jam and Terry Lewis' progressive production. More hit songs followed (with seven of the nine album tracks released as singles) and Jackson would no longer be in the shadow of her very famous brothers as "Control" went on to become a worldwide smash, selling more than ten million copies.

As a teenager, Jackson was largely focusing on acting, appearing in the television shows, "Different Strokes" and "Fame", and not really interested in pursuing music. But her father and manager, Joseph got her a recording contract with A&M Records. Jackson went on to release two albums, a self-titled debut in 1982 and "Dream Street" two years later. Both albums were collections of bubblegum soul that received scant attention and failed to give Jackson, who had very little creative control, much of an identity as a musical artist. 

After deciding to take charge of her career, the then nineteen year old first fired her father and then hired her label's A&R manager, John McClain to help guide her into the next phase. He introduced her to Jam and Lewis, who were former members of the funk band, The Time. The trio clicked and went to work together to create her next album with Jackson even co-writing and producing for the first time.

"Control" was made intentionally to appeal primarily to the African-American community with the feeling that if it crossed over to the pop charts, that would be an added bonus. And the album did have a major impact on both the r&b and pop charts. This was also during MTV and the age of the music video which helped bring even more attention to the singles, "Nasty", "When I Think of You", "Let's Wait Awhile" "The Pleasure Principle" and the title track, assisting them in riding high on the charts.

This album has since gone on to become a highly influential and groundbreaking collection, helping to usher in the sounds of contemporary hip-hop soul with Jackson now considered to be one of the preeminent female artists of popular music. Here is a reminder of the enduring legacy of "Control" and the extraordinary artistry of Janet Jackson:

THE 68TH ANNUAL GRAMMY AWARDS

Last year, the focus was on the fires that devastated Los Angeles and this year during the ceremony of the 68th annual Grammy Awards, was the current administration’s immigration crackdown that has recently turned tragically deadly. "ICE OUT" pins were worn by many in attendance and several artists made subtle yet passionate comments during their acceptance speeches including Billie Eilish who accurately proclaimed that "No one is illegal on stolen land".

For his sixth and final time as host, Trevor Noah largely continued to focus on playfully teasing the starry audience, rattling off Grammy statistics and rousing the crowd to give a performer or winner another round of applause. One notable change is that Noah, no longer feeling constrained with concern about his future on the show, delivered more pointed political jokes with one reference to Trump and the Epstein files which has sent the President into a litigious tizzy.

As always, the Grammys ceremony is less about handing out awards and more about the performances that you won't see anywhere else. And this show did not disappoint. Bruno Mars kicked off the show with a guitar-driven version of "APT", his duet with K-pop star, Rosé before returning later his band, the Hooligans to perform his new single, "I Just Might". Justin Bieber delivered a literally stripped down performance of "Yukon" from his nominated album, "Swag" in just his underwear and socks. Sabrina Carpenter reliably brought her campy style to the show with an airport setting for her performance of "Manchild" while Lady Gaga went darker for a manic version of "Abracadabra". And just like last year, all of the eight nominees for Best New Artist were given a spotlight to perform on the telecast with some (Lola Young, Leon Thomas and the eventual winner, Olivia Dean) faring better than others (Addison Rae, Katseye and Sombr).

But the highlight of the evening turned out to be a lengthy, "In Memoriam" musical tribute. It began with a lovely rendition of "Trailblazer" by country music legend, Reba McEntire, accompanied by Brandy Clark and Lukas Nelson, shockingly making her very first appearance on the Grammy stage. Then an all-star rock line-up that included Post Malone, Slash and Duff McKagan from Guns N' Roses, paid tribute to the late heavy metal artist, Ozzy Osbourne by blasting through with a rousing version of Black Sabbath's, "War Pigs". The set concluded with Ms. Lauryn Hill, who had not appeared on the show since 1999, leading a memorable tribute to D'Angelo and Roberta Flack that was incredibly packed with an impressive group of performers that featured Raphael Saadiq, Anthony Hamilton, Leon Thomas, Jon Batiste, Lalah Hathaway, John Legend, Chaka Khan and Wyclef Jean, who reunited with his former Fugees bandmate on stage to close with Flack's "Killing Me Softly With His Song".

While he was unable to perform due to his contractual commitment for his upcoming half-time show on the Super Bowl, Bad Bunny still made a major impact on the show with him winning Album of the Year for "Debí Tirar Más Fotos", becoming the first winner with a Spanish-language recording. The thirty-one performer also won two more awards for Best Música Urbana Album and Best Global Performance. Kendrick Lamar also scored big by winning five of his nine nominations which included Record of the Year for his musical tribute to the late Luther Vandross that featured SZA. Cher, a recipient of a Grammy Lifetime Achievement Award this year, made an appearance to present Record of the Year. While it ended up being a bit of a mess with missed cues and the winners unable to decide who would speak, this iconic legend looked incredible and contributed to an unforgettable night. And Billie Eilish along with her brother, Finneas made history by becoming the first artists to win Song of the Year three times.

This is the final year the Grammys will air on CBS after fifty-four years of broadcasting the ceremony. The show will begin a ten-year deal on ABC, Hulu and Disney+ starting next year and taking it through to 2036. Time will tell if this will just be a continuation of the show's traditions or begin an exciting new chapter for the Grammys.

Here is a partial list of winners of the 68th Annual Grammy Awards:

Album of the Year: "Debí Tirar Más Fotos" - Bad Bunny
Record of the Year: "Luther" - Kendrick Lamar with SZA
Song of the Year: "Wildflower" - Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)
Best New Artist: Olivia Dean
Best Pop Vocal Album: "Mayhem" - Lady Gaga
Best Traditional Pop Vocal Album: "A Matter of Time" - Laufey
Best Pop Solo Performance: "Messy" - Lola Young
Best Pop Duo/Group Performance: "Defying Gravity" - Cynthia Erivo and Ariana Grande
Best Dance/Electronic Album: "Eusexua" - FKA twigs
Best Dance/Electronic Recording: "End of Summer" - Tame Impala
Best Dance Pop Recording: "Abracadabra" - Lady Gaga
Best Remixed Recording: "Abracadabra (Gesaffelstein Remix)" - Gesaffelstein, remixer (Lady Gaga, Gesaffelstein)
Best Rock Album: "Never Enough" - Turnstile
Best Rock Performance: "Changes (Live From Villa Park) Back to the Beginning" - Yungblud featuring Nuno Bettencourt, Frank Bello, Adam Wakeman and II
Best Rock Song: "As Alive as You Need Me to Be" - Trent Reznor and Atticus Ross, songwriters (Nine Inch Nails)
Best Alternative Music Album: "Songs of a Lost World" - The Cure
Best Alternative Music Performance: "Alone" - The Cure
Best R&B Album: "Mutt" - Leon Thomas
Best Progressive R&B Album: "Bloom" - Durand Bernarr
Best R&B Performance: "Folded" - Kehlani
Best Traditional R&B Performance: "Vibes Don’t Lie" - Leon Thomas
Best R&B Song:"Folded" - Darius Dixson, Andre Harris, Kehlani Parrish, Donovan Knight, Don Mills, Khris Riddick-Tynes and Dawit Kamal Wilson, songwriters (Kehlani)
Best Rap Album: "GNX" - Kendrick Lamar
Best Rap Performance: "Chains & Whips" - Clipse, Pusha T and Malice featuring Kendrick Lamar and Pharrell Williams
Best Rap Song: "TV Off" - Jack Antonoff, Larry Jayy, Kendrick Lamar, Dijon McFarlane, Sean Momberger, Mark Anthony Spears and Kamasi Washington, songwriters (Kendrick Lamar featuring Lefty Gunplay)
Best Traditional Country Album: "Ain’t in It for My Health" - Zach Top
Best Contemporary Country Album: "Beautifully Broken" - Jelly Roll
Best Country Solo Performance: "Bad as I Used to Be (from "F1: The Movie")" - Chris Stapleton
Best Country Duo/Group Performance: "Amen" - Shaboozey and Jelly Roll
Best Country Song: "Bitin’ List" - Tyler Childers, songwriter (Tyler Childers)
Best Americana Album: "Big Money" - Jon Batiste
Best American Roots Performance: "Beautiful Strangers" - Mavis Staples
Best Americana Performance: "Godspeed" - Mavis Staples
Best Folk Album: "Wild and Clear and Blue" - I’m With Her
Best Jazz Vocal Album: "Portrait" - Samara Joy
Best Jazz Instrumental Album: "Southern Nights" - Sullivan Fortner featuring Peter Washington and Marcus Gilmore
Best Alternative Jazz Album: "Live-Action" - Nate Smith
Best Jazz Performance: "Windows — Live" - Chick Corea, Christian McBride and Brian Blade
Best Traditional Blues Album: "Ain’t Done With the Blues" - Buddy Guy
Best Contemporary Blues Album: "Preacher Kids" - Robert Randolph
Best Gospel Album: "Heart of Mine" - Darrel Walls and PJ Morton
Best Latin Pop Album: "Cancionera" - Natalia Lafourcade
Best Tropical Latin Album: "Raíces" - Gloria Estefan
Best Reggae Album: "Blxxd & Fyah" - Keznamdi
Best African Music Performance: "Push 2 Start" - Tyla
Best Musical Theater Album: "Buena Vista Social Club" - Marco Paguia, Dean Sharenow and David Yazbek, producers (Original Broadway Cast)
Best Comedy Album: "Your Friend, Nate Bargatze" - Nate Bargatze
Best Audio Book, Narration and Storytelling Recording: "Meditations: The Reflections of His Holiness the Dalai Lama" - Dalai Lama
Best Compilation Soundtrack for Visual Media: "Sinners" (Various Artists); Ryan Coogler, Ludwig Göransson and Serena Göransson, compilation producers; Niki Sherrod, music supervisor
Best Score Soundtrack for Visual Media (Includes Film and Television): "Sinners" - Ludwig Göransson, composer
Best Song Written for Visual Media: "Golden" from "KPop Demon Hunters" - Ejae, Park Hong Jun, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Mark Sonnenblick, songwriters (Huntr/x: Ejae, Audrey Nuna, Rei Ami)
Best Music Video: "Anxiety" - Doechii
Best Music Film: "Music by John Williams" - John Williams
Best Album Cover: "Chromakopia" - Shaun Llewellyn and Luis “Panch” Perez, art directors (Tyler, the Creator)
Songwriter of the Year (Non-Classical): Amy Allen
Producer of the Year (Non-Classical): Cirkut