2026 NATIONAL RECORDING REGISTRY

The latest twenty-five sound recordings have been selected and inducted into National Recording Registry. Under the terms of the National Recording Preservation Act of 2000, the Librarian of Congress, with advice from the National Recording Preservation Board, selects titles each year that are “culturally, historically, or aesthetically significant” and are at least ten years old. This latest group brings the total number of recordings in the registry to 675.

Some of the recordings that have been honored include Beyoncé's chart-topping hit, "Single Ladies (Put a Ring on It)" from her third solo album, "I Am... Sasha Fierce"; the original Broadway cast recording of the Bob Fosse directed musical, "Chicago" that featured theater legends, Gwen Verdon and Chita Rivera; the country music tale, "The Devil Went Down to Georgia" that went on to become a crossover hit for the Charlie Daniels Band; Gladys Knight and the Pips' version of the country song, "Midnight Train to Georgia" which became the r&b group's first number one pop hit; Ray Charles' genre blurring album, "Modern Sounds in Country and Western Music" that features the soul music legend's versions of country music songs; the Byrds's cover of folk music singer and activist, Pete Seeger's song, "Turn! Turn! Turn! (To Everything There Is a Season)" became an anthem during the social turmoil of the 1960's; the all-female new-wave rock band, the Go-Go's debut album, "Beauty and the Beat" that reached the top of the US album chart; José Feliciano's bilingual Christmas song, "Feliz Navidad" has gone on to become a holiday classic; Chaka Khan put an early hip-hop spin on a cover of Prince's song, "I Feel for You" and "1989", Taylor Swift's first foray into pop, after first achieving fame in country music, which launched her into becoming an even bigger star.

Here is the complete list of the twenty-five selections entered into the 2026 National Recording Registry:

"Cocktails for Two" – Spike Jones and His City Slickers (1944) (single)
"Mambo No. 5" – Pérez Prado and His Orchestra (1950) (single)
"Teardrops from My Eyes" – Ruth Brown (1950) (single)



"Fly Me to the Moon (In Other Words)" – Kaye Ballard (1954) (single)
"Put Your Head On My Shoulder" – Paul Anka (1959) (single)



"The Blues and the Abstract Truth" – Oliver Nelson (1961) (album)
"Modern Sounds in Country and Western Music" – Ray Charles (1962) (album)
"Turn! Turn! Turn! (To Everything There Is a Season)" – The Byrds (1965) (single)



"Amen, Brother" – The Winstons (1969) (single)



"Feliz Navidad" – José Feliciano (1970) (single)
"The Fight of the Century: Ali vs. Frazier" (March 8, 1971) (broadcast)
"Midnight Train to Georgia" – Gladys Knight and the Pips (1973) (single)



"Chicago" Original Cast Album (1975) (album)



"The Devil Went Down to Georgia" – The Charlie Daniels Band (1979) (single)



"Beauty and the Beat" – The Go-Go’s (1981) (album)
"Texas Flood" – Stevie Ray Vaughan and Double Trouble (1983) (album)
"I Feel For You" – Chaka Khan (1984) (single)



"Your Love" – Jamie Principle (1986) / Jamie Principle/Frankie Knuckles (1987) (singles)
"Rumor Has It" – Reba McEntire (1990) (album)



"The Wheel" – Rosanne Cash (1993) (album)
"Doom" Soundtrack – Bobby Prince, composer (album)(1993)
"Go Rest High On That Mountain"– Vince Gill (1994) (single)
"Weezer (The Blue Album)"– Weezer (1994) (album)
"Single Ladies (Put a Ring on It)" – Beyoncé (2008) (single)



"1989" – Taylor Swift (2014) (album)

THE 67TH ANNUAL GRAMMY AWARDS

While music was the main focus of the 67th annual Grammy Awards, the wildfires that recently devastated the Los Angeles area was a top priority for the ceremony. Throughout the show, fundraising was being done for the California Fire Relief Fund, asking for donations to help. The evening began with the band, Dawes, an LA based, folk rock duo who lost their homes and recording studio in the fires, performing a version of Randy Newman's "I Love LA" with an all-star backing band that included John Legend, St. Vincent, Sheryl Crow, Brad Paisley and Brittany Howard. Later in the show, Bruno Mars and Lady Gaga paid tribute to Los Angeles with their take on the Mamas and the Papas' "California Dreaming". Comedian, Trevor Noah returned for the fifth consecutive time to serve as host and continued to deliver a feel-good mood and light humor to the show.

As it has been stated before on previous Grammys, some of the highlights on the show were moments you would not see anywhere else. Surprisingly for the very first time, all the nominees for Best New Artist performed live on the show with the psychedelic rock trio, Khruangbin, pop vocalists, Benson Boone, Raye and Teddy Swims, hip-hop country artist, Shaboozey and rising rapper, Doechii (who put on an amazing set and won Best Rap Album, for her mixtape, "Alligator Bites Never Heal" earlier), with each displaying exactly why they were nominated. Fellow nominees in this category, Sabrina Carpenter and Chappell Roan had their own big production showcases as they were two of the biggest acts from last year. And Charli XCX brought the rave scene to the Grammys with a kinetic performance of "Von Dutch" and "Guess".

A starry tribute to the late Quincy Jones, who passed away last year at ninety-one, with Will Smith providing commentary of the legendary producer who began in jazz and expanded to pop music with Cynthia Erivo along with Herbie Hancock doing a sensational version of "Fly Me To the Moon"; country singer, Lainey Wilson and jazz musician, Jacob Collier teamed up to perform the jump blues number, "Let the Good Times Roll"; Stevie Wonder played harmonica accompanied by Hancock on "Bluesette" and leads a version of "We Are The World" with backing by Los Angeles students who lost their school in the fires and Janelle Monáe throwing down with a thrilling version of Michael Jackson's "Don't Stop 'Til You Get Enough".

The Recording Academy President, Harvey Mason Jr. came out to speak on the changes the Grammys have done to diversify and expand the group after The Weeknd had publicly criticized the awards for the lack of transparency in the award selection process and stated he would boycott the ceremony. And to prove that he accepted the efforts made to improve the Grammys, The Weeknd came out to perform his new song, "Cry For Me", followed by "Timeless" along with rapper Playboi Carti.

Female artists dominated the nominations this year so it's no surprise that they walked away with a majority of awards handed out. And it was these musicians that made some important and memorable statements about the vulnerable and marginalized during their moment in the spotlight. During her acceptance speech for winning Best New Artist, Chappell Roan took the opportunity to call out record labels to support developing artists with livable wages and health care, explaining the struggles she went through having no skills to fall back on after being dropped from her label. Lady Gaga continued her unwavering support of the trans community when she received Best Pop Duo or Group with Bruno Mars. Alicia Keys was the recipient of this year's Dr. Dre Global Impact Award,  delivering a moving speech that drove home the point of the importance of female creatives being recognized for their contributions (and name checked several) and to fight back against shutting down the diversity in music, proclaiming rightly that DEI is not a threat but a gift.

The only male artist who received a major award was Kendrick Lamar for his popular diss track targeting his former friend, Canadian rapper Drake, "Not Like Us" who took home Song of the Year and Record of the Year and winning a total of five Grammys.

And Beyoncé, presented by members of the Los Angeles Fire Department, finally received Album of the Year for her country music concept album, "Cowboy Carter".  After being snubbed by the Country Music Association, she was visibly stunned to receive the Best Country Album award earlier in the evening. So by the time of the final award of the night, Beyoncé, who became only the fourth Black female to receive this prize, appeared to be a bit overwhelmed yet managed to thank the fire fighters, acknowledge one of the first yet slighted African-American country singers, Linda Martell, slyly implying that the prize was long overdue and encouraged artists to keep pushing forward. And while I wouldn't say that "Cowboy Carter" was my favorite out of her eight solo studio albums to date, Beyoncé continues to boldly experiment, not willing to settle for the expected and unafraid to be a little weird. This alone makes "Cowboy Carter" the album of the year.

Here is a partial list of the winners from the 2025 Grammys:

Album of the Year: "Cowboy Carter" – Beyoncé
Record of the Year: "Not Like Us" — Kendrick Lamar
Song of the Year: "Not Like Us" – Kendrick Lamar, songwriter (Kendrick Lamar)
Best New Artist: Chappell Roan
Best Pop Vocal Album: "Short n' Sweet" — Sabrina Carpenter
Best Pop Solo Performance: "Espresso" — Sabrina Carpenter
Best Pop Duo/Group Performance: "Die with a Smile" by Lady Gaga and Bruno Mars
Best Traditional Pop Vocal Album: "Visions" — Norah Jones
Best Dance/Electronic Album: "Brat" — Charli XCX
Best Dance/Electronic Recording: "Neverender" — Justice & Tame Impala
Best Dance Pop Recording: "Von Dutch" — Charli XCX
Best Rap Album: "Alligator Bites Never Heal" — Doechii
Best Rap Performance: "Not Like Us" — Kendrick Lamar
Best Melodic Rap Performance: "3" — Rapsody Featuring Erykah Badu
Best Rap Song: "Not Like Us" — Kendrick Lamar, songwriter (Kendrick Lamar)
Best R&B Album: "11:11 (Deluxe)" — Chris Brown
Best Progressive R&B Album: "So Glad to Know You" — Avery*Sunshine and "Why Lawd?" — NxWorries (Anderson .Paak & Knxwledge) (Tie)
Best R&B Performance: "Made For Me (Live On BET)" — Muni Long
Best Traditional R&B Performance: "That's You" — Lucky Daye
Best R&B Song: "Saturn" — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA)
Best Rock Album: "Hackney Diamonds" — The Rolling Stones
Best Rock Performance: "Now and Then" — The Beatles
Best Rock Song: "Broken Man" — Annie Clark, songwriter (St. Vincent)
Best Alternative Music Album: "All Born Screaming" — St. Vincent
Best Alternative Music Performance: "Flea" — St. Vincent
Best Gospel Album: "More Than This" — CeCe Winans
Best Country Album: "Cowboy Carter" — Beyoncé
Best Country Solo Performance: "It Takes A Woman" — Chris Stapleton
Best Country Duo/Group Performance: "II MOST WANTED" — Beyoncé Featuring Miley Cyrus
Best Country Song: "The Architect" — Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
Best Latin Pop Album: "Las Mujeres Ya No Lloran" — Shakira
Best Jazz Album: "A Joyful Holiday" — Samara Joy
Best Comedy Album: "The Dreamer" — Dave Chappelle
Best Musical Theater Album: "Hell’s Kitchen (Original Broadway Cast)" 

Best Audio Book, Narration, and Storytelling Recording: "Last Sundays in Plains: A Centennial Celebration" — Jimmy Carter
Best Compilation Soundtrack For Visual Media: "Maestro: Music By Leonard Bernstein"
Best Score Soundtrack For Visual Media (Includes Film And Television): "Dune: Part Two" — Hans Zimmer, composer
Best Song Written For Visual Media: "It Never Went Away" [From "American Symphony"] — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
Best Music Video: "Not Like Us" — Kendrick Lamar
Best Music Film: "American Symphony" 

Songwriter of the Year (Non-Classical): Amy Allen
Producer Of The Year (Non-Classical): Daniel Nigro

2024 GRAMMY AWARD NOMINATIONS

The 2024 Grammy Award nominations have been announced and once again, women are dominating in this year's race which includes, for the very first time, that no men were nominated for "Best Pop Vocal Album". And with eleven nominations, Beyoncé has become the most nominated artist in the history of the Grammys (breaking the tie with her husband, Jay-Z) for her alt-country album, "Cowboy Carter". This album is just one of eight competing for Album of the Year with the other nominees are the flute driven, instrumental album, "New Blue Sun" from André 3000 who has been best known as a hip-hop performer; "Short n’ Sweet", the breakthrough album by the latest pop sensation, Sabrina Carpenter; "Brat", the British pop artist, Charli XCX's first major hit on this side of the Atlantic; fellow Brit, Jacob Collier and his breakout collection of alternative jazz, "Djesse Vol. 4"; "Hit Me Hard and Soft", the latest from the edgy pop artist, Billie Eilish; the alt-pop debut from Chappell Roan, "The Rise and Fall of a Midwest Princess" and last year's winner of this prize, Taylor Swift for her album, "The Tortured Poets Department".

The 67th annual Grammy Awards will be presented live on Sunday, February 2, 2025 from Crypto.com Arena in Los Angeles. The ceremony will also stream on Paramount+. Here is a partial list of this year's nominations:

Album of the Year:

"New Blue Sun" – André 3000
"Cowboy Carter" – Beyoncé
"Short n’ Sweet" – Sabrina Carpenter
"Brat" – Charli XCX
"Djesse Vol. 4" – Jacob Collier
"Hit Me Hard and Soft" – Billie Eilish
"The Rise And Fall Of A Midwest Princess" – Chappell Roan
"The Tortured Poets Department" – Taylor Swift

Record Of The Year:

“Now and Then” - The Beatles
“Texas Hold ‘Em” - Beyoncé
“Espresso”- Sabrina Carpenter
“360” - Charli XCX
“Birds of a Feather” - Billie Eilish
“Not Like Us” - Kendrick Lamar
“Good Luck, Babe!” - Chappell Roan
“Fortnight” - Taylor Swift Featuring Post Malone

Song of the Year:

“A Bar Song (Tipsy)” - Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
“Birds of a Feather” - Billie Eilish O’Connell & Finneas O'Connell, songwriters (Billie Eilish)
“Die With a Smile” - Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars & Andrew Watt, songwriters (Lady Gaga & Bruno Mars)
“Fortnight” - Jack Antonoff, Austin Post & Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)
“Good Luck, Babe!” - Kayleigh Rose Amstutz, Daniel Nigro & Justin Tranter, songwriters (Chappell Roan)
“Not Like Us” - Kendrick Lamar, songwriter (Kendrick Lamar)
“Please Please Please” - Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
“Texas Hold ‘Em” - Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)

Best New Artist:

Benson Boone
Sabrina Carpenter
Doechii
Khruangbin
Raye
Chappell Roan
Shaboozey
Teddy Swims

Best Pop Vocal Album:

“Short n’ Sweet” - Sabrina Carpenter
“Hit Me Hard and Soft” - Billie Eilish
“Eternal Sunshine” - Ariana Grande
“The Rise and Fall of a Midwest Princess” - Chappell Roan
“The Tortured Poets Department” - Taylor Swift

Best Pop Solo Performance:

“Bodyguard” - Beyoncé
“Espresso” - Sabrina Carpenter
“Apple” - Charli XCX
“Birds of a Feather” - Billie Eilish
“Good Luck, Babe!” -Chappell Roan

Best Pop Dup/Group Performance:

“Us” - Gracie Abrams Featuring Taylor Swift
“Levii’s Jeans” - Beyoncé Featuring Post Malone
“Guess” - Charli XCX & Billie Eilish
“The Boy Is Mine” - Ariana Grande, Brandy & Monica
“Die With a Smile” -Lady Gaga & Bruno Mars

Best Traditional Pop Vocal Album:

"À Fleur De Peau" - Cyrille Aimée
"Visions" - Norah Jones
"Good Together" - Lake Street Dive
"Impossible Dream" - Aaron Lazar
"Christmas Wish" - Gregory Porter

Best Dance/Electronic Album:

“Brat” - Charli XCX
“Three” - Four Tet
“Hyperdrama” - Justice
“Timeless” - Kaytranada
“Telos” - Zedd

Best Dance Pop Recording:

“Make You Mine” - Madison Beer
“Von Dutch” - Charli XCX
“L’Amour de Ma Vie [Over Now Extended Edit]” - Billie Eilish
“Yes, And?” - Ariana Grande
“Got Me Started” - Troye Sivan

Best Dance/Electronic Recording:

“She’s Gone, Dance On” - Disclosure
“Loved” - Four Tet
“Leavemealone” - Fred Again & Baby Keem
“Neverender” - Justice & Tame Impala
“Witchy” - Kaytranada Featuring Childish Gambino

Best R&B Album:

"11:11 (Deluxe)" — Chris Brown
"VANTABLACK" — Lalah Hathaway
"Revenge" — Muni Long
"Algorithm" — Lucky Daye
"Coming Home" — Usher

Best R&B Performance:

“Guidance” — Jhené Aiko
“Residuals” — Chris Brown
“Here We Go (Uh Oh)” — Coco Jones
“Made For Me (Live On BET)” — Muni Long
“Saturn” — SZA

Best Traditional R&B Performance:

“Wet” — Marsha Ambrosius
“Can I Have This Groove” — Kenyon Dixon
“No Lie” — Lalah Hathaway Featuring Michael McDonald
“Make Me Forget” — Muni Long
“That’s You” — Lucky Daye

Best Rap Album:

"Might Delete Later" — J. Cole
"The Auditorium, Vol. 1" — Common & Pete Rock
"Alligator Bites Never Heal" — Doechii
"The Death Of Slim Shady (Coup De Grâce)" — Eminem
"We Don’t Trust You" — Future & Metro Boomin

Best Rap Performance:

“Enough (Miami)” — Cardi B
“When The Sun Shines Again” — Common & Pete Rock Featuring Posdnuos
“Nissan Altima” — Doechii
“Houdini” — Eminem
“Like That” — Future & Metro Boomin Featuring Kendrick Lamar
“Yeah Glo!” — GloRilla
“Not Like Us” — Kendrick Lamar

Best Rock Album:

“Happiness Bastards” - The Black Crowes
“Romance” - Fontaines D.C.
“Saviors” - Green Day
“TANGK” - Idles
“Dark Matter” - Pearl Jam
“Hackney Diamonds” - The Rolling Stones
“No Name” - Jack White

Best Rock Performance:

“Now and Then” — The Beatles
“Beautiful People (Stay High)” — The Black Keys
“The American Dream Is Killing Me” — Green Day
“Gift Horse” — IDLES
“Dark Matter” — Pearl Jam
“Broken Man” — St. Vincent

Best Alternative Music Album:

"Wild God" — Nick Cave & The Bad Seeds
"Charm" — Clairo
"The Collective" — Kim Gordon
"What Now" — Brittany Howard
"All Born Screaming" — St. Vincent

Best Alternative Music Performance:

“Neon Pill” — Cage The Elephant
“Song Of The Lake” — Nick Cave & The Bad Seeds
“Starburster” — Fontaines D.C.
“Bye Bye” — Kim Gordon
“Flea” — St. Vincent

Best Country Album:

"Cowboy Carter" — Beyoncé
"F-1 Trillion" — Post Malone
"Deeper Well" — Kacey Musgraves
"Higher" — Chris Stapleton
"Whirlwind" — Lainey Wilson

Best Country Solo Performance:

“16 CARRIAGES” — Beyoncé
“I Am Not Okay” — Jelly Roll
“The Architect” — Kacey Musgraves
“A Bar Song (Tipsy)” — Shaboozey
“It Takes A Woman” — Chris Stapleton

Best Country Duo/Group Performance:

“Cowboys Cry Too” — Kelsea Ballerini With Noah Kahan
“II MOST WANTED” — Beyoncé Featuring Miley Cyrus
“Break Mine” — Brothers Osborne
“Bigger Houses” — Dan + Shay
“I Had Some Help” — Post Malone Featuring Morgan Wallen

Best Americana Album:

"The Other Side" — T Bone Burnett
"$10 Cowboy" — Charley Crockett
"Trail Of Flowers" — Sierra Ferrell
"Polaroid Lovers" — Sarah Jarosz
"No One Gets Out Alive" — Maggie Rose
"Tigers Blood' — Waxahatchee

Best Folk Album:

"American Patchwork Quartet" — American Patchwork Quartet
"Weird Faith" — Madi Diaz
"Bright Future" — Adrianne Lenker
"All My Friends" — Aoife O’Donovan
"Woodland" — Gillian Welch & David Rawlings

Best Gospel Album:

"Covered Vol. 1" — Melvin Crispell III
"Choirmaster II (Live)" — Ricky Dillard
"Father’s Day" — Kirk Franklin
"Still Karen" — Karen Clark Sheard
"More Than This" — CeCe Winans

Best Jazz Vocal Album:

"Journey In Black" — Christie Dashiell
"Wildflowers Vol. 1" — Kurt Elling & Sullivan Fortner
"A Joyful Holiday" — Samara Joy
"Milton + Esperanza" — Milton Nascimento & Esperanza spalding
"My Ideal" — Catherine Russell & Sean Mason

Best Jazz Performance:

“Walk With Me, Lord (Sound/Spirit)” — The Baylor Project
“Phoenix Reimagined (Live)” — Lakecia Benjamin Featuring Randy Brecker, Jeff “Tain” Watts & John Scofield
“Juno” — Chick Corea & Béla Fleck
“Twinkle Twinkle Little Me” — Samara Joy Featuring Sullivan Fortner
“Little Fears”— Dan Pugach Big Band Featuring Nicole Zuraitis & Troy Roberts

Best Latin Pop Album:

"Funk Generation" — Anitta
"El Viaje" — Luis Fonsi
"GARCÍA" — Kany García
"Las Mujeres Ya No Lloran" — Shakira
"ORQUÍDEAS" — Kali Uchis

Best Comedy Album:

"Armageddon" — Ricky Gervais
"The Dreamer" — Dave Chappelle
"The Prisoner" — Jim Gaffigan
"Someday You’ll Die" — Nikki Glaser
"Where Was I" — Trevor Noah

Best Score Soundtrack For Visual Media (Includes Film And Television):

"American Fiction" — Laura Karpman, composer
"Challengers" — Trent Reznor & Atticus Ross, composers
"The Color Purple" — Kris Bowers, composer
"Dune: Part Two" — Hans Zimmer, composer
"Shōgun" — Nick Chuba, Atticus Ross & Leopold Ross, composers

Best Song Written For Visual Media:

"Ain’t No Love In Oklahoma [From “Twisters: The Album”]" — Jessi Alexander, Luke Combs & Jonathan Singleton, songwriters (Luke Combs)
"Better Place [From “TROLLS Band Together”]" — Amy Allen, Shellback & Justin Timberlake, songwriters (*NSYNC & Justin Timberlake)
"Can’t Catch Me Now [From “The Hunger Games: The Ballad of Songbirds & Snakes”]" — Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
"It Never Went Away [From “American Symphony”]" — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
"Love Will Survive [From “The Tattooist of Auschwitz”]" — Walter Afanasieff, Charlie Midnight, Kara Talve & Hans Zimmer, songwriters (Barbra Streisand)

Best Compilation Soundtrack For Visual Media:

"The Color Purple" — (Various Artists)
"Deadpool & Wolverine" — (Various Artists)
"Maestro: Music By Leonard Bernstein" — London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
"Saltburn" — (Various Artists)
"Twisters: The Album" — (Various Artists)

Best Music Video:

“Tailor Swif” — A$AP Rocky
“360” — Charli xcx
“Houdini” — Eminem
“Not Like Us” — Kendrick Lamar
“Fortnight” — Taylor Swift Featuring Post Malone

Songwriter Of The Year:

Jessi Alexander
Amy Allen
Edgar Barrera
Jessie Jo Dillon
Raye

Producer Of The Year (Non-Classical):

Alissia
Dernst “D’Mile” Emile II
Ian Fitchuk
Mustard
Daniel Nigro

BEYONCE GOES COUNTRY

The rumor is true.

After making an appearance with her husband as he accepted the Dr. Dre Global Impact Award at this year's Grammys with blonde hair and dressed up in a cowboy hat and bolo tie, buzz started that Beyoncé was up to something. It started with the speculation that she was about drop new music and it would be country & western influenced.

And during one of the biggest sporting events in the country, Beyoncé confirmed this with a commercial during Super Bowl LVIII that "Renaissance Act II" is on the way (March 29th to be exact) and the album will feature country music. The two songs that were released are "Texas Hold 'Em" and "16 Carriages". There is certainly some twang to these tracks from the vocals and instrumental arrangement, but Beyoncé has clearly put her own soulful spin on them, opening them up to people who say they hate this genre of music. 

I admit I'm not the biggest country music fan, but I am also very intrigued by what Queen Bey has done and really like what I've heard so far.

MY FAVORITE SONGS OF 2023

This past year in music, it reminded me of a time when I was a strange, awkward teen listening to AM radio in the 1970's. Back then it was common for stations to play all genres of music, tossed together indiscriminately, where it would create the ultimate pop music playlist. Over time, music became much more segregated but largely thanks to TikTok, we had a jumble of various sounds finding their way into our ears; classic soul, hip-hop, country, dance-pop, world music, Latin-pop, a bit of jazz and older music which were tunes that didn't receive much attention when initially released or songs that were popular years ago but have been rediscovered by a new generation. I really love this trend of as I don't believe that most people only listen to one style of music. The possibilities of discovery are endless, making this new year exciting and full of promise.

Here are a few songs that I loved that I didn't get an opportunity to share throughout the year:

THE 50 BEST MUSIC DOCUMENTARIES OF ALL TIME

Music has always played an important part in cinema since the very beginning of the industry. The early films were silent but were accompanied by a pianist or even, in some large cities, a small orchestra in theaters. When recorded, synchronized sound began in 1927, it was a game-charger for the movies and the first sound feature film released, "The Jazz Singer" was, not surprisingly, a musical.

Over time, documentaries were made about music and the gifted artists who created these sounds. In recent years, this has exploded with a large number of movies about musicians, well-known, obscure or forgotten, in all genres have been filling cinemas and streaming channels.

Vulture has put together a list of fifty of what they consider to be the best music documentaries of all time. First putting these selections together in 2015, they have updated this listing to include recent releases. These movies (which include a few concert films) are all important and fascinating documents. There are films which deeply explore what has made many of these popular musicians so vital; highlight professionals who had assisted singers and musicians with their careers and reveal talented artists who never had a real opportunity to shine in their lifetime yet remain highly influential.

Click below to read the article:

The 50 Best Music Documentaries of All-Time

THE 65TH ANNUAL GRAMMY AWARDS

After the disruptions and restrictions over the last couple of years, the Grammy Awards are back in Los Angeles with a full audience in attendance to witness the biggest night in music. Trevor Noah, back for a third time as host and first gig since leaving his post on "The Daily Show", was in understated comedic form and more about spreading positive vibes, teasing the celebrated musicians with light jokes and being an excited cheerleader for the live performances.

A nice touch on the show was having a round-table of ten dedicated fans passionately yet respectfully debating who should win the Album of the Year. Not only were they invited to attend the ceremony but then Noah had this group come on stage to present this award with him.

Bad Bunny, who became the first artist to have a Spanish-language album, "Un Verano Sin Ti" nominated for Album of the Year, opened the show, getting the crowd on their feet with a medley of "El Apagón" and "Después de la Playa" that featured a colorful, dance-filled celebration of his Puerto-Rican heritage. Out of the many live performances that followed, some of my favorites included the Stevie Wonder lead tribute to fellow Motown artist, Smokey Robinson and the label's founder, Berry Gordy, who were both honored as MusiCares Person of the Year, with Wonder, Robinson and country star, Chris Stapleton performing together some Motown classics; Lizzo, the winner of Record of the Year, did a brief interlude of the winning song, "About Damn Time" before moving into her album's title track, "Special", a powerful anthem on self-esteem; and a touching In Memoriam section that featured Kacey Musgraves paying tribute to Loretta Lynn with a version of "Coal Miner's Daughter"; Quavo of the hip hop group, Migos honored his late musical partner and nephew, Takeoff with "Without You" and Sheryl Crow, Bonnie Raitt and Mick Fleetwood came together to pay respect to Christine McVie with a rendition of her 1977 Fleetwood Mac hit, "Songbird".

But the biggest highlight was the impressive celebration of the 50th anniversary of hip-hop. Questlove helped curate a massive, multi-generational line-up of rap artists to musically run through the history of this genre with Run DMC, LL Cool J, Salt-N-Pepa, Ice-T, Queen Latifah, Busta Rhymes, Nelly, Missy Elliot, Lil Baby, GloRilla, Chuck D and Flavor Flav of Public Enemy as just some of the performers appearing together on stage. Considering how many acts were involved over such a brief period of time, this was truly a dazzling, breath-taking event that I think was one of the best ever to have taken place in the history of the Grammys.

With a late arrival (no one can escape LA traffic), an ethereal Beyoncé finally emerged in time to receive four Grammys which made her become the most honored artist of all-time with a career total of thirty-two, surpassing a record previous held by conductor, Georg Solti. But her wins for "Renaissance" were not in the major categories with the loss of Album of the Year in particular setting off outrage amongst many fans and critics who felt the singer has been long overdue for this award, especially for this album which is considered by many to be one of her very best.  It was Harry Styles who won the top prize for "Harry's Place", a stylish collection that also won Best Pop Vocal Album,  a more deserving acknowledgment of the young British singer's solid pop-rock record.

And it was proven this evening that if you receive a nomination, any of the nominees truly has a real chance to win the award. One very unexpected winner was in Song of the Year with Bonnie Raitt taking the prize against some better known competition for "Just Like That", the title track from her eighteenth studio album and one of the rare songs that this veteran blues musician actually wrote. Samara Joy, the twenty-three year old jazz vocalist, was another surprise, selected as Best New Artist in a field that featured more higher profile musicians. Yet she did get her record deal by posting a performance online with it going viral and leading to Joy's debut, "Linger Awhile" which also won for Best Jazz Vocal Album.

Here is a partial list of the winners from the 2023 Grammy Awards:

Album of the Year: "Harry’s House" — Harry Styles
Record of the Year: "About Damn Time" — Lizzo
Song of the Year: "Just Like That" — Bonnie Raitt, songwriter (Bonnie Raitt)
Best New Artist: Samara Joy
Best Pop Vocal Album: "Harry’s House" — Harry Styles
Best Traditional Pop Vocal Album: "Higher" — Michael Bublé
Best Pop Solo Performance: "Easy On Me" — Adele
Best Pop Duo/Group Performance: "Unholy" — Sam Smith & Kim Petras
Best Dance/Electronic Music Album: "Renaissance" — Beyoncé
Best Dance/Electronic Recording: "BREAK MY SOUL" — Beyoncé
Best R&B Album: "Black Radio III" — Robert Glasper
Best Progressive R&B Album: "Gemini Rights" — Steve Lacy
Best R&B Performance: "Hrs & Hrs" — Muni Long
Best Traditional R&B Performance: "PLASTIC OFF THE SOFA" — Beyoncé
Best R&B Song: "CUFF IT" — Denisia "Blu June" Andrews, Beyoncé, Mary Christine Brockert, Brittany "Chi" Coney, Terius "The-Dream" Gesteelde-Diamant, Morten Ristorp, Nile Rodgers & Raphael Saadiq, songwriters (Beyoncé)
Best Rap Album: "Mr. Morale & The Big Steppers" — Kendrick Lamar
Best Rap Performance: "The Heart Part 5" — Kendrick Lamar
Best Rap Song: "The Heart Part 5" — Jake Kosich, Johnny Kosich, Kendrick Lamar & Matt Schaeffer, songwriters (Kendrick Lamar)
Best Rock Album: "Patient Number 9" — Ozzy Osbourne
Best Rock Performance: "Broken Horses" — Brandi Carlile
Best Alternative Music Album: "Wet Leg" — Wet Leg
Best Música Urbana Album: "Un Verano Sin Ti" — Bad Bunny
Best Country Album: "A Beautiful Time" — Willie Nelson
Best Country Solo Performance: "Live Forever" — Willie Nelson
Best Country Duo/Group Performance: "Never Wanted To Be That Girl" — Carly Pearce & Ashley McBryde
Best Country Song: "‘Til You Can’t" — Matt Rogers & Ben Stennis, songwriters (Cody Johnson)
Best Bluegrass Album: "Crooked Tree" — Molly Tuttle & Golden Highway
Best Americana Album: "In These Silent Days" — Brandi Carlile
Best Americana Performance: "Made Up Mind" — Bonnie Raitt
Best Folk Album: "Revealer" — Madison Cunningham
Best American Roots Performance: "Stompin’ Ground" — Aaron Neville With The Dirty Dozen Brass Band
Best American Roots Song: "Just Like That" — Bonnie Raitt, songwriter (Bonnie Raitt)
Best Contemporary Blues Album: "Brother Johnny" — Edgar Winter
Best Traditional Blues Album: "Get On Board" — Taj Mahal & Ry Cooder
Best Jazz Vocal Album: "Linger Awhile" — Samara Joy
Best Reggae Album: "The Kalling" — Kabaka Pyramid
Best Latin Pop Album: "Pasieros" — Rubén Blades & Boca Livre
Best Latin Jazz Album: "Fandango At The Wall In New York" — Arturo O'Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective
Best Audio Book, Narration, and Storytelling Recording: "Finding Me" — Viola Davis
Best Spoken Word Poetry Album: "The Poet Who Sat By The Door" — J. Ivy
Best Comedy Album: "The Closer" — Dave Chappelle
Best Musical Theater Album: "Into The Woods (2022 Broadway Cast Recording)" — Stephen Sondheim, composer & lyricist (Sara Bareilles, Brian d'Arcy James, Patina Miller & Phillipa Soo, principal vocalists; Rob Berman & Sean Patrick Flahaven, producers))
Best Music Film: "Jazz Fest: A New Orleans Story" — (Various Artists); Frank Marshall & Ryan Suffern, video directors; Frank Marshall, Sean Stuart & Ryan Suffern, video producers
Best Compilation Soundtrack for Visual Media: "Encanto" — (Various Artists)
Best Song Written for Visual Media: "We Don’t Talk About Bruno" From "Encanto" — Lin-Manuel Miranda, songwriter (Carolina Gaitán - La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & "Encanto" Cast)
Best Music Video: "All Too Well: The Short Film" — Taylor Swift, video director; Saul Germaine, video producer (Taylor Swift)
Songwriter of the Year (Non-Classical): Tobias Jesso Jr.
Producer of the Year (Non-Classical): Jack Antonoff

2022 GRAMMY AWARD NOMINATIONS

As many had predicted, another rematch has been set-up after the 2022 Grammy Award nominations were announced on November 15th between the pop music superstars, Beyoncé and Adele. Their previous showdown was back in 2017 when Beyoncé's critically acclaimed alt-soul collection, "Lemonade" and Adele's massive hit release, "25" were both vying for the top prize of Album of the Year with the British artist's album taking home the award. Now their latest albums; "Renaissance" which the r&b diva celebrates Black dance music and the fourth studio album by Adele, "30", will both be in competition for several Grammys including once again for Album of the Year. Beyoncé leads the pack with the most nominations this year with nine which also has made her become the most honored artist in Grammy history, tying her with husband, Jay-Z, with a career total to date of eighty-eight. Adele did not do so badly herself this year, receiving a total of seven nominations.

But there are plenty of other musicians up for the top prize. The reunited Swedish pop supergroup, ABBA's first album of new music in forty years, "Voyage" is up for Album of the Year (the first time ever for this band) and the single, "Don't Shut Me Down" receiving Record of the Year and Best Pop Duo/Group recognition, made more surprising since this collection didn't receive much airplay here. Brandi Carlile's "In These Silent Days", Lizzo's "Special'; the commercial comeback for soul vocalist, Mary J. Blige, "Good Morning Gorgeous"; Coldplay's "Music of the Spheres" and the latest from Pulitzer-Prize winning rapper, Kendrick Lamar, "Mr. Morale & The Big Steppers" (with a total of eight nominations) are all up for Album of the Year. Bad Bunny with "Un Verano Sim Ti" became the first Spanish-language record ever to receive an Album of the Year nomination. And the artist who might have the best chance to create an upset between the ladies would be Harry Styles and his smash hit album, "Harry's House" which helped him receive a total of six nominations. And "Unholy", the current hit song from Sam Smith and Kim Petras, snuck in to receive a nod for Best Pop Duo/Group, making them become the first openly non-binary and transgender performers up for a Grammy.

The 65th Annual Grammy Awards will be held on February 5th, 2023 at the Crypto.com Arena in Los Angeles, airing live on CBS and streaming on Paramount+. Here is a partial list of the nominations for the 2022 Grammys:

Album Of The Year:

"Voyage" - ABBA
"30" - Adele
"Un Verano Sin Ti" — Bad Bunny
"Renaissance" — Beyoncé
"Good Morning Gorgeous (Deluxe)" — Mary J. Blige
"In These Silent Days" — Brandi Carlile
"Music Of The Spheres" — Coldplay
"Mr. Morale & The Big Steppers" — Kendrick Lamar
"Special" — Lizzo
"Harry’s House" — Harry Styles

Record Of The Year:

"Don’t Shut Me Down" - ABBA
"Easy On Me" - Adele
"Break My Soul" - Beyoncé
"Good Morning Gorgeous" - Mary J. Blige
"You And Me On The Rock" - Brandi Carlile featuring Lucius
"Woman" - Doja Cat
"Bad Habit" - Steve Lacy
"The Heart Part 5" - Kendrick Lamar
"About Damn Time" - Lizzo
"As It Was" - Harry Styles

Song Of The Year:

"abcdefu" — Sara Davis, Gayle & Dave Pittenger, songwriters (Gayle)
"About Damn Time" — Melissa Jefferson, Eric Frederic, Blake Slatkin & Theron Makiel Thomas, songwriters (Lizzo)
"All Too Well" (10 Minute Version) — Liz Rose & Taylor Swift, songwriters (Taylor Swift)
"As It Was" — Tyler Johnson, Kid Harpoon & Harry Styles, songwriters (Harry Styles)
"Bad Habit" — Matthew Castellanos, Brittany Fousheé, Diana Gordon, John Carroll Kirby & Steve Lacy, songwriters (Steve Lacy)
"Break My Soul" — Beyoncé, S. Carter, Terius "The-Dream" Gesteelde-Diamant & Christopher A. Stewart, songwriters (Beyoncé)
"Easy On Me" — Adele Adkins & Greg Kurstin, songwriters (Adele)
"God Did" — Tarik Azzouz, E. Blackmon, Khaled Khaled, F. LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts & Nicholas Warwar, songwriters (DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy)
"The Heart Part 5" — Jake Kosich, Johnny Kosich, Kendrick Lamar & Matt Schaeffer, songwriters (Kendrick Lamar)
"Just Like That" — Bonnie Raitt, songwriter (Bonnie Raitt)

Best New Artist:

Anitta
Omar Apollo
DOMi & JD Beck
Muni Long
Samara Joy
Latto
Måneskin
Tobe Nwigwe
Molly Tuttle
Wet Leg

Best Pop Solo Performance:

"Easy On Me" - Adele
"Moscow Mule" - Bad Bunny
"Woman" -Doja Cat
"Bad Habit" - Steve Lacy
"About Damn Time"- Lizzo
"As It Was" - Harry Styles

Best Pop Duo/Group Performance:

"Don’t Shut Me Down" - ABBA
"Bam Bam" - Camila Cabello Featuring Ed Sheeran
"My Universe" - Coldplay & BTS
"I Like You (A Happier Song)" - Post Malone & Doja Cat
"Unholy" - Sam Smith & Kim Petras

Best Pop Vocal Album:

"Voyage" — ABBA
"30" — Adele
"Music Of The Spheres" — Coldplay
"Special" — Lizzo
"Harry’s House" — Harry Styles

Best Traditional Pop Vocal Album:

"Higher" — Michael Bublé
"When Christmas Comes Around..." — Kelly Clarkson
"I Dream Of Christmas (Extended)" — Norah Jones
"Evergreen" — Pentatonix
"Thank You" — Diana Ross

Best Dance/Electronic Recording:

"Break My Soul" — Beyoncé 

"Rosewood" — Bonobo
"Don’t Forget My Love" — Diplo & Miguel
"I’m Good (Blue)" — David Guetta & Bebe Rexha
"Intimidated" —  Kaytranada Featuring H.E.R.
"On My Knees" — RÜFÜS DU SOL

Best Dance/Electronic Music Album:

"Renaissance" — Beyoncé
"Fragments” — Bonobo
"Diplo” — Diplo
"The Last Goodbye” — ODESZA
"Surrender” — RÜFÜS DU SOL

Best Rock Performance:

"So Happy It Hurts" — Bryan Adams
"Old Man" — Beck
"Wild Child" — The Black Keys
"Broken Horses" — Brandi Carlile
"Crawl!" — Idles
"Patient Number 9" — Ozzy Osbourne Featuring Jeff Beck
"Holiday" — Turnstile

Best Rock Album:

"Dropout Boogie" — The Black Keys
"The Boy Named If" — Elvis Costello & The Imposters
"Crawler" — Idles
"Mainstream Sellout" — Machine Gun Kelly
"Patient Number 9" — Ozzy Osbourne
"Lucifer On The Sofa" — Spoon

Best Alternative Music Performance:

"There’d Better Be A Mirrorball" — Arctic Monkeys
"Certainty" — Big Thief
"King" — Florence + The Machine
"Chaise Longue" — Wet Leg
"Spitting Off The Edge Of The World" — Yeah Yeah Yeahs featuring Perfume Genius

Best Alternative Music Album:

"WE" — Arcade Fire
"Dragon New Warm Mountain I Believe In You" — Big Thief
"Fossora" — Björk
"Wet Leg" — Wet Leg
"Cool It Down" — Yeah Yeah Yeahs

Best R&B Performance:

"Virgo's Groove" — Beyoncé
"Here With Me" — Mary J. Blige Featuring Anderson .Paak
"Hrs & Hrs" — Muni Long
"Over" — Lucky Daye
"Hurt Me So Good" — Jazmine Sullivan

Best R&B Album:

"Good Morning Gorgeous (Deluxe)" — Mary J. Blige 

"Breezy (Deluxe)" — Chris Brown
"Black Radio III" — Robert Glasper
"Candydrip” — Lucky Daye
"Watch The Sun" — PJ Morton

Best Progressive R&B Album:

"Operation Funk" — Cory Henry
"Gemini Rights" — Steve Lacy
"Drones" — Terrace Martin
"Starfruit" — Moonchild
"Red Balloon" — Tank And The Bangas

Best Rap Performance:

"God Did" — DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy 

"Vegas" — Doja Cat
"pushin P" — Gunna & Future Featuring Young Thug
"F.N.F. (Let’s Go)" — Hitkidd & GloRilla
"The Heart Part 5" — Kendrick Lamar

Best Rap Album:

"God Did" — DJ Khaled
"I Never Liked You” — Future
"Come Home The Kids Miss You” — Jack Harlow
"Mr. Morale & The Big Steppers” — Kendrick Lamar
"It’s Almost Dry" — Pusha T

Best Country Solo Performance:

"Heartfirst" — Kelsea Ballerini
"Something In The Orange" — Zach Bryan
"In His Arms" — Miranda Lambert
"Circles Around This Town" — Maren Morris
"Live Forever" — Willie Nelson

Best Country Album:

"Growin’ Up" — Luke Combs
"Palomino" — Miranda Lambert
"Ashley McBryde Presents: Lindeville" — Ashley McBryde
"Humble Quest" — Maren Morris
"A Beautiful Time" — Willie Nelson

Best Americana Album:

"In These Silent Days" — Brandi Carlile
"Things Happen That Way" — Dr. John
"Good To Be..." — Keb’ Mo’
"Raise The Roof" — Robert Plant & Alison Krauss
"Just Like That..." — Bonnie Raitt

Best Jazz Vocal Album:

"The Evening : Live At APPARATUS" — The Baylor Project 

"Linger Awhile" — Samara Joy 

"Fade To Black" — Carmen Lundy 

"Fifty" — The Manhattan Transfer With The WDR Funkhausorchester 

"Ghost Song" — Cécile McLorin Salvant

Best Latin Pop Album:

"Aguilera" — Christina Aguilera 

"Pasieros" — Rubén Blades & Boca Livre 

"De Adentro Pa Afuera" — Camilo 

"VIAJANTE" — Fonseca 

"Dharma +" — Sebastián Yatra

Best Música Urbana Album:

"Trap Cake, Vol. 2" — Rauw Alejandro
"Un Verano Sin Ti" — Bad Bunny
"Legendaddy" — Daddy Yankee
"La 167" — Farruko
"The Love & Sex Tape” — Maluma

Best Audio Book, Narration, and Storytelling Recording:

"Act Like You Got Some Sense" — Jamie Foxx
"All About Me!: My Remarkable Life In Show Business by Mel Brooks" — Mel Brooks
"Aristotle And Dante Dive Into The Waters Of The World" — Lin-Manuel Miranda
"Finding Me" — Viola Davis
"Music Is History" — Questlove

Best Comedy Album:

"The Closer" — Dave Chappelle
"Comedy Monster" — Jim Gaffigan
"A Little Brains, A Little Talent" — Randy Rainbow
"Sorry" — Louis CK
"We All Scream" — Patton Oswalt

Best Compilation Soundtrack for Visual Media:

"Elvis" — (Various Artists)
"Encanto" — (Various Artists)
"Stranger Things: Soundtrack from the Netflix Series, Season 4 (Vol 2)" — (Various Artists)
"Top Gun: Maverick" — Harold Faltermeyer, Lady Gaga, Hans Zimmer & Lorne Balfe
"West Side Story" — (Various Artists)

Best Music Video:

"Easy On Me" — Adele
"Yet To Come" — BTS
"Woman" - Doja Cat
"The Heart Part 5" — Kendrick Lamar
"As It Was" — Harry Styles
"All Too Well: The Short Film" — Taylor Swift

Songwriter of the Year (Non-Classical):

Amy Allen
Nija Charles
Tobias Jesso Jr.
The-Dream
Laura Veltz

Producer of the Year (Non-Classical):

Jack Antonoff
Dan Auerbach
Boi-1da
Dahi
Dernst "D’mile" Emile II 

BREAK MY SOUL

The world has been able to release a collective breath after Beyoncé finally announced that she will be delivering some new music. After a long seven years since "Lemonade", Queen Bey's highly anticipated seventh studio album will be called "Renaissance" and due out on July 29th. And everyone has seemed to have all lost their minds two days ago when the first single, "Break My Soul" was dropped. It had been rumored that this collection would be built around dance music and that appears to be the case with this song taking us back to the sounds of '90's house.

With the "Queen of Bounce", Big Freedia making an appearance to shout their trademark demands and smooth production by Tricky Stewart and The Dream with them using a sample of Robin S.'s classic jam, "Show Me Love", "Break My Soul" is an uplifting anthem about changing a bad situation and not allowing that to crush your spirit. Beyoncé delivers a blistering performance with soaring vocals and even doing some rapping. Yet I think the frenzied excitement over the song has much more to do with the return of Beyoncé than the innovation of the actual track. It coasts too much on familiar house-music tropes and if Beyoncé wasn't the voice behind it, I seriously don't think many would be paying as much attention to the track. In a recent interview with British Vogue, Beyoncé has stated that this upcoming album will be "her most ambitious musical project to date". Time will tell how truly grand this project will actually be but I freely admit I'm really looking forward to hearing "Renaissance".

THE 63RD ANNUAL GRAMMY AWARDS

As the latest award show that has attempted to present their regularly scheduled program during the age of the pandemic, The 63rd annual Grammy Awards has come closest to date on delivering an entertaining celebration. It seems clear that the Recording Academy had been paying attention to what other awards had done (following with deeply declining ratings) and decided to step it up. Instead of being inside of their usual location at Downtown LA's, Staples Center, the awards were given out outside across the street from the venue. There were socially-distant tables set up were nominees sat, awaiting to hear the winner of each category. Trevor Noah was serving as host for the first time and while many of his jokes fluttered away in the open air, he was highly enthusiastic, bringing a good energy to the proceedings.

The show was done with a mix of live and pre-recorded performances with several special stages built in a circle for the in-person acts, allowing for a minimal crew and less risk of close contact. And with eighteen performances (and an "In Memoriam" presentation) over three hours, there was plenty of music. To be expected, the pre-recorded spots tended to be wildly over-the-top yet the live show's relatively low-key approach to simply having the performers just coming out and sing was surprisingly refreshing.

I'm going to mention just a few of my favorites of the night; I loved the opening of the show where we moved from Harry Styles, the sister trio, Haim, another family act, Billie Eilish and her brother, Finneas and the psychedelic soul of Black Pumas, each performing solid versions of their nominated songs. I have to say I was surprisingly impressed by Styles, as I never gave the former boy-band member much thought, delivering a nice, laid-back version of "Watermelon Sugar" dressed like a classic rock god of the '70's, managing to pull off being shirtless under a leather jacket with a feathered boa wrapped around his neck. The '70's were also on the minds of Bruno Mars and Anderson .Paak, together as Silk Sonic, as they gave us soul group chic with matching suits and slick choreography while performing their throwback slowjam "Leave the Door Open". The duo also came back to pay tribute to Little Richard doing respectable rock versions of "Long Tall Sally" and "Good Golly Miss Molly". Also during the tribute to some of the musicians we lost last year, Brittany Howard (accompanied by Coldplay's, Chris Martin who oddly only played piano) delivered an electrifyingly soulful version of the show-tune standard, "You'll Never Walk Alone" in honor of Gerard Marsden, the leader of the '60's rock band, Gerry and the Pacemakers. Lil Baby (with activist, Tamika Mallory and Killer Mike) appeared in a powerful and moving clip for his song, "The Bigger Picture" which showcased the ongoing issue of police brutality against African-Americans.

And there was Beyoncé, making an unexpected appearance while looking incredible in a black leather dress with whimsical gold fingernails on her gloves, as she was recognized as the artist with the most Grammy wins of any gender in history with twenty-eight trophies after receiving Best Music Video for "Brown Skin Girl" and Best Rap Performance for "Savage" with Megan Thee Stallion. And speaking of Megan, the winner of this year's Best New Artist was involved in probably the most mind-blowing performance of the night where she and Cardi B did their scandalous smash hit of last year, "WAP". Trust me, I'm no prude but the idea of doing this song on national television just wasn't appropriate. Since I'm sure many of you know what "WAP" is about, the song had to be heavily censored to the point that it didn't really make much sense, with the ladies spending most of the time on stage dancing than rapping. 

The 2021 Grammys were already mired in controversy long before a single award had been given out. Much like similar charges leveled at the Golden Globes, this was due to many musicians, particularly Black artists, criticizing the process of who receives nominations which are decided upon by secret committees. There have also been questions regarding gender and racial diversity in the award selections as well.

While I don't really believe the Recording Academy is inherently racist or sexist, I do think the voting bloc has remained woefully out of touch with what is considered excellence in contemporary music. I certainly wouldn't consider myself a big fan of The Weeknd but his music (which was highly successful last year) should have been recognized to some degree with at least a nomination or two. With ratings for this year's show slipping to an all-time low, I'm hoping that the Grammys will begin to address these issues, becoming far more transparent and make more of an effort of outreach to younger and diverse artists to become a part of the Academy.

Here is a partial list of winners from the 63rd annual Grammy Awards:

Album of the Year: "Folklore" - Taylor Swift
Record of the Year: "Everything I Wanted" - Billie Eilish
Song of the Year: "I Can’t Breathe" - Dernst Emile II, H.E.R. and Tiara Thomas, songwriters (H.E.R.)
Best New Artist: Megan Thee Stallion
Best Pop Vocal Album: "Future Nostalgia" - Dua Lipa
Best Pop Solo Performance: "Watermelon Sugar" - Harry Styles
Best Pop Duo/Group Performance: "Rain on Me" - Lady Gaga with Ariana Grande
Best R&B Album: "Bigger Love" - John Legend
Best Progressive R&B Album: "It Is What It Is" - Thundercat
Best R&B Performance: "Black Parade" - Beyoncé
Best Traditional R&B Performance: "Anything for You" - Ledisi
Best R&B Song: "Better Than I Imagine" - Robert Glasper, Meshell Ndegeocello and Gabriella Wilson, songwriters (Robert Glasper featuring H.E.R. & Meshell Ndegeocello)
Best Rap Album: "King’s Disease" - Nas
Best Rap Performance: "Savage" - Megan Thee Stallion featuring Beyoncé
Best Rap Song: "Savage" - Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe and Anthony White, songwriters (Megan Thee Stallion featuring Beyoncé)
Best Country Album: "Wildcard" - Miranda Lambert
Best Country Solo Performance: "When My Amy Prays" - Vince Gill
Best Country Duo/Group Performance: "10,000 Hours" - Dan + Shay and Justin Bieber
Best Country Song: "Crowded Table" - Brandi Carlile, Natalie Hemby and Lori McKenna, songwriters (The Highwomen)
Best Rock Album: "The New Abnormal" - The Strokes
Best Rock Performance: "Shameika" - Fiona Apple
Best Rock Song: "Stay High" - Brittany Howard, songwriter (Brittany Howard)
Best Alternative Music Album: "Fetch the Bolt Cutters" -Fiona Apple
Best American Roots Performance: "I Remember Everything" - John Prine
Best American Roots Song: "I Remember Everything" - Pat McLaughlin and John Prine, songwriters (John Prine)
Best Metal Performance: "Bum-Rush" - Body Count
Best Latin Pop or Urban Album: "YHLQMDLG" - Bad Bunny
Best Latin Rock or Alternative Album: "La Conquista del Espacio" - Fito Paez
Best Song Written for Visual Media: "No Time to Die" from "No Time to Die" - Billie Eilish O'Connell and Finneas Baird O'Connell, songwriters (Billie Eilish)
Best Compilation Soundtrack for Visual Media: "Jo Jo Rabbit"
Best Musical Theater Album: "Jagged Little Pill" - Kathryn Gallagher, Celia Rose Gooding, Lauren Patten and Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen and Vivek J. Tiwary, producers (Glen Ballard and Alanis Morissette, lyricists) (Original Broadway Cast)
Best Spoken Word Album: "Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth" - Rachel Maddow
Best Comedy Album: "Black Mitzvah" - Tiffany Haddish
Producer of the Year (non-classical): Andrew Watt

THE TIMES ARE A' CHANGING

Everything that has been going on over the last few months has certainly proven to be difficult with so much upheaval and complicated challenges all occurring at the same time. We will get through this but what will happen down the road remains the big question. After all of the protests and activism, will there be real change for African-Americans and other marginalized people in this country? I am hopeful and optimistic as this feels different this time with people from across the entire globe standing in support of the idea that Black lives matter. Yet I also remain skeptical. Movements have come and gone in the past with minimal change and a continuing lack of meaningful conversation regarding the history and on-going plight of African-Americans in this nation.

One thing that comes from any movement is an inspiration to create art. This work comes in all forms to speak on the times, express motivating objectives and provoke serious discussion. Here are a few recent songs that will help uplift, energize and empower in this fight towards justice:

CHLOE X HALLE DO IT

Chloe x Halle, the Atlanta-born, LA raised, Bailey sisters, began their music career covering pop songs on their YouTube channel as teenagers. Their beautifully blended voices caught the attention of Beyoncé after she heard their version of her song, "Pretty Hurts" and signed the girls to her label, Parkwood Entertainment. After releasing several EPs, Chloe x Halle delivered their debut album, "The Kids Are Alright" in 2018. The record earned the sisters their first Grammy Award nominations including Best New Artist. Their follow-up album, "Ungodly Hour" is scheduled to be released this month and the first single, "Do It" is out now.  This is a great alt-r&b track and the music video for the song has inspired a viral TikTok dance challenge, helping make this the Bailey sisters' first charting song. Check it out:

SONGS FOR THE ISOLATED

As the world has been, most likely, irreparably changed due to this ongoing pandemic, it is no surprise that artists have are inspired by what is happening around them and have been creating. Staying at home, trapped with your thoughts on overdrive days on end, will certainly stir-up ideas. And these musicians are expressing the emotions that many, many people are definitely feeling right now. Some of these songs (including the remix of Megan Thee Stallion's latest song, "Stallion" with Beyoncé and Sia's moving ballad, "Saved My Life", co-written with Dua Lipa) have the proceeds going to COVID-19 relief funds which is incredibly important right now and will be needed long after the world has gone back to "normal". So here are a collection of songs and videos that have been created, modified or just simply released during this pandemic:

MTV VIDEO OF THE YEAR AWARD WINNERS RANKED

As the music video has lost most of its luster and relevance, the MTV Video Music Awards have generally done pretty much the same. At one time, the show was the place to go for water-cooler moments (do people still actually chat by water dispensers?) and incredible live performances by the hottest artists of the day. Now, it seems to struggle to get popular musicians to attend and the ones that do hardly create memorable musical moments. And while MTV claimed to have something “special” planned to honor Aretha Franklin during this year’s show, the best they came up with was to have Madonna go onstage and tell this long-winded story (which ended up having very little to do with the Queen of Soul. And I won’t even get in to what the singer was wearing) before presenting the Video of the Year Award, then it’s quite clear that the VMA’s glory days are long gone.

Vulture has decided to look back at all of the previous thirty-four winners of MTV’s Video of The Year Award and ranked them from worst to best. Looking over this list, I’m kinda shocked by some of these actual winners of this prize. Many of these videos were barely impressive when they won and have hardly stood up to the test of time (yes, I’m taking about you “Money For Nothing”).

Anyway, Click below for the entire list but I have included my personal favorites here:

Every VMA Video of The Year Award Ranked

CHRISTINE AND THE QUEENS

One musician I’m currently intrigued with is Christine and the Queens. And while the name may sound like a band, it is actually only Héloïse Letissier who writes and performs her material. Although I just recently became aware of her, she has been making music in her native France since 2011.

Letissier began studying theater at the prestigious École normale supérieure de Lyon before deciding to pursue music. Inspired by the fabulous drag queens she watched perform, she eventually came up with the name "Christine and the Queens" and her dynamic performances involved elements of theater, dance and song.

After releasing several EPs, her debut album, "Chaleur Humaine (Human Warmth)" was released in 2014. The album was a hit in France and Christine won the 2014 Victoires de la Musique for Best Female Artist. The record was reworked with English-language versions of the songs and released as a self-titled album the following year. This version found great success in English-speaking, European countries with it reaching number two in the U.K. and hitting the top-spot on the Irish Album chart.

Christine and the Queens' album did make it stateside and while it received some buzz, it didn't really have a major impact here. Perhaps that may change as Letissier is preparing to release her follow-up album. The first single comes in French as "Damn, dis-moi" and English as "Girlfriend" and features American musician, Dâm-Funk. In either language, it's a great funky pop tune and should bring her some serious attention here. Another single, "Doesn't Matter" has recently dropped and comes in French and English. The album, "Chris" is due out in September. Check out the music videos for these songs which features fantastic visual imagery and slick dance moves:





And as a bonus, here is Christine and the Queens on BBC Radio One performing live an interesting cover of Beyoncé's "Sorry" back in 2016. Michael Jackson was another major influence of Letissier and you can see that in her moves here: