RANDOM SIGHTS + SOUNDS

It's been five years since rock god, Lenny Kravitz has released new music and has returned with a single and news of an upcoming album. While the title might possibly be in reference to something in "Star Wars" or "Boogie Nights", the song, "TK421" is clearly Kravitz's call to find freedom in spirituality. This dance-rock track is the first delivery from "Blue Electric Light", the musician's twelfth studio release which will be a double album and due out early in the new year. But Kravitz surprises us even further with the music video for "TK421" which has the almost sixty-year-old artist looking ageless, revealing an impressive physique and plenty of skin. 



Here are some new songs from Australian pop artist, Troye Sivan (who makes a startling transformation in the music video); fellow Aussie, Sia; indie pop artist from Britain, PinkPantheress; the latest solo single from Alabama Shakes member, Brittany Howard and a dance track that serves as a shout-out to an Italian fashion house.

The British pop singer, Paloma Faith may be far better known in her home country and throughout Europe, but she is someone that should be paid attention to on this side of globe. "How You Leave a Man", the first single from her upcoming sixth studio album, "The Glorification of Sadness" has been released and is inspired by the end of her decade long relationship. This emotional, power ballad about the painful decision to leave an unfaithful husband behind is what the forty-two-year-old artist claims to be one of her most personal yet.

Rudolph Isley, one of the founding members of the celebrated family r&b group, the Isley Brothers, passed away on October 11th at the age of eighty-four. The trio, with his brothers, O'Kelly and Ronald, had their first hit in 1959 with the single, "Shout", the first of many songs they would go on to write. This was followed by another popular song, "Twist and Shout" and the Isley Brothers were lured to Motown Records in 1966. But they managed to only find charting success with the single, "This Old Heart of Mine (Is Weak for You)" which was written by the label's songwriting team, Holland-Dozier-Holland. The brothers chaffed under Motown's controlling creative methods and left the label two years later. The Isleys started their own label, T-Neck Records and altered their sound from smooth soul to funkier r&b, hitting the top-five on the pop and soul charts with "It's Your Thing" in 1969. With younger brothers, Ernie and Marvin and brother-in-law, Chris Jasper joining in 1971, more hits followed for The Isley Brothers with "That Lady", "Fight the Power", "For the Love of You", "Between the Sheets" and soulful covers of rock songs, "Love the One You're With" and "Summer Breeze". O’Kelly Isley passed away from a heart attack in 1986 and Rudolph decided to retire from the group three years later. The Isley Brothers would continue on as a popular musical act but earlier this year, Rudolph sued his brother Ronald with claims that he had sought to cut him out of the trademark for the group. While Ronald was usually the lead singer, Rudolph occasionally provided leading vocals on some songs. Here are a couple of tracks:

THE 63RD ANNUAL GRAMMY AWARDS

As the latest award show that has attempted to present their regularly scheduled program during the age of the pandemic, The 63rd annual Grammy Awards has come closest to date on delivering an entertaining celebration. It seems clear that the Recording Academy had been paying attention to what other awards had done (following with deeply declining ratings) and decided to step it up. Instead of being inside of their usual location at Downtown LA's, Staples Center, the awards were given out outside across the street from the venue. There were socially-distant tables set up were nominees sat, awaiting to hear the winner of each category. Trevor Noah was serving as host for the first time and while many of his jokes fluttered away in the open air, he was highly enthusiastic, bringing a good energy to the proceedings.

The show was done with a mix of live and pre-recorded performances with several special stages built in a circle for the in-person acts, allowing for a minimal crew and less risk of close contact. And with eighteen performances (and an "In Memoriam" presentation) over three hours, there was plenty of music. To be expected, the pre-recorded spots tended to be wildly over-the-top yet the live show's relatively low-key approach to simply having the performers just coming out and sing was surprisingly refreshing.

I'm going to mention just a few of my favorites of the night; I loved the opening of the show where we moved from Harry Styles, the sister trio, Haim, another family act, Billie Eilish and her brother, Finneas and the psychedelic soul of Black Pumas, each performing solid versions of their nominated songs. I have to say I was surprisingly impressed by Styles, as I never gave the former boy-band member much thought, delivering a nice, laid-back version of "Watermelon Sugar" dressed like a classic rock god of the '70's, managing to pull off being shirtless under a leather jacket with a feathered boa wrapped around his neck. The '70's were also on the minds of Bruno Mars and Anderson .Paak, together as Silk Sonic, as they gave us soul group chic with matching suits and slick choreography while performing their throwback slowjam "Leave the Door Open". The duo also came back to pay tribute to Little Richard doing respectable rock versions of "Long Tall Sally" and "Good Golly Miss Molly". Also during the tribute to some of the musicians we lost last year, Brittany Howard (accompanied by Coldplay's, Chris Martin who oddly only played piano) delivered an electrifyingly soulful version of the show-tune standard, "You'll Never Walk Alone" in honor of Gerard Marsden, the leader of the '60's rock band, Gerry and the Pacemakers. Lil Baby (with activist, Tamika Mallory and Killer Mike) appeared in a powerful and moving clip for his song, "The Bigger Picture" which showcased the ongoing issue of police brutality against African-Americans.

And there was Beyoncé, making an unexpected appearance while looking incredible in a black leather dress with whimsical gold fingernails on her gloves, as she was recognized as the artist with the most Grammy wins of any gender in history with twenty-eight trophies after receiving Best Music Video for "Brown Skin Girl" and Best Rap Performance for "Savage" with Megan Thee Stallion. And speaking of Megan, the winner of this year's Best New Artist was involved in probably the most mind-blowing performance of the night where she and Cardi B did their scandalous smash hit of last year, "WAP". Trust me, I'm no prude but the idea of doing this song on national television just wasn't appropriate. Since I'm sure many of you know what "WAP" is about, the song had to be heavily censored to the point that it didn't really make much sense, with the ladies spending most of the time on stage dancing than rapping. 

The 2021 Grammys were already mired in controversy long before a single award had been given out. Much like similar charges leveled at the Golden Globes, this was due to many musicians, particularly Black artists, criticizing the process of who receives nominations which are decided upon by secret committees. There have also been questions regarding gender and racial diversity in the award selections as well.

While I don't really believe the Recording Academy is inherently racist or sexist, I do think the voting bloc has remained woefully out of touch with what is considered excellence in contemporary music. I certainly wouldn't consider myself a big fan of The Weeknd but his music (which was highly successful last year) should have been recognized to some degree with at least a nomination or two. With ratings for this year's show slipping to an all-time low, I'm hoping that the Grammys will begin to address these issues, becoming far more transparent and make more of an effort of outreach to younger and diverse artists to become a part of the Academy.

Here is a partial list of winners from the 63rd annual Grammy Awards:

Album of the Year: "Folklore" - Taylor Swift
Record of the Year: "Everything I Wanted" - Billie Eilish
Song of the Year: "I Can’t Breathe" - Dernst Emile II, H.E.R. and Tiara Thomas, songwriters (H.E.R.)
Best New Artist: Megan Thee Stallion
Best Pop Vocal Album: "Future Nostalgia" - Dua Lipa
Best Pop Solo Performance: "Watermelon Sugar" - Harry Styles
Best Pop Duo/Group Performance: "Rain on Me" - Lady Gaga with Ariana Grande
Best R&B Album: "Bigger Love" - John Legend
Best Progressive R&B Album: "It Is What It Is" - Thundercat
Best R&B Performance: "Black Parade" - Beyoncé
Best Traditional R&B Performance: "Anything for You" - Ledisi
Best R&B Song: "Better Than I Imagine" - Robert Glasper, Meshell Ndegeocello and Gabriella Wilson, songwriters (Robert Glasper featuring H.E.R. & Meshell Ndegeocello)
Best Rap Album: "King’s Disease" - Nas
Best Rap Performance: "Savage" - Megan Thee Stallion featuring Beyoncé
Best Rap Song: "Savage" - Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe and Anthony White, songwriters (Megan Thee Stallion featuring Beyoncé)
Best Country Album: "Wildcard" - Miranda Lambert
Best Country Solo Performance: "When My Amy Prays" - Vince Gill
Best Country Duo/Group Performance: "10,000 Hours" - Dan + Shay and Justin Bieber
Best Country Song: "Crowded Table" - Brandi Carlile, Natalie Hemby and Lori McKenna, songwriters (The Highwomen)
Best Rock Album: "The New Abnormal" - The Strokes
Best Rock Performance: "Shameika" - Fiona Apple
Best Rock Song: "Stay High" - Brittany Howard, songwriter (Brittany Howard)
Best Alternative Music Album: "Fetch the Bolt Cutters" -Fiona Apple
Best American Roots Performance: "I Remember Everything" - John Prine
Best American Roots Song: "I Remember Everything" - Pat McLaughlin and John Prine, songwriters (John Prine)
Best Metal Performance: "Bum-Rush" - Body Count
Best Latin Pop or Urban Album: "YHLQMDLG" - Bad Bunny
Best Latin Rock or Alternative Album: "La Conquista del Espacio" - Fito Paez
Best Song Written for Visual Media: "No Time to Die" from "No Time to Die" - Billie Eilish O'Connell and Finneas Baird O'Connell, songwriters (Billie Eilish)
Best Compilation Soundtrack for Visual Media: "Jo Jo Rabbit"
Best Musical Theater Album: "Jagged Little Pill" - Kathryn Gallagher, Celia Rose Gooding, Lauren Patten and Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen and Vivek J. Tiwary, producers (Glen Ballard and Alanis Morissette, lyricists) (Original Broadway Cast)
Best Spoken Word Album: "Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth" - Rachel Maddow
Best Comedy Album: "Black Mitzvah" - Tiffany Haddish
Producer of the Year (non-classical): Andrew Watt

NEW SOUNDS

BRITTANY HOWARD

Alabama Shakes, the blues rock band, broke out in 2012 with their critically acclaimed debut, "Boys & Girls". After an extensive tour to promote that album, the group's follow-up, "Sound & Color" helped make Alabama Shakes even bigger. The album debuted in the US at number one, reached the top ten in several countries and won the band four Grammy Awards.

Following all of this success, the band's dynamic guitarist and lead vocalist, Brittany Howard decided to take a step back and put the band on hiatus so she could explore her own musical pursuits. She and her wife, Jesse Lafser hit the road, traveling around the country to experience modern-day America. This road trip lead to the Southern-based singer's first solo album, "Jamie" with the title named after her sister who passed away from a rare form of cancer as a teenager. With this record, Howard was inspired to go deeper in to her personal history and viewpoints to create her music. She also incorporates a little jazz, funk and hip-hop in to her songs. This is an exciting and bold new work from Howard. Here are a couple of tracks including the funky single, "Stay High" with the music video featuring actor Terry Crews:





RAPHAEL SAADIQ

One artist who I think is vastly underrated is r&b singer, musician, writer and producer, Raphael Saadiq. I don't think this incredibly gifted performer has gotten nearly enough attention that I think he deserves. The Oakland-born Saadiq (birth name Charles Ray Wiggins) began his career as part of the '90's neo-soul group, Tony! Toni! Toné! with his brother, D'Wayne Wiggins and their cousin, Timothy Riley. After they disbanded in 1996, he continued to create music as part of the short-lived r&b super-group, Lucy Pearl while co-writing and producing tracks for such artists like D'Angelo, Jill Scott, The Roots, Q-Tip, Joss Stone, Mary J. Blige and John Legend. Saadiq released his first solo album in 2002 with "Instant Vintage", a classic work yet not fully appreciated at the time.

For his fifth solo project, "Jimmy Lee", Saadiq has created a concept album that is deeply personal. The record is named after his brother who had contracted H.I.V. and later died from a drug overdose. The songs, inspired by other family losses in his life from addiction and tragedy, features the inventive production you expect from Saadiq yet the lyrics have a deep emotional complexity that you don't usually find in his work. Here is the clip for the single, "Something Keeps Calling" featuring Rob Bacon and a mini-documentary with Saadiq discussing the creation of his art and latest album: