THE 63RD ANNUAL GRAMMY AWARDS

As the latest award show that has attempted to present their regularly scheduled program during the age of the pandemic, The 63rd annual Grammy Awards has come closest to date on delivering an entertaining celebration. It seems clear that the Recording Academy had been paying attention to what other awards had done (following with deeply declining ratings) and decided to step it up. Instead of being inside of their usual location at Downtown LA's, Staples Center, the awards were given out outside across the street from the venue. There were socially-distant tables set up were nominees sat, awaiting to hear the winner of each category. Trevor Noah was serving as host for the first time and while many of his jokes fluttered away in the open air, he was highly enthusiastic, bringing a good energy to the proceedings.

The show was done with a mix of live and pre-recorded performances with several special stages built in a circle for the in-person acts, allowing for a minimal crew and less risk of close contact. And with eighteen performances (and an "In Memoriam" presentation) over three hours, there was plenty of music. To be expected, the pre-recorded spots tended to be wildly over-the-top yet the live show's relatively low-key approach to simply having the performers just coming out and sing was surprisingly refreshing.

I'm going to mention just a few of my favorites of the night; I loved the opening of the show where we moved from Harry Styles, the sister trio, Haim, another family act, Billie Eilish and her brother, Finneas and the psychedelic soul of Black Pumas, each performing solid versions of their nominated songs. I have to say I was surprisingly impressed by Styles, as I never gave the former boy-band member much thought, delivering a nice, laid-back version of "Watermelon Sugar" dressed like a classic rock god of the '70's, managing to pull off being shirtless under a leather jacket with a feathered boa wrapped around his neck. The '70's were also on the minds of Bruno Mars and Anderson .Paak, together as Silk Sonic, as they gave us soul group chic with matching suits and slick choreography while performing their throwback slowjam "Leave the Door Open". The duo also came back to pay tribute to Little Richard doing respectable rock versions of "Long Tall Sally" and "Good Golly Miss Molly". Also during the tribute to some of the musicians we lost last year, Brittany Howard (accompanied by Coldplay's, Chris Martin who oddly only played piano) delivered an electrifyingly soulful version of the show-tune standard, "You'll Never Walk Alone" in honor of Gerard Marsden, the leader of the '60's rock band, Gerry and the Pacemakers. Lil Baby (with activist, Tamika Mallory and Killer Mike) appeared in a powerful and moving clip for his song, "The Bigger Picture" which showcased the ongoing issue of police brutality against African-Americans.

And there was Beyoncé, making an unexpected appearance while looking incredible in a black leather dress with whimsical gold fingernails on her gloves, as she was recognized as the artist with the most Grammy wins of any gender in history with twenty-eight trophies after receiving Best Music Video for "Brown Skin Girl" and Best Rap Performance for "Savage" with Megan Thee Stallion. And speaking of Megan, the winner of this year's Best New Artist was involved in probably the most mind-blowing performance of the night where she and Cardi B did their scandalous smash hit of last year, "WAP". Trust me, I'm no prude but the idea of doing this song on national television just wasn't appropriate. Since I'm sure many of you know what "WAP" is about, the song had to be heavily censored to the point that it didn't really make much sense, with the ladies spending most of the time on stage dancing than rapping. 

The 2021 Grammys were already mired in controversy long before a single award had been given out. Much like similar charges leveled at the Golden Globes, this was due to many musicians, particularly Black artists, criticizing the process of who receives nominations which are decided upon by secret committees. There have also been questions regarding gender and racial diversity in the award selections as well.

While I don't really believe the Recording Academy is inherently racist or sexist, I do think the voting bloc has remained woefully out of touch with what is considered excellence in contemporary music. I certainly wouldn't consider myself a big fan of The Weeknd but his music (which was highly successful last year) should have been recognized to some degree with at least a nomination or two. With ratings for this year's show slipping to an all-time low, I'm hoping that the Grammys will begin to address these issues, becoming far more transparent and make more of an effort of outreach to younger and diverse artists to become a part of the Academy.

Here is a partial list of winners from the 63rd annual Grammy Awards:

Album of the Year: "Folklore" - Taylor Swift
Record of the Year: "Everything I Wanted" - Billie Eilish
Song of the Year: "I Can’t Breathe" - Dernst Emile II, H.E.R. and Tiara Thomas, songwriters (H.E.R.)
Best New Artist: Megan Thee Stallion
Best Pop Vocal Album: "Future Nostalgia" - Dua Lipa
Best Pop Solo Performance: "Watermelon Sugar" - Harry Styles
Best Pop Duo/Group Performance: "Rain on Me" - Lady Gaga with Ariana Grande
Best R&B Album: "Bigger Love" - John Legend
Best Progressive R&B Album: "It Is What It Is" - Thundercat
Best R&B Performance: "Black Parade" - Beyoncé
Best Traditional R&B Performance: "Anything for You" - Ledisi
Best R&B Song: "Better Than I Imagine" - Robert Glasper, Meshell Ndegeocello and Gabriella Wilson, songwriters (Robert Glasper featuring H.E.R. & Meshell Ndegeocello)
Best Rap Album: "King’s Disease" - Nas
Best Rap Performance: "Savage" - Megan Thee Stallion featuring Beyoncé
Best Rap Song: "Savage" - Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe and Anthony White, songwriters (Megan Thee Stallion featuring Beyoncé)
Best Country Album: "Wildcard" - Miranda Lambert
Best Country Solo Performance: "When My Amy Prays" - Vince Gill
Best Country Duo/Group Performance: "10,000 Hours" - Dan + Shay and Justin Bieber
Best Country Song: "Crowded Table" - Brandi Carlile, Natalie Hemby and Lori McKenna, songwriters (The Highwomen)
Best Rock Album: "The New Abnormal" - The Strokes
Best Rock Performance: "Shameika" - Fiona Apple
Best Rock Song: "Stay High" - Brittany Howard, songwriter (Brittany Howard)
Best Alternative Music Album: "Fetch the Bolt Cutters" -Fiona Apple
Best American Roots Performance: "I Remember Everything" - John Prine
Best American Roots Song: "I Remember Everything" - Pat McLaughlin and John Prine, songwriters (John Prine)
Best Metal Performance: "Bum-Rush" - Body Count
Best Latin Pop or Urban Album: "YHLQMDLG" - Bad Bunny
Best Latin Rock or Alternative Album: "La Conquista del Espacio" - Fito Paez
Best Song Written for Visual Media: "No Time to Die" from "No Time to Die" - Billie Eilish O'Connell and Finneas Baird O'Connell, songwriters (Billie Eilish)
Best Compilation Soundtrack for Visual Media: "Jo Jo Rabbit"
Best Musical Theater Album: "Jagged Little Pill" - Kathryn Gallagher, Celia Rose Gooding, Lauren Patten and Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen and Vivek J. Tiwary, producers (Glen Ballard and Alanis Morissette, lyricists) (Original Broadway Cast)
Best Spoken Word Album: "Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth" - Rachel Maddow
Best Comedy Album: "Black Mitzvah" - Tiffany Haddish
Producer of the Year (non-classical): Andrew Watt