RANDOM SIGHTS + SOUNDS

It's not like we haven't heard from Bruno Mars. He has been busy as a part of some recent, wildly popular musical collaborations with Lady Gaga, Rosé and the super-duo, Silk Sonic with Anderson .Paak. But it has been ten years since his own last studio album, "24K Magic". That is finally about to change as Mars has just announced the upcoming release of his fourth album, "The Romantic" due out on February 27th. There had been rumors of this record coming over the last three years with producer, D'Mile recently joining the project and co-producing with Mars. The first single, "I Just Might" is another blast of retro funk that Mars puts his own special spin on, a sound he has been exploring for some time, particularly with Silk Sonic. Mars has also announced that he will be hitting the road with The Romantic Tour which begins in April and takes the singer through North America and Europe.



Following his recent foray into French pop, the Lebanese-American singer, Mika is back with an upcoming English-language album, "Hyperlove" and the second single, "Immortal Love"; The Swedish pop artist, Robyn has dropped another single, "Talk To Me" from her forthcoming ninth studio album, "Sexistential"; Ari Lennox has another song, "Twin Flame" that will be on the long awaited third album from the r&b vocalist, "Vacancy"; and PinkPantheress teams with Zara Larsson for a new version of the single, "Stateside" from her remix album, "Fancy Some More?":

The legendary Dolly Parton has rounded up fellow artists, Lainey Wilson, Miley Cyrus, Queen Latifah, and Reba McEntire, with a new recording of her 1977 song, "Light of a Clear Blue Morning" to raise money for pediatric cancer research at Monroe Carell Jr. Children's Hospital in Nashville. Parton had explained that she had originally written this as a "song of deliverance" when she was dealing with the pain from her break with longtime musical and business partner Porter Wagoner in 1974 in order to further her career. "Light of a Clear Blue Morning" has gone on to be covered by many artists since then including Parton herself who rerecorded this inspirational song two previous times before this recent version.

And finally, I would like to pay tribute to a couple of musicians we lost recently: Carl Carlton, a soul music hit maker, died on December 13th. The Detroit native had been recovering from a stroke he had in 2019. Carlton was seventy-three. He began his professional career as child, first performing under the name "Little" Carl Carlton, a publicity stunt that brought attention to Stevie Wonder who had achieved success around this time. After signing to a recording label, Carlton released some singles with the song, "Competition Ain't Nothing", becoming popular in the UK northern soul scene in 1968.

But his real breakthrough would come six years later with his version of "Everlasting Love" (which was first a hit for Robert Knight in 1967) reaching number eleven on the Billboard R&B chart and number four on the Billboard Hot 100 pop chart. A royalty dispute with his new label, ABC Records would prevent Carlton from recording for a period of time. He would join a new label and find his way back on the charts in 1981 with the single, "She's a Bad Mama Jama (She's Built, She's Stacked)". This popular funk song would reach number two on the r&b chart, earn Carlton a Grammy Award nomination for Best R&B Male Vocal Performance and continue to be a staple for soundtracks and music sampling.

Chris Rea, the British blues rocker, passed away on December 22nd at the age of seventy-four. He had been struggling with several health issues since the turn of the century which included pancreatic cancer, diabetes and a stroke in 2016. Born in Middlesbrough, North Riding of Yorkshire, England, Rea bought his first guitar in his early twenties and self taught himself how to play. A fan of the blues and American rockers, Rea became a member of the rock group, Magdalene and would begin singing after the vocalist failed to show for a gig. In 1973, Rea went on to form his own band which lead to him getting signed as a solo artist to Magnet Records. His debut album, "Whatever Happened to Benny Santini?" was released in 1978. The first single, "Fool (If You Think It's Over)" was only a minor hit in the UK but went on to reach number twelve on the Billboard Hot 100 chart and earning him a Grammy nomination for Best New Artist. Rea would go on find greater success in his native country, recording twenty-five studio albums throughout his career with several charting songs on the UK pop chart. But Rea would never tour in North America, preferring to remain closer to his family than away from them for months at a time.

DIE WITH A SMILE

Two musical artists that has been largely out of sight and greatly missed are Lady Gaga whose last album was released four years ago although she has been busy lately making movies and made a recent appearance performing in French in a musical number during the opening ceremony of this year's Olympics. And the last time we heard from Bruno Mars was with his collaboration with rapper, Anderson .Paak as a retro soul act, Silk Sonic about three years ago.

Now these two pop music superstars have come together to release a new song, "Die With a Smile". This guitar-driven soft rock track is about dying happily as long as you have the one you love in your arms, with the song charged by the powerful, soulful vocals that each is known to deliver. The music video for "Die With a Smile" (directed by Mars and Daniel Ramos) features Gaga and Mars playing characters of a lounge act in matching suits performing the song in a television studio set with manequins as audience members. Both of these artists are rumored to have new albums on the horizon and this might mean we should be seeing them out very soon.

THE 63RD ANNUAL GRAMMY AWARDS

As the latest award show that has attempted to present their regularly scheduled program during the age of the pandemic, The 63rd annual Grammy Awards has come closest to date on delivering an entertaining celebration. It seems clear that the Recording Academy had been paying attention to what other awards had done (following with deeply declining ratings) and decided to step it up. Instead of being inside of their usual location at Downtown LA's, Staples Center, the awards were given out outside across the street from the venue. There were socially-distant tables set up were nominees sat, awaiting to hear the winner of each category. Trevor Noah was serving as host for the first time and while many of his jokes fluttered away in the open air, he was highly enthusiastic, bringing a good energy to the proceedings.

The show was done with a mix of live and pre-recorded performances with several special stages built in a circle for the in-person acts, allowing for a minimal crew and less risk of close contact. And with eighteen performances (and an "In Memoriam" presentation) over three hours, there was plenty of music. To be expected, the pre-recorded spots tended to be wildly over-the-top yet the live show's relatively low-key approach to simply having the performers just coming out and sing was surprisingly refreshing.

I'm going to mention just a few of my favorites of the night; I loved the opening of the show where we moved from Harry Styles, the sister trio, Haim, another family act, Billie Eilish and her brother, Finneas and the psychedelic soul of Black Pumas, each performing solid versions of their nominated songs. I have to say I was surprisingly impressed by Styles, as I never gave the former boy-band member much thought, delivering a nice, laid-back version of "Watermelon Sugar" dressed like a classic rock god of the '70's, managing to pull off being shirtless under a leather jacket with a feathered boa wrapped around his neck. The '70's were also on the minds of Bruno Mars and Anderson .Paak, together as Silk Sonic, as they gave us soul group chic with matching suits and slick choreography while performing their throwback slowjam "Leave the Door Open". The duo also came back to pay tribute to Little Richard doing respectable rock versions of "Long Tall Sally" and "Good Golly Miss Molly". Also during the tribute to some of the musicians we lost last year, Brittany Howard (accompanied by Coldplay's, Chris Martin who oddly only played piano) delivered an electrifyingly soulful version of the show-tune standard, "You'll Never Walk Alone" in honor of Gerard Marsden, the leader of the '60's rock band, Gerry and the Pacemakers. Lil Baby (with activist, Tamika Mallory and Killer Mike) appeared in a powerful and moving clip for his song, "The Bigger Picture" which showcased the ongoing issue of police brutality against African-Americans.

And there was Beyoncé, making an unexpected appearance while looking incredible in a black leather dress with whimsical gold fingernails on her gloves, as she was recognized as the artist with the most Grammy wins of any gender in history with twenty-eight trophies after receiving Best Music Video for "Brown Skin Girl" and Best Rap Performance for "Savage" with Megan Thee Stallion. And speaking of Megan, the winner of this year's Best New Artist was involved in probably the most mind-blowing performance of the night where she and Cardi B did their scandalous smash hit of last year, "WAP". Trust me, I'm no prude but the idea of doing this song on national television just wasn't appropriate. Since I'm sure many of you know what "WAP" is about, the song had to be heavily censored to the point that it didn't really make much sense, with the ladies spending most of the time on stage dancing than rapping. 

The 2021 Grammys were already mired in controversy long before a single award had been given out. Much like similar charges leveled at the Golden Globes, this was due to many musicians, particularly Black artists, criticizing the process of who receives nominations which are decided upon by secret committees. There have also been questions regarding gender and racial diversity in the award selections as well.

While I don't really believe the Recording Academy is inherently racist or sexist, I do think the voting bloc has remained woefully out of touch with what is considered excellence in contemporary music. I certainly wouldn't consider myself a big fan of The Weeknd but his music (which was highly successful last year) should have been recognized to some degree with at least a nomination or two. With ratings for this year's show slipping to an all-time low, I'm hoping that the Grammys will begin to address these issues, becoming far more transparent and make more of an effort of outreach to younger and diverse artists to become a part of the Academy.

Here is a partial list of winners from the 63rd annual Grammy Awards:

Album of the Year: "Folklore" - Taylor Swift
Record of the Year: "Everything I Wanted" - Billie Eilish
Song of the Year: "I Can’t Breathe" - Dernst Emile II, H.E.R. and Tiara Thomas, songwriters (H.E.R.)
Best New Artist: Megan Thee Stallion
Best Pop Vocal Album: "Future Nostalgia" - Dua Lipa
Best Pop Solo Performance: "Watermelon Sugar" - Harry Styles
Best Pop Duo/Group Performance: "Rain on Me" - Lady Gaga with Ariana Grande
Best R&B Album: "Bigger Love" - John Legend
Best Progressive R&B Album: "It Is What It Is" - Thundercat
Best R&B Performance: "Black Parade" - Beyoncé
Best Traditional R&B Performance: "Anything for You" - Ledisi
Best R&B Song: "Better Than I Imagine" - Robert Glasper, Meshell Ndegeocello and Gabriella Wilson, songwriters (Robert Glasper featuring H.E.R. & Meshell Ndegeocello)
Best Rap Album: "King’s Disease" - Nas
Best Rap Performance: "Savage" - Megan Thee Stallion featuring Beyoncé
Best Rap Song: "Savage" - Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe and Anthony White, songwriters (Megan Thee Stallion featuring Beyoncé)
Best Country Album: "Wildcard" - Miranda Lambert
Best Country Solo Performance: "When My Amy Prays" - Vince Gill
Best Country Duo/Group Performance: "10,000 Hours" - Dan + Shay and Justin Bieber
Best Country Song: "Crowded Table" - Brandi Carlile, Natalie Hemby and Lori McKenna, songwriters (The Highwomen)
Best Rock Album: "The New Abnormal" - The Strokes
Best Rock Performance: "Shameika" - Fiona Apple
Best Rock Song: "Stay High" - Brittany Howard, songwriter (Brittany Howard)
Best Alternative Music Album: "Fetch the Bolt Cutters" -Fiona Apple
Best American Roots Performance: "I Remember Everything" - John Prine
Best American Roots Song: "I Remember Everything" - Pat McLaughlin and John Prine, songwriters (John Prine)
Best Metal Performance: "Bum-Rush" - Body Count
Best Latin Pop or Urban Album: "YHLQMDLG" - Bad Bunny
Best Latin Rock or Alternative Album: "La Conquista del Espacio" - Fito Paez
Best Song Written for Visual Media: "No Time to Die" from "No Time to Die" - Billie Eilish O'Connell and Finneas Baird O'Connell, songwriters (Billie Eilish)
Best Compilation Soundtrack for Visual Media: "Jo Jo Rabbit"
Best Musical Theater Album: "Jagged Little Pill" - Kathryn Gallagher, Celia Rose Gooding, Lauren Patten and Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen and Vivek J. Tiwary, producers (Glen Ballard and Alanis Morissette, lyricists) (Original Broadway Cast)
Best Spoken Word Album: "Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth" - Rachel Maddow
Best Comedy Album: "Black Mitzvah" - Tiffany Haddish
Producer of the Year (non-classical): Andrew Watt

NEW SOUNDS

Last year, Zedd had a big hit when he teamed-up with rising country star, Maren Morris on "The Middle". This infectious dance track became a worldwide smash and earned three Grammy Award nominations.  Now the DJ and producer has dropped a new single and joined forces with pop superstar, Katy Perry with "365".  While I don't think this song is nearly as catchy as Zedd's previous hit but it does grow on you after a few listens. The music video for "365" is clever mini movie. This impressive clip, directed by Warren Fu, features Perry as a humanoid robot and Zedd as a test subject to see how compatible they could be living together. While the robot falls in love with the human, he doesn't return those affections which leads to a tragic end.

The British songstress, Jessie Ware has been quiet for a while since the release of third album, "Glasshouse" back in 2017. But she dropped a single, "Overtime" late last year and Ms Ware has made 2019 much better with another new single. Released on Valentine's Day eve, "Adore You" is a sensual, groove-based love song which was co-written by Ware and Joe Mount of the English electro band, Metronomy who also produced the track. I'm loving this record and hoping this is going to finally lead to a new album. Here are both of Ms Ware's recent tracks for your enjoyment:





Bruno Mars invited hot new artist, Cardi B to spice up a remix of his single, "Finesse" and this collaboration produced one of the biggest singles of 2018. Now, this duo has wisely teamed-up again for a new song by Cardi B. "Please Me" is another old-school flavored jam that is drenched with sexual energy. Mars is along to provide the smooth hook where he begs for a taste of what Cardi has to offer. And the music video perfectly adds to the '90's bump-n-grind vibe.

25 SONGS THAT TELL US WHERE MUSIC IS GOING

With each generation, pop music has reflected the mood, attitude and spirit of the times while in the process, provide the perfect soundtrack to their memories. For their annual music issue, New York Times magazine has once again selected 25 songs they think best tell us where music is heading. These songs represent topics and sounds that ideally express the current state of the world and perhaps, shaping what's to come. Some of these tunes come from well-established artists (Katy Perry, Bruno Mars, Taylor Swift) and cult figures (Lana Del Rey, Tracey Thorn, Perfume Genius) but most are emerging musicians who have already sparked interest (Camila Cabello, SZA, Cardi B) and those who are sure to eventually do so (Young Fathers, Big Shaq, DJ Taye). Their songs cover subjects that are hardly new: love and loss; success and failure; feminism and femininity; addiction and recovery. But they communicate their ideas in a way that is darker, gaudier and just plain weirder then people may be used to hearing, making these tunes all the more thrilling.

Here are a few of my favorites from the songs selected but click below to read the article:

25 Songs That Tell Us Where Music Is Going

THE 60TH ANNUAL GRAMMY AWARDS

For the first time being held in New York City in fifteen years, the Grammys made a grand point by having U2 perform their latest single, "Get Out of Your Own Way" outside in the frigid temperature in front of the Statue of Liberty, giving the moment a dramatic effect. And to celebrate sixty years of honoring the best in music, the 2018 Grammys surprisingly didn't do much of anything. With the exception of Recording Academy President, Neil Portnow briefly mentioning the milestone in his annual speech on the program (before unintentionally offending many female performers by telling them to "step up"), there was not a single moment throughout the evening of looking back at highlights of the Grammy Awards' rich yet admittedly flawed history.

James Cordon returned as host of the show and continues to be an enthusiastic ringmaster and cheerleader. One of his highlights was a funny bit involving bringing his popular "Carpool Karaoke" to the New York City subway along with Sting and Shaggy (where did they find him ?) for the ride but the passengers were hilariously not having it. But the biggest laugh of the night was about how non-musicians can win a Grammy and imagines a variety of different people reading an audio book of the recent "Fire and Fury", which examines the current White House administration, including a former female Presidential candidate.

Bruno Mars was the unexpected but deserving big winner of the night with his modern take of retro-soul, "24K" taking three of the top awards, Song of The Year, Record of The Year and Album of The Year, and winning a total of six Grammys. Kendrick Lamar didn't do so bad himself winning a total of five for his highly acclaimed, "DAMN." including Best Rap Album. Lamar even kicked off the show with an explosive performance that featured appearances by U2 and Dave Chappelle. Jay-Z did not fare as well, having not performed on the program and went home empty handed. But at least he did have his beautiful family by his side for support.

The evening was clearly not only about awards but about celebrating all genres of music. Some of my favorite performances included SZA making an impression with her brand of alt-soul with "Broken Clocks", a rare tribute to the musical theater on the show with dramatic performances from Ben Platt of "Dear Evan Hansen" and the legendary Patti LuPone, DJ Khaled and Rihanna doing a extravagant production of one of my favorite tunes of 2017, "Wild Thoughts" and Bruno Mars brought Cardi B on stage with him to do my current favorite song of this year, "Finesse" .  A tribute to the Las Vegas shooting victims that featured country artists, Brothers Osborne, Maren Morris and Eric Church didn't have the impact they were hoping for and their choice of song (Eric Clapton's "Tears in Heaven") wasn't exactly right and while the pairing of Miley Cyrus (who looked absolutely beautiful) with Elton John on his classic, "Tiny Dancer" may have been to promote an upcoming Grammy tribute special for the singer, it only came across as a lackluster stunt.

Politics, unsurprisingly, found it's way on to the Grammy stage and that was reflected in some of the evening's highlights. Logic had Best New Artist nominee, Khalid and the eventual winner of that award, Alessia Cara join him to perform a moving version of "1-800-273-8255", his nominated song that brings awareness about suicide prevention. At the conclusion, he spoke out against hatred, bigotry, sexual harassment and even the President's anti-immigrant stance.

Janelle Monáe made a passionate speech that honored the working women in all areas of the music industry and reiterated that "time's up" for the abuse of power against women before she introduced Kesha. Supported by the powerful voices of Cyndi Lauper, Camilla Cabello, Julia Michaels, Andra Day and Bebe Rexha, the singer delivered a fiery version of "Praying" which deals with her experiences with sexual and emotional abuse. After the performance, Cabello, a Cuban immigrant, offered words of support to "the Dreamers" and their complicated struggle to stay in the only country that many of them have ever known.

While this year's awards stressed the support of women, with many people wearing white roses in a show of solidarity, the Grammys doesn't seem to be exactly following through on this message. First, Lorde was the only female nominated for Album of The Year yet she was not given a solo set on the show (unlike most of the other male nominees) and was only offered to be a part of a tribute to the the late Tom Petty to be performed with other artists which she respectfully declined. And Alessia Cara was the only female to take an award during the entire televised ceremony.

Back in 2011 when the Grammys decided to end segregating the categories by gender, I was concerned that men would dominate the nominations and ultimately, the winners. That didn't happen immediately but as we have come to 2018 with only nine percent of the total Grammy Awards going to women over the last six years. it seems my fears have sadly become reality. But as I have seen a conscious shift in gender politics over the previous year, I am optimistic that change is possible and most certainly will come.

Here is a partial list of winners of the 2018 Grammy Awards:

Album of the Year: "24K Magic" - Bruno Mars

Record of the Year: "24K Magic" - Bruno Mars

Song of the Year: "That's What I Like" - Bruno Mars - Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus & Jonathan Yip (songwriters)

Best New Artist: Alessia Cara

Pop Vocal Album: "÷" - Ed Sheeran

Best Pop Solo Performance: "Shape of You" - Ed Sheeran

Best Pop Duo/Group Performance: "Feel It Still," Portugal. The Man

Best Traditional Pop Vocal Album: "Tony Bennett Celebrates 90" - Tony Bennett and various artists

Best Rap Album: "DAMN." - Kendrick Lamar

Best Rap Song: "HUMBLE." - Kendrick Lamar

Best Rap Performance: "HUMBLE." - Kendrick Lamar

Best Rap/Sung Performance: "Loyalty" - Kendrick Lamar featuring Rihanna

Best R&B Album: "24K Magic" - Bruno Mars

Best R&B song: "That's What I Like" - Bruno Mars

Best R&B Performance: "That's What I Like" - Bruno Mars

Best Traditional R&B Performance: "Redbone" - Childish Gambino

Best Urban Contemporary Album: "Starboy" - The Weeknd

Best Country Album: "From a Room, Vol. 1" - Chris Stapleton

Best Country Song: "Broken Halos" Chris Stapleton

Best Country Solo Performance: "Either Way" - Chris Stapleton

Best Country Duo/Group Performance: "Better Man" Little Big Town

Best Dance/Electronic Album: "3-D The Catalogue" - Kraftwerk

Best Dance Recording: "Tonite" - LCD Soundsystem

Best Rock Album: "A Deeper Understanding" - The War on Drugs

Best Rock Song: "Run" - Foo Fighters

Best Rock Performance: "You Want It Darker" - Leonard Cohen

Best Metal Performance: "Sultan's Curse" - Mastodon

Best Alternative Music Album: "Sleep Well Beast" - The National

Best American Roots Song: "If We Were Vampires" - Jason Isbell And The 400 Unit

Best American Roots Performance: "Killer Diller Blues" - Alabama Shakes

Best Contemporary Christian Album: "Chain Breaker" - Zach Williams

Best Gospel album: "Let Them Fall in Love" - CeCe Winans

Best Jazz Instrumental Album: "Rebirth" - Billy Childs

Best Contemporary Instrumental Album: "Prototype" - Jeff Lorber Fusion

Best Latin Pop Album: "El Dorado" - Shakira

Best New Age Album: "Dancing on Water" - Peter Kater

Best Comedy Album: "The Age of Spin & Deep in the Heart of Texas" - Dave Chappelle

Best Spoken Word Album: "The Princess Diarist" - Carrie Fisher

Best Music Video: "HUMBLE." - Kendrick Lamar

Best Song Written for Visual Media: "How Far I'll Go" from "Moana" - Lin-Manuel Miranda (songwriter)

Best Score/Soundtrack for Visual Media: "La La Land"

Best Compilation Soundtrack for Visual Media: "La La Land"

Best Musical Theater Album: "Dear Evan Hansen"

Best Music Film: "The Defiant Ones" - Various artists

HOT AND FRESH OUT THE KITCHEN

One of the first big songs of the new year is a remix of "Finesse" by Bruno Mars. This single is off his 2016 album, "24K Magic" and has gotten a boost by one of the breakout stars of 2017, Cardi B who kicks off the track with her trademark sassy rap. The song pays homage to the new-jack sound of the late '80's and the music video gives props to the '90's comedy show "In Living Color", in particular to "the fly-girls", the young women who danced in between skits. People are responding well to this version of the song and has already reached the U.S. top-forty in it's first week on the charts.

For his latest single, "Family Feud", Jay-Z has called on some major talent to put together the music video. He has gotten Ava DuVernay to direct this clip and the musician co-wrote the story with her. It begins in the future of 2444 with a dramatic family feud ending in death before going back to 2050 with the U.S. now run by an all-female government who are in the process of rewriting the Constitution. We continue back until we reach our current year with Jay-Z walking his daughter, Blue Ivy through a church. The father/rapper begins the song which he confesses his infidelities and wants to keep his family together. His wife, Beyoncé appears on the track and in the video, dressed as some type of glamorous high priestess, listening patiently to what her husband has to say. And there are plenty of famous faces scattered throughout the video including Thandie Newton, Michael B. Jordan, Mindy Kaling, David Oyelowo, Niecy Nash, Trevante Rhodes, Constance Wu and Jessica Chastain.

MY FAVORITE MOMENTS IN MUSIC IN 2017

2017 has come to a close and it was another year of some great music. I've always shared the tunes that I've loved and enjoyed throughout the year but time didn't permit me to get to everything. So to end 2017 properly, here's a round-up of a few of my favorite songs and videos from the previous year I didn't get a chance to share:



"HUMBLE" - Kendrick Lamar (2017) mp3

"High" - Ledisi (2017) mp3

"Stay" - Zedd featuring Alessia Cara (2017) mp3

"Feel It Still" - Portugal. The Man (2017) mp3



"Shining" - DJ Khaled featuring Beyoncé and Jay Z (2017) mp3

"Sorry Not Sorry" - Demi Lovato (2017) mp3











"Now or Never" - Halsey (2017) mp3

2017 GRAMMY AWARD NOMINATIONS

On the sixtieth year of honoring the best in all genres of music, the Grammy Awards seems to have finally presented a list of nominations that comes closest to representing the music that many people are actually listening to. Hip-hop, rap and alt-r&b, which has been the driving force in popular music for at least the last ten years, has actually made a significant and long overdue dent in the major categories. Jay Z leads with the most nominations with eight for "4:44". the rap artist's response to his wife,  Beyoncé's album of pain, betrayal and infidelity, "Lemonade", including Album of The Year. Kendrick Lamar's critically acclaimed, "DAMN." follows with seven while Bruno Mars received six nominations for his tasty slice of classic soul, "24K Magic" with both also vying for the best album of 2017. Lorde's long-awaited follow-up album, "Melodrama" and Childish Gambino, otherwise known as actor, Donald Glover, and his collection of psychedelic funk, "Awaken, My Love" (which received five nominations) round out the Album of The Year category. Two young performers, Khalid and SZA, who both represent thrilling new directions for r&b music, each received five nominations and competing against each other for Best New Artist along with Alessia Cara, Julia Michaels and Lil Uzi Vert.

The 60th Annual Grammy Awards will be televised live on January 28, 2018 at New York City's Madison Square Garden. This is the first time the ceremony has been held in the Big Apple in fifteen years and James Corden will once again serve as host.

Here is a partial list of the nominations for the 60th annual Grammy Awards. For the complete list of nominees, please click below:

Grammy.com

Album of the Year:

“Awaken, My Love!” — Childish Gambino
"4:44" — Jay-Z
"DAMN." — Kendrick Lamar
"Melodrama" — Lorde
"24K Magic" — Bruno Mars

Record of the Year:

"Redbone" — Childish Gambino
"Despacito" — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
"The Story Of O.J." — Jay-Z
"HUMBLE." — Kendrick Lamar
"24K Magic" — Bruno Mars

Song of the Year:

"Despacito"— Ramón Ayala, Justin Bieber, Jason “Poo Bear” Boyd, Erika Ender, Luis Fonsi & Marty James Garton, songwriters (Luis Fonsi & Daddy Yankee Featuring Justin Bieber)
"4:44" — Shawn Carter & Dion Wilson, songwriters (Jay-Z)
"Issues" — Benny Blanco, Mikkel Storleer Eriksen, Tor Erik Hermansen, Julia Michaels & Justin Drew Tranter, songwriters (Julia Michaels)
"1-800-273-8255" — Alessia Caracciolo, Sir Robert Bryson Hall II, Arjun Ivatury & Khalid Robinson, songwriters (Logic Featuring Alessia Cara & Khalid)
"That’s What I Like" — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus & Jonathan Yip, songwriters (Bruno Mars)

Best New Artist:

Alessia Cara
Khalid
Lil Uzi Vert
Julia Michaels
SZA

Best Pop Solo Performance:

"Love So Soft" — Kelly Clarkson
"Praying" — Kesha
"Million Reasons" — Lady Gaga
"What About Us" — P!nk
"Shape Of You" — Ed Sheeran

Best Pop Duo/Group Performance:

"Something Just Like This" — The Chainsmokers & Coldplay
"Despacito" — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
"Thunder" — Imagine Dragons
"Feel It Still" — Portugal. The Man
"Stay" — Zedd & Alessia Cara

Best Traditional Pop Vocal Album:

"Nobody But Me" (Deluxe Version) — Michael Bublé
"Triplicate" — Bob Dylan
"In Full Swing" — Seth MacFarlane
"Wonderland" — Sarah McLachlan
"Tony Bennett Celebrates 90" —  Various Artists

Best Pop Vocal Album:

"Kaleidoscope" EP — Coldplay
"Lust For Life" — Lana Del Rey
"Evolve" — Imagine Dragons
"Rainbow" — Kesha
"Joanne" — Lady Gaga

Best Dance Recording:

"Bambro Koyo Ganda" — Bonobo Featuring Innov Gnawa
"Cola" — Camelphat & Elderbrook
"Andromeda"— Gorillaz Featuring DRAM
"Tonite" — LCD Soundsystem
"Line Of Sight" — Odesza Featuring WYNNE & Mansionair

Best Dance/Electronic Album:

"Migration" — Bonobo
"3-D The Catalogue" — Kraftwerk
"Mura Masa" — Mura Masa
"A Moment Apart" — Odesza
"What Now" — Sylvan Esso

Best Rock Performance:

"You Want It Darker" — Leonard Cohen
"The Promise" — Chris Cornell
"Run" — Foo Fighters
"No Good" — Kaleo
"Go To War" — Nothing More

Best Rock Song:

"Atlas, Rise!" — James Hetfield & Lars Ulrich, songwriters (Metallica)
"Blood In The Cut" — JT Daly & Kristine Flaherty, songwriters (K.Flay)
“Go To War” — Ben Anderson, Jonny Hawkins, Will Hoffman, Daniel Oliver, David Pramik & Mark Vollelunga, songwriters (Nothing More)
"Run" — Foo Fighters, songwriters (Foo Fighters)
"The Stage" — Zachary Baker, Brian Haner, Matthew Sanders, Jonathan Seward & Brooks Wackerman, songwriters (Avenged Sevenfold)

Best Rock Album:

"Emperor Of Sand" — Mastodon
"Hardwired…To Self-Destruct" — Metallica
"The Stories We Tell Ourselves" — Nothing More
"Villains" — Queens Of The Stone Age
"A Deeper Understanding" — The War On Drugs

Best Alternative Music Album:

"Everything Now" — Arcade Fire
"Humanz" — Gorillaz
"American Dream" — LCD Soundsystem
"Pure Comedy" — Father John Misty
"Sleep Well Beast" — The National

Best R&B Performance:

"Get You" — Daniel Caesar Featuring Kali Uchis
"Distraction" — Kehlani
"High" — Ledisi
"That’s What I Like" — Bruno Mars
"The Weekend" — SZA

Best Traditional R&B Performance:

"Laugh And Move On" — The Baylor Project
"Redbone" — Childish Gambino
"What I’m Feelin'" — Anthony Hamilton Featuring The Hamiltones|
"All The Way" — Ledisi
"Still" — Mali Music

Best R&B Song:

"First Began" — PJ Morton, songwriter (PJ Morton)
"Location" — Alfredo Gonzalez, Olatunji Ige, Samuel David Jiminez, Christopher McClenney, Khalid Robinson & Joshua Scruggs, songwriters (Khalid)
"Redbone" — Donald Glover & Ludwig Goransson, songwriters (Childish Gambino)
"Supermodel" — Tyran Donaldson, Terrence Henderson, Greg Landfair Jr., Solana Rowe & Pharrell Williams, songwriters (SZA)
"That’s What I Like" — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus & Jonathan Yip, songwriters (Bruno Mars)

Best Urban Contemporary Album:

"Free 6LACK" — 6LACK
"Awaken, My Love!" — Childish Gambino
"American Teen" — Khalid
"Ctrl" — SZA
"Starboy" — The Weeknd

Best R&B Album:

"Freudian" — Daniel Caesar
"Let Love Rule" — Ledisi
"24K Magic" — Bruno Mars
"Gumbo" — PJ Morton
"Feel The Real" –Musiq Soulchild

Best Rap Performance:

"Bounce Back" — Big Sean
"Bodak Yellow" — Cardi B
"4:44" — Jay-Z
"HUMBLE." — Kendrick Lamar
"Bad And Boujee" — Migos Featuring Lil Uzi Vert

Best Rap/Sung Performance:

"PRBLMS" — 6LACK
"Crew" — Goldlink Featuring Brent Faiyaz & Shy Glizzy
"Family Feud" — Jay-Z Featuring Beyoncé
"LOYALTY." — Kendrick Lamar Featuring Rihanna
"Love Galore" — SZA Featuring Travis Scott

Best Rap Song:

"Bodak Yellow" — Dieuson Octave, Klenord Raphael, Shaftizm, Jordan Thorpe, Washpoppin & J White, songwriters (Cardi B)
"Chase Me" — Judah Bauer, Brian Burton, Hector Delgado, Jaime Meline, Antwan Patton, Michael Render, Russell Simins & Jon Spencer, songwriters (Danger Mouse Featuring Run The Jewels & Big Boi)
"HUMBLE." — Duckworth, Asheton Hogan & M. Williams II, songwriters (Kendrick Lamar)
"Sassy" — Gabouer & M. Evans, songwriters (Rapsody)
"The Story Of O.J." — Shawn Carter & Dion Wilson, songwriters (Jay-Z)

Best Rap Album:

"4:44" — Jay-Z
"DAMN." — Kendrick Lamar
"Culture" — Migos
"Laila’s Wisdom" — Rapsody
"Flower Boy" — Tyler, The Creator

Best Country Solo Performance:

"Body Like A Back Road" — Sam Hunt
"Losing You" –Alison Krauss
"Tin Man" — Miranda Lambert
"I Could Use A Love Song" — Maren Morris
"Either Way" — Chris Stapleton

Best Country Duo/Group Performance:

"It Ain’t My Fault" — Brothers Osborne
"My Old Man" — Zac Brown Band
"You Look Good" — Lady Antebellum
"Better Man" — Little Big Town
"Drinkin’ Problem" — Midland

Best Country Song:

"Better Man" — Taylor Swift, songwriter (Little Big Town)
"Body Like A Back Road" — Zach Crowell, Sam Hunt, Shane McAnally & Josh Osborne, songwriters (Sam Hunt)
"Broken Halos" — Mike Henderson & Chris Stapleton, songwriters (Chris Stapleton)
"Drinkin’ Problem" — Jess Carson, Cameron Duddy, Shane McAnally, Josh Osborne & Mark Wystrach, songwriters (Midland)
"Tin Man" — Jack Ingram, Miranda Lambert & Jon Randall, songwriters (Miranda Lambert)

Best Country Album:

"Cosmic Hallelujah" — Kenny Chesney
"Heart Break" — Lady Antebellum
"The Breaker" — Little Big Town
"Life Changes" — Thomas Rhett
"From A Room: Volume 1" — Chris Stapleton

Best Compilation Soundtrack For Visual Media:

"Baby Driver" — (Various Artists)
"Guardians Of The Galaxy Vol. 2: Awesome Mix Vol. 2" — (Various Artists)
"Hidden Figures: The Album" — (Various Artists)
"La La Land" — (Various Artists)
"Moana: The Songs" — (Various Artists)

Best Song Written For Visual Media:

"City Of Stars" — Justin Hurwitz, Benj Pasek & Justin Paul, songwriters (Ryan Gosling & Emma Stone)
"How Far I’ll Go" — Lin-Manuel Miranda, songwriter (Auli’i Cravalho)
"I Don’t Wanna Live Forever ("Fifty Shades Darker")" — Jack Antonoff, Sam Dew & Taylor Swift, songwriters (Zayn & Taylor Swift)
"Never Give Up" — Sia Furler & Greg Kurstin, songwriters (Sia)
"Stand Up For Something" — Common & Diane Warren, songwriters (Andra Day Featuring Common)

Producer Of The Year (Non-Classical):

Calvin Harris
Greg Kurstin
Blake Mills
No I.D.
The Stereotypes

Best Music Video:

"Up All Night" — Beck
"Makeba" — Jain
"The Story Of O.J." — Jay-Z
"HUMBLE." — Kendrick Lamar
"1-800-273-8255" — Logic Featuring Alessia Cara & Khalid

MY FAVORITE MOMENTS IN MUSIC IN 2016

2016 was a difficult, challenging year in more ways than one. From a musical standpoint, it was upsetting due to the loss of some pretty important artists from Natalie Cole, David Bowie, Glenn Frey of The Eagles and Prince at the early part of the year to George Michael near the end. The only real comfort is that we still have their music which will keep them with us forever. I won't even get in to that crazy election and the tragic outcome. So, I'm just going to share some of the music from the previous year that I loved but didn't have a chance to cover here:

"Closer" - The Chainsmokers featuring Halsey (2016) mp3

"One Dance" - Drake featuring Wizkid & Kyla (2016) mp3

"Too Good" - Drake featuring Rihanna (2016) mp3



"My Church" - Maren Morris (2016) mp3

"80's Mercedes" - Maren Morris (2016) mp3







"Gold" - Kiiara (2016) mp3

"Close" - Nick Jonas featuring Tove Lo (2016) mp3

"Me Too" - Mehgan Trainor (2016) mp3

SUPER BOWL SPECIAL

First, on Super Bowl eve, Beyoncé dropped a surprise new single, "Formation" with an accompanying music video. The song (available as a free download via the Tidal music streaming service) is about her pride in being from the South, African-American, rich and fabulous. Directed by Beyoncé's long-time video collaborator, Melina Matsoukas, the clip for "Formation" is an amazing work of art. It was shot in New Orleans and utilizes the city's beautiful culture and makes references to Hurricane Katrina and the struggles to rebound from that disaster. Even Blue Ivy, Jay Z and Beyoncé's daughter, makes a brief appearance:



Although Coldplay was the actual Super Bowl half-time act, it was Beyoncé and Bruno Mars that everyone is talking about. Mars (with DJ/producer, Mark Ronson) first came out to do "Uptown Funk", then Bey worked the crowd in to a frenzy to do her latest song before their merged their tunes together to close out the show. It was really an electrifying performance. If you happened to miss it (which I think I'm the only one since I'm no football fan), here's a look at their part:

Missy Elliott also made an appearance during the Super Bowl but not on the actual show. She was in the humorous commercial for the Amazon Echo which also gave a brief plug for her new song, "Pep Rally" which was released this weekend. While it's not nearly as catchy as "WTF (Where They From)", it's still worth a listen:

"Pep Rally" - Missy Elliott (2016) mp3

Take a look at the funny commercial for Amazon Echo with Alec Baldwin, Jason Schwartzman, Dan Marino and Ms Elliott:

NEW SOUNDS

BEYONCE

Beyoncé has just released a Platinum Edition of her recent, best-selling self-titled fifth album. In addition to a reissue of the original CD and DVD of music videos, this now includes another CD featuring two new songs, "7/11" and "Ring Off" and four previously-released remixes plus a DVD of live performances from The Mrs. Carter Show World Tour. This is probably more for the hardcore fan of the singer as the two new cuts, while pretty good, is not worth investing in if you already own the previous album.

Listen to "Ring Off" which seems to be about her mother, Tina Knowles. The song focuses on the painful end of her marriage while Beyoncé encourages her beautiful mama to remove that wedding ring and move on with her life.

"Ring Off" - Beyoncé (2014)

This video for the other new track, "7/11" is crazy but I love it:



IGGY AZALEA

This year, Iggy Azalea has become one of the biggest names in hip-hop pop thanks to her worldwide hits, "Fancy" and "Black Widow". A reissue of her debut, "The New Classic" is now out and called "Reclassified". It features six tracks from the first album and five new songs. The Australian rapper has gotten assistance on some of the tunes from Ellie Goulding ("Heavy Crown"), Danish electro-pop artist, MØ (the first single, "Beg For It") and Jennifer Hudson ("Trouble"). While it took me some time to warm up to Azalea and appreciate her music, I still don't see her as a great talent with a long career ahead of her.

Anyway, listen to my favorite track from "Reclassified":

"Trouble" - Iggy Azalea featuring Jennifer Hudson (2014)

Gwen Stefani disappointed with the lackluster first new music from her upcoming CD but has turned things around with the follow-up release. "Spark The Fire", co-written and produced by her fellow "Voice" judge, Pharrell Williams, is the type of high-energy track that we expect from the singer although it may be just a bit too similar to "Hollaback Girl" for it's own good. Check out the colorful video for the song that is on emoji overdrive:



I loved the new song "Uptown Funk" from Brit producer Mark Ronson as soon as I first heard it. With sizzling, funky horns, a touch of 1980's era Prince and Bruno Mars serving some James Brown inspired vocals, this jam is a modern classic. Here's the music video for this tune:



Finally, here is the video for the next single from my new fav, Sam Smith. "Like I Can" is a slick, black & white clip of Smith and his buddies roaming New York, looking sharp in tuxedos. Simple but effective:

HOT AND FRESH OUT THE KITCHEN

"GIRL ON FIRE" - ALICIA KEYS

Alicia Keys has recently become a wife and mother, which has unavoidably changed the musician and that is reflected on her fifth studio album, "Girl On Fire". She's ready to explore new sounds as she's taken the classic soul structure that is her claim to fame and mixed in experimental textures that fits in to the alt-r&b movement currently in the works.

While many have responded favorably to this latest recording by Ms Keys but unfortunately I am not one. Although I've warmed up slightly to the title track but otherwise, I'm not really feeling this album and I'm very disappointed to say that as I am a big fan. The singer has once again written songs that are deeply personal and thoughtful but musically, this ballad heavy set fails to - well, catch fire.

This track, "Fire We Make" features Maxwell and while it's fine but when these two powerhouses came together, I expected something with more fireworks:

"Fire We Make" - Alicia Keys Featuring Maxwell

In the video for the title track, Alicia looks absolutely amazing and the more I hear "Girl On Fire", the more I enjoy it:


"UNORTHODOX  JUKEBOX" - BRUNO MARS

First, let me say that I think Bruno Mars is a truly gifted talent and he has a long future ahead of him. Now, having said that, I have to admit that I haven't really gotten in to much of his music. That opinion may have changed as the twenty-seven year old Hawaii native has just released his sophomore effort, "Unorthodox Jukebox" and all of the songs (which he co-wrote) on the record certainly reflect that.

The album is an eclectic collection that features touches of all of the different musical styles that the artist likes. The first single, "Locked Out Of Heaven" brings to mind the early songs of The Police while "Treasure" has some nice tasty funk, and "Show Me" features some pretty convincing reggae. I have a feeling we will be hearing plenty of Bruno Mars in 2013.

"Treasure" - Bruno Mars

I love this music video for "Locked Out Of Heaven":




"UNAPOLOGETIC" - RIHANNA

You can probably call pop superstar, Rihanna many things but one thing you can't say is that she's lazy. The singer from Barbados has released a new album every year in November for the past four years with her recent seventh, "Unapologetic", surprisingly, has become the first to reach number one on the U.S. Billboard 200 album chart.

The lead single, "Diamonds" is a smash-hit (that went to number one in fifteen countries) but the rest of the new material while adventurous, feels slightly scattered and unfocused. The usual suspects are on board: David Guetta, Stargate, The Dream along with Australian pop artist, Sia (who co-wrote, "Diamonds") and Chris Brown shows up on a duet so the two can flaunt their "true love" to the world.

After her 777 Tour, where she flew on a Boeing 777 with her hardcore fans and journalists from around the globe to perform in seven different cities, in seven different countries in seven days to promote the album, look for Rihanna on the road next year for her Diamonds World Tour.

This track spells out what Rihanna and Chris Brown wants the world to know about their relationship:

"Nobody's Business" - Rihanna featuring Chris Brown

"KALEIDOSCOPE DREAM" - MIGUEL

Miquel is one of the current artists out there pushing the boundaries of soul music by offering unexpected beats and sounds which he has done on his second studio album, "Kaleidoscope Dream".  This confident collection, written and produced by the twenty-seven year old Southern Californian native, has incorporated thoughtful ideas of love and sexuality combined with slinky rhythms of funk, rock, electronica and dub-step.

Just like another member of the alt-r&b movement, Frank Ocean, Miguel has received critical praise and Grammy love by garnering four nominations this year including the prestigious Song Of The Year category for, "Adorn".

Have a listen to the title track:

"Kaleidoscope Dream" - Miguel

"WARRIOR' - KE$HA

When Ke$ha first came on the scene in 2009 with her international smash, "Tik Tok", her rap-pop sound combined with her wild-child, party girl antics was highly entertaining. Now, a few years in and she's (more or less) still doing the same shtick and it has grown a little tiresome.

"Warrior" is her second studio album, following a couple of EPs , and features the same producers (Dr. Luke, Max Martin, Shellback and Benny Blanco) that she has used previously as well as every other current pop star out right now. However, the singer has attempted to freshen her sound by adding some rock elements which has her teaming-up with punk legend, Iggy Pop on the tune, "Dirty Love" as well as contributions from rock bands, The Flaming Lips and The Strokes with the results being semi-successful. She's even covers a track, "Old Flames Can't Hold A Candle To You", which was a number one country hit for Dolly Parton and co-written by her mother, Pebe Sebert. The song is on another EP, "Deconstructed" that features acoustic versions of Ke$ha's songs and only available on her website.

Here is the title track:

"Warrior" - Ke$ha"

After a less than stellar appearance as a judge on the U.S. version of "The X Factor", Britney Spears has returned to music and back to the top of the charts. She provides backing vocals to will i.am's latest tune, "Scream & Shout" and shows up in the music video: