THE 65TH ANNUAL GRAMMY AWARDS

After the disruptions and restrictions over the last couple of years, the Grammy Awards are back in Los Angeles with a full audience in attendance to witness the biggest night in music. Trevor Noah, back for a third time as host and first gig since leaving his post on "The Daily Show", was in understated comedic form and more about spreading positive vibes, teasing the celebrated musicians with light jokes and being an excited cheerleader for the live performances.

A nice touch on the show was having a round-table of ten dedicated fans passionately yet respectfully debating who should win the Album of the Year. Not only were they invited to attend the ceremony but then Noah had this group come on stage to present this award with him.

Bad Bunny, who became the first artist to have a Spanish-language album, "Un Verano Sin Ti" nominated for Album of the Year, opened the show, getting the crowd on their feet with a medley of "El Apagón" and "Después de la Playa" that featured a colorful, dance-filled celebration of his Puerto-Rican heritage. Out of the many live performances that followed, some of my favorites included the Stevie Wonder lead tribute to fellow Motown artist, Smokey Robinson and the label's founder, Berry Gordy, who were both honored as MusiCares Person of the Year, with Wonder, Robinson and country star, Chris Stapleton performing together some Motown classics; Lizzo, the winner of Record of the Year, did a brief interlude of the winning song, "About Damn Time" before moving into her album's title track, "Special", a powerful anthem on self-esteem; and a touching In Memoriam section that featured Kacey Musgraves paying tribute to Loretta Lynn with a version of "Coal Miner's Daughter"; Quavo of the hip hop group, Migos honored his late musical partner and nephew, Takeoff with "Without You" and Sheryl Crow, Bonnie Raitt and Mick Fleetwood came together to pay respect to Christine McVie with a rendition of her 1977 Fleetwood Mac hit, "Songbird".

But the biggest highlight was the impressive celebration of the 50th anniversary of hip-hop. Questlove helped curate a massive, multi-generational line-up of rap artists to musically run through the history of this genre with Run DMC, LL Cool J, Salt-N-Pepa, Ice-T, Queen Latifah, Busta Rhymes, Nelly, Missy Elliot, Lil Baby, GloRilla, Chuck D and Flavor Flav of Public Enemy as just some of the performers appearing together on stage. Considering how many acts were involved over such a brief period of time, this was truly a dazzling, breath-taking event that I think was one of the best ever to have taken place in the history of the Grammys.

With a late arrival (no one can escape LA traffic), an ethereal Beyoncé finally emerged in time to receive four Grammys which made her become the most honored artist of all-time with a career total of thirty-two, surpassing a record previous held by conductor, Georg Solti. But her wins for "Renaissance" were not in the major categories with the loss of Album of the Year in particular setting off outrage amongst many fans and critics who felt the singer has been long overdue for this award, especially for this album which is considered by many to be one of her very best.  It was Harry Styles who won the top prize for "Harry's Place", a stylish collection that also won Best Pop Vocal Album,  a more deserving acknowledgment of the young British singer's solid pop-rock record.

And it was proven this evening that if you receive a nomination, any of the nominees truly has a real chance to win the award. One very unexpected winner was in Song of the Year with Bonnie Raitt taking the prize against some better known competition for "Just Like That", the title track from her eighteenth studio album and one of the rare songs that this veteran blues musician actually wrote. Samara Joy, the twenty-three year old jazz vocalist, was another surprise, selected as Best New Artist in a field that featured more higher profile musicians. Yet she did get her record deal by posting a performance online with it going viral and leading to Joy's debut, "Linger Awhile" which also won for Best Jazz Vocal Album.

Here is a partial list of the winners from the 2023 Grammy Awards:

Album of the Year: "Harry’s House" — Harry Styles
Record of the Year: "About Damn Time" — Lizzo
Song of the Year: "Just Like That" — Bonnie Raitt, songwriter (Bonnie Raitt)
Best New Artist: Samara Joy
Best Pop Vocal Album: "Harry’s House" — Harry Styles
Best Traditional Pop Vocal Album: "Higher" — Michael Bublé
Best Pop Solo Performance: "Easy On Me" — Adele
Best Pop Duo/Group Performance: "Unholy" — Sam Smith & Kim Petras
Best Dance/Electronic Music Album: "Renaissance" — Beyoncé
Best Dance/Electronic Recording: "BREAK MY SOUL" — Beyoncé
Best R&B Album: "Black Radio III" — Robert Glasper
Best Progressive R&B Album: "Gemini Rights" — Steve Lacy
Best R&B Performance: "Hrs & Hrs" — Muni Long
Best Traditional R&B Performance: "PLASTIC OFF THE SOFA" — Beyoncé
Best R&B Song: "CUFF IT" — Denisia "Blu June" Andrews, Beyoncé, Mary Christine Brockert, Brittany "Chi" Coney, Terius "The-Dream" Gesteelde-Diamant, Morten Ristorp, Nile Rodgers & Raphael Saadiq, songwriters (Beyoncé)
Best Rap Album: "Mr. Morale & The Big Steppers" — Kendrick Lamar
Best Rap Performance: "The Heart Part 5" — Kendrick Lamar
Best Rap Song: "The Heart Part 5" — Jake Kosich, Johnny Kosich, Kendrick Lamar & Matt Schaeffer, songwriters (Kendrick Lamar)
Best Rock Album: "Patient Number 9" — Ozzy Osbourne
Best Rock Performance: "Broken Horses" — Brandi Carlile
Best Alternative Music Album: "Wet Leg" — Wet Leg
Best Música Urbana Album: "Un Verano Sin Ti" — Bad Bunny
Best Country Album: "A Beautiful Time" — Willie Nelson
Best Country Solo Performance: "Live Forever" — Willie Nelson
Best Country Duo/Group Performance: "Never Wanted To Be That Girl" — Carly Pearce & Ashley McBryde
Best Country Song: "‘Til You Can’t" — Matt Rogers & Ben Stennis, songwriters (Cody Johnson)
Best Bluegrass Album: "Crooked Tree" — Molly Tuttle & Golden Highway
Best Americana Album: "In These Silent Days" — Brandi Carlile
Best Americana Performance: "Made Up Mind" — Bonnie Raitt
Best Folk Album: "Revealer" — Madison Cunningham
Best American Roots Performance: "Stompin’ Ground" — Aaron Neville With The Dirty Dozen Brass Band
Best American Roots Song: "Just Like That" — Bonnie Raitt, songwriter (Bonnie Raitt)
Best Contemporary Blues Album: "Brother Johnny" — Edgar Winter
Best Traditional Blues Album: "Get On Board" — Taj Mahal & Ry Cooder
Best Jazz Vocal Album: "Linger Awhile" — Samara Joy
Best Reggae Album: "The Kalling" — Kabaka Pyramid
Best Latin Pop Album: "Pasieros" — Rubén Blades & Boca Livre
Best Latin Jazz Album: "Fandango At The Wall In New York" — Arturo O'Farrill & The Afro Latin Jazz Orchestra Featuring The Congra Patria Son Jarocho Collective
Best Audio Book, Narration, and Storytelling Recording: "Finding Me" — Viola Davis
Best Spoken Word Poetry Album: "The Poet Who Sat By The Door" — J. Ivy
Best Comedy Album: "The Closer" — Dave Chappelle
Best Musical Theater Album: "Into The Woods (2022 Broadway Cast Recording)" — Stephen Sondheim, composer & lyricist (Sara Bareilles, Brian d'Arcy James, Patina Miller & Phillipa Soo, principal vocalists; Rob Berman & Sean Patrick Flahaven, producers))
Best Music Film: "Jazz Fest: A New Orleans Story" — (Various Artists); Frank Marshall & Ryan Suffern, video directors; Frank Marshall, Sean Stuart & Ryan Suffern, video producers
Best Compilation Soundtrack for Visual Media: "Encanto" — (Various Artists)
Best Song Written for Visual Media: "We Don’t Talk About Bruno" From "Encanto" — Lin-Manuel Miranda, songwriter (Carolina Gaitán - La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & "Encanto" Cast)
Best Music Video: "All Too Well: The Short Film" — Taylor Swift, video director; Saul Germaine, video producer (Taylor Swift)
Songwriter of the Year (Non-Classical): Tobias Jesso Jr.
Producer of the Year (Non-Classical): Jack Antonoff

RANDOM SIGHTS + SOUNDS

John Prine, the Grammy Award-winning, Americana singer/songwriter sadly lost his battle against COVID-19 and passed away from complications on April 7th at the age of seventy-three. He was certainly a brave fighter, having previously battled against throat and lung cancer while also having heart issues. Prine received the Recording Academy's Lifetime Achievement Award at this year's Grammys after years of writing wonderful songs filled with humor and thoughtful insights on the human condition. I have to admit I had never heard any of Prine's recordings but I am familiar with his songs. Two of my favorites are Bonnie Raitt's 1974 cover of his "Angel From Montgomery", a song about a married, middle-aged woman looking for an "angel" to help her escape from a life of desolation. The other is "Hello In There", a heartbreaking tune about aging that Bette Midler recorded for her debut album back in 1972.





Here are a few unexpected pairings that provide some wild musical duets I found as I traveled down a YouTube rabbit hole that I would like to share:









And finally here is Finneas, the recent winner of the Grammy Award for Producer of The Year (for his work on his sister, Billie Eilish's album) who is showing off his skills as a performer. The single, "Let's Fall In Love For The Night", from his debut EP, "Blood Harmony" which was released last year, now has a music video that was recently released. This fun and whimsical clip perfectly enhances the song, giving off a vibe that makes it feel like it would fit right in place with the movie, "La La Land":

TAKE TWO: BONNIE RAITT

Bonnie Raitt certainly stands out as a musician as she's not only one of the few female guitarists out there but also an outspoken political activist and passionately kept the tradition of the blues alive. She actively put a spotlight on the forgotten early blues performers such as Howlin' Wolf and Sippie Wallace.

It seems impossible that Bonnie Raitt would not have entered music in some capacity as her mother was a pianist and her father was Broadway musical star, John Raitt. Bonnie took an interest in the guitar as a young girl and later while attending college, she met promoter, Dick Waterman who changed her life. He introduced her to the blues and soon, Raitt began performing in clubs where she would meet these legendary artists and performed along side them. She soon caught the attention of the music industry and eventually signed with Warner Bros. Raitt released her self-titled debut in 1971 and while it received plenty of critical praise, the album received very little radio play. A lack of significant sales continued with her following albums but Raitt always managed to impress with her stirring live performances.

Raitt had been recording music for almost twenty years before she finally achieved her first taste of long overdue commercial success with the album, "Nick of Time" in 1989. Having been dropped from her record label four years earlier, she teamed-up with producer, Don Was who decided to update her bluesy-rock sound with a smoother contemporary production. The album topped the Billboard 200 album chart and went on to win three Grammy Awards including Album of The Year.

Bonnie Raitt continues to hit the road and just released her sixteenth studio album, "Slipstream" last year on her own record label which won a Grammy for Best Americana Album, giving her a career total of ten awards. Raitt was inducted in to the Rock & Roll Hall of Fame in 2000.

Here are two of my very favorite songs from Bonnie Raitt:

"Nick Of Time" - Bonnie Raitt (1989)

"I Can't Make You Love Me" - Bonnie Raitt (1991)