WHATEVER'S CLEVER

Charlie Puth has been around making music since 2011 after getting a record deal from his growing popularity posting himself singing covers on YouTube. His first single, "Marvin Gaye", that pays tribute to the Motown legend, was a duet with Meghan Trainor in 2015. And while the song was a popular in several countries, this doo-wop styled track was savaged by many music critics and even found its way on Worst Song of the Year lists.

Puth managed to rebound spectacularly by co-writing, producing, and providing vocals on Wiz Khalifa's single "See You Again" for the soundtrack of the film, "Furious 7". This song, which is in honor of actor, Paul Walker who had died before filming and had been a star in this movie franchise, spent twelve non-consecutive weeks atop the US Billboard Hot 100, received three nominations at the 58th Annual Grammy Awards, a Golden Globe nomination for Best Original Song and was the best selling-song of 2015 worldwide.

Puth went on to release his debut album, "Nine Track Mind" which achieved great success as well as his following albums, "Voicenotes" in 2018 and "Charlie" in 2022. And while these albums and the singles went high on the charts and he received more award recognition, I must admit I wasn't overly impressed by his music, finding much of his work far too colorless for my taste.

Now the thirty-four year old New Jersey native has captured my attention with his just released fourth studio album, "Whatever's Clever". Puth has stated that he had charged his approach on how he created his music, opening himself to reveal more and put a personal touch into his songs. And I think it shows with the album feeling far more authentic and I'm able to make more of a connection to him as an artist. Inspired by the easy listening sounds of the 1980's, specifically what is currently being defined as "yacht rock", Puth teamed up with Michael Tucker, who is better known as BloodPop, to co-write and produce this album. "Whatever's Clever" is loaded with guest musicians that range from soft rock pioneers, Michael McDonald and Kenny Loggins, jazz-pop star, Kenny G; Japanese pop artist, Hikaru Utada and contemporary r&b vocalists, Ravyn Lenae and Coco Jones. The album closes with the brutally honest, guitar driven ballad, "I Used To be Cringe" where Puth acknowledges that he tried a bit too hard to fit in as his idea of a musician. But with "Whatever's Clever", I think it's clear he has evolved, letting loose and allowing himself to go much deeper as a musical artist.

Puth had previewed a few tracks from the album during a four-night stand at Blue Note Jazz Club in New York late last year and did a follow-up residency at the recently opened Blue Note in Los Angeles. He plans on hitting the road on a world tour that will begin on April 22nd in San Diego and ending in Warsaw, Poland by July.

RANDOM SIGHTS + SOUNDS

After the global critical and commercial success of her dazzling, post-disco collection, "What's Your Pleasure?" from 2020 (which certainly helped us get through the pandemic), Jessie Ware is back with some new music. The British artist has just dropped "Free Yourself", another uplifting dance track with Ware teaming up with renowned electro-pop producer and DJ, Stuart Price (Madonna; Kylie Minogue; The Killers; Dua Lipa) for the first time. The music video for "Free Yourself" is set with Ware being a spiritual leader telling her queer congregation to open up and let their freak flag fly wild and proud. This appears to be the first single from Ware's upcoming fifth studio album although no details have been released. She will be in North America this fall on tour, opening up for Harry Styles on some dates and headlining her own concerts. Be sure to check this amazing artist out if you can.



Here are a few new songs with music videos that deliver the perfect summer vibe:

Built around Rick James' 1981 classic, "Super Freak", Nicki Minaj has released another single with "Super Freaky Girl", a slick, playful track that feels reminiscent of her sound from the early days of her career. This is the fourth song that Minaj has dropped this year (following "Do We Have a Problem?", "Bussin" and "We Go Up") yet there is still no word on when her fifth studio album will be released or if any of these songs will actually appear on this record. Two things we do know is that Minaj will be this year's recipient of the Michael Jackson Video Vanguard Award at the 2022 MTV Video Music Awards on August 28th which she will appear with a live performance. Minaj will also be a part of a six-part HBO Max docu-series about her life very soon although no exact date has been confirmed.

And finally to honor the memory of Lamont Dozier, one third of the songwriting team of Holland–Dozier–Holland, who passed away on August 8th at the age of eighty-one. Dozier, along with brothers Brian and Eddie Holland, was responsible for helping to shape the Motown sound by writing many of the songs for the soul music label that crossed over to become worldwide pop hits. The Detroit born and raised artist had begun his career as a performer yet didn't find much success. By 1962, he teamed up with The Hollands who also hadn't had much luck as singers to write for the local-based recording company. Their first top-ten pop hits were for Martha & The Vandellas with "Come and Get These Memories", "Heatwave", and "Quicksand". But it wasn't until 1964 when the team got their first number one song with "Where Did Our Love Go?" for a struggling girl group on Motown, The Supremes. Holland–Dozier–Holland would go on to write and produce nine more number one songs for the trio as well as for other artists on the label like Marvin Gaye, The Four Tops, the Miracles and The Isley Brothers, eventually amassing twenty-five number one songs during their career.

After the songwriting team left Motown in 1968 over a dispute about profit-sharing and royalties, they founded Invictus and Hot Wax Records which produced hits for acts like Freda Payne, Honey Cone, Chairmen of the Board, and 100 Proof Aged in Soul. Dozier left the Holland brothers in 1973 to work on his own projects, releasing several solo albums as a performer with his most popular charting song being "Trying to Hold on to My Woman" in 1974. He continued to work as a songwriter, returning to the pop charts in 1984 by writing "Invisible", the hit song for British singer, Alison Moyet. He also co-wrote several songs with the British soul group, Simply Red. Dozier teamed up with Phil Collins to write "Two Hearts" for the soundtrack for the 1988 movie, "Buster" (which starred Collins) that was nominated for an Academy Award for Best Original Song. And Holland–Dozier–Holland were inducted into the Rock & Roll Hall of Fame in 1990. Here is a very small sample of the music co-created by Lamont Dozier: