For the New York Times magazine's 2019 Music Issue, the focus is on songs that are making a statement right now. The previous issues tried to predict which direction music was heading and now it's about twenty-five current pop songs which explore wistful intimacy, address troubling issues in our society and attempt to ignite conversation about our turbulent times. These diverse artists here, who range from well-known (Bruce Springsteen, Ariana Grande, Weezer) to not-as-well-known (Parquet Courts, Tierra Whack, Sons of Kemet), express their ideas and feelings in a variety of interesting styles and reactions.
Esperanza Spalding, who went from a child jazz prodigy to become the first jazz performer to win the Best New Artist Grammy Award, has just released some new music. But with her fourth album, "Emily's D + Evolution" (Emily is Spalding's middle name), the thirty-one year old performer has reinvented her sound and image. Gone is the Afro and boho chic style and in it's place are long braids, nerdy, oversized glasses and sleek, theatrical outfits. The music has also shifted from straight-forward jazz to experimenting with adding funkier beats and progressive rock to create an alt-jazz movement. Check out a couple of tracks from the album:
While Lady Gaga gave us a wildly exuberant (and very American) tribute to David Bowie at this year's Grammys, Lorde honored the legendary artist with something far more low-key and tasteful. The nineteen year old performed at the recent Brit Awards with an amazing rendition of "Life On Mars". This also served as a reminder that she is long overdue with a follow-up to her debut album which was released almost four years ago. Here is the complete tribute that features moving words by Annie Lennox and actor, Gary Oldman with members of Bowie's band playing a musical melody of his music before backing-up Lorde's performance:
Ariana Grande was the host and musical guest of the March 12th episode of "SNL". She didn't really leave much of an impression with her comedy skills but was far more successful with the debut of new music from her upcoming album, "Dangerous Woman". She performed the title track which is a slight change of course for the pop singer. With production by Max Martin, this sexy, guitar-driven ballad has Grande telling her man he's got her so worked-up, she'll pretty much do anything.
