André Benjamin, best known to the world as André 3000, began his musical career as part of the hip-hop duo, Outkast with his high school friend, Antwan "Big Boi" Patton. With their fourth album, "Stankonia", the Atlanta natives first broke out with "Ms Jackson", a song based on his failed relationship with neo-soul songstress, Erykah Badu, offering an apology to her and her mother, that went to the top of the Billboard Hot 100 chart in 2000. Following their next album, "Speakerboxxx/The Love Below" which became a monster smash in 2003, selling over thirteen million copies worldwide and winning the Grammy for Album of the Year, Outkast went their separate ways four years later.
Since then, Benjamin had spent his time pursing other interests like fashion design, acting (including a lead role as rock legend, Jimi Hendrix in "All Is by My Side") and occasionally making guest appearances on recordings by other musicians.
But now after seventeen years, André 3000 has released his very first solo album, "New Blue Sun". However you may be disappointed to find that this is not a rap record. He had tried for a number of years to create new music, working with producers of various generations, yet he was never happy with the end results, unable to feel as connected to hip-hop since he had gotten older and convinced that what he was creating was inauthentic.
But during this time, Benjamin had taken up the flute, going everywhere with the woodwind instrument. This is when he began to become inspired, working with a handful of session musicians (which included jazz musician, Carlos Niño who co-produced the album with Benjamin) that improvised together during the moment in the recording studio. "New Blue Sun" was developed from these jam sessions, with no vocals or catchy hooks involved, creating a collection of new-age, experimental jazz sounds. There is no doubt that this is one of the more original pop music releases of the year.
The 2023 Grammy Award nominations have been announced and women dominate all the major categories with SZA and her sophomore alt-soul release, "SOS" received the most nominations with nine including Album of the Year. Indie rocker, Phoebe Bridgers (which includes her work with boygenius) and r&b vocalist, Victoria Monét each follow with a total of seven nods while Taylor Swift, Olivia Rodrigo, Billie Eilish, and Miley Cyrus, all received six.
Jon Batiste is the only male artist to be recognized for Album of the Year (who won the prize two years ago for "We Are") for his concept record, "World Music Radio". The debut studio album of boygenius, "The Record", an indie-rock supergroup which consists of Bridgers, Julien Baker and Lucy Dacus; Janelle Monáe's latest Afrobeat inspired collection, "The Age of Pleasure"; and Lana Del Rey's psychedelic-pop record, "Did You Know That There’s a Tunnel Under Ocean Blvd" fill out the Album of the Year category along with Swift's "Midnights", Cyrus' "Endless Summer Vacation" and Rodrigo's follow-up album, "Guts".
This is a record year for Swift, with an overall total of twelve wins and a career year-to-date of forty-six nominations, who now holds a Grammy record with her nomination for Song of the Year with "Anti-Hero", making this her seventh in the category, the most held by any songwriter. And the Recording Academy has added three new categories this year: Best African Music Performance, Best Alternative Jazz Album and Best Pop Dance Recording.
The 66th annual Grammy Awards will be held on Sunday, February 4, 2024 and can be viewed on CBS and Paramount+. Here is a partial list of the nominations of the 2023 Grammy Awards:
Album of the Year:
"The Record" - boygenius
"The Age of Pleasure" - Janelle Monáe
"World Music Radio" - Jon Batiste
"Did You Know That There’s a Tunnel Under Ocean Blvd" - Lana Del Rey
"Endless Summer Vacation" - Miley Cyrus
"Guts" - Olivia Rodrigo
"SOS" - SZA
"Midnights" - Taylor Swift
Record of the Year:
"Worship" - Jon Batiste
"Not Strong Enough" - boygenius
"Flowers" - Miley Cyrus
“What Was I Made For?" - Billie Eilish
"On My Mama" - Victoria Monét
"Vampire" - Olivia Rodrigo
"Anti-Hero" - Taylor Swift
Song of the Year:
"A&W"— Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
"Anti-Hero" — Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
"Butterfly" — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
"Dance the Night" (From the Motion Picture, "Barbie") — Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
"Flowers" — Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
"Kill Bill" — Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
"Vampire” — Daniel Nigro & Olivia Rodrigo, songwriters (Oliva Rodrigo)
"What Was I Made For?" (From the Motion Picture "Barbie") — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
Best New Artist:
Coco Jones
Gracie Abrams
Fred Again..
Ice Spice
Jelly Roll
Noah Kahan
Victoria Monét
The War and Treaty
Best Pop Vocal Album:
"Chemistry" - Kelly Clarkson
"Endless Summer Vacation" - Miley Cyrus
"Guts"- Olivia Rodrigo
"- (Subtract)" - Ed Sheeran
"Midnights" - Taylor Swift
Best Pop Solo Performance:
"Flowers" - Miley Cyrus
"Paint the Town Red" - Doja Cat
"What Was I Made For?" - Billie Eilish
"Vampire" - Olivia Rodrigo
"Anti-Hero" - Taylor Swift
Best Pop Duo/Group Performance:
"Thousand Miles" Miley Cyrus featuring Brandi Carlile
"Candy Necklace" - Lana Del Rey featuring Jon Batiste
"Never Felt So Alone" - Labrinth featuring Billie Eilish
"Karma" -Taylor Swift featuring Ice Spice
"Ghost in the Machine" - SZA featuring Phoebe Bridgers
Best Traditional Pop Vocal Album:
"To Steve with Love: Liz Callaway Celebrates Sondheim" - Liz Callaway
"Pieces Of Treasure" - Rickie Lee Jones
"Bewitched" - Laufey
"Holidays Around the World" - Pentatonix
"Only The Strong Survive" - Bruce Springsteen
"Sondheim Unplugged (The NYC Sessions), Vol. 3" - Various Artists
Best Dance/Electronic Music Album:
"Playing Robots into Heaven" - James Blake
"For That Beautiful Feeling" - The Chemical Brothers
"Actual Life 3 (January 1 - September 9 2022)" - Fred Again..
"Kx5" - Kx5
"Quest For Fire" - Skrillex
Best Pop Dance Recording:
"Baby Don’t Hurt Me" - David Guetta, Anne-Marie and Coi Leray
"Miracle" - Calvin Harris featuring Ellie Goulding
"Padam Padam" Kylie Minogue
"One in a Million" - Bebe Rexha & David Guetta
"Rush" - Troye Sivan
Best Dance/Electronic Recording:
"Blackbox Life Recorder 21F" - Aphex Twin
"Loading" - James Blake
"Higher Than Ever Before" - Disclosure
"Strong" - Romy & Fred Again..
"Rumble" - Skrillex, Fred Again.. & Flowdan
Best R&B Album:
"Girls Night Out" - Babyface
"What I Didn’t Tell You (Deluxe)" - Coco Jones
"Special Occasion" - Emily King
"Jaguar II" - Victoria Monét
"Clear 2: Soft Life EP" - Summer Walker
Best R&B Performance:
"Summer Too Hot" - Chris Brown
"Back To Love" - Robert Glasper Featuring SiR & Alex Isley
"ICU" - Coco Jones
"How Does It Make You Feel" - Victoria Monét
"Kill Bill" - SZA
Best Traditional R&B Performance:
"Simple" - Babyface Featuring Coco Jones
"Lucky" - Kenyon Dixon
"Hollywood" - Victoria Monét Featuring Earth, Wind & Fire & Hazel Monét
"Good Morning" - PJ Morton Featuring Susan Carol
"Love Language" - SZA
Best Rap Album:
"Her Loss" - Drake & 21 Savage
"Michael" - Killer Mike
"Heroes & Villains" - Metro Boomin
"King's Disease III" - Nas
"Utopia" - Travis Scott
Best Rap Performance:
"The Hillbillies" - Baby Keem Featuring Kendrick Lamar
"Love Letter" - Black Thought
"Rich Flex" - Drake & 21 Savage
"Scientists & Engineers" - "Killer Mike Featuring André 3000, Future and Eryn Allen Kane
"Players" - Coi Leray
Best Melodic Rap Performance:
"Sittin' On Top of the World" - Burna Boy Featuring 21 Savage
"Attention" - Doja Cat
"Spin Bout U" - Drake & 21 Savage
"All My Life" - Lil Durk Featuring J. Cole
"Low" - SZA
Best Country Album:
"Rolling Up the Welcome Mat" - Kelsea Ballerini
"Brothers Osborne" - Brothers Osborne
"Zach Bryan" - Zach Bryan
"Rustin' In the Rain" - Tyler Childers
"Bell Bottom Country" - Lainey Wilson
Best Country Solo Performance:
"In Your Love" - Tyler Childers
"Buried" - Brandy Clark
"Fast Car" - Luke Combs
"The Last Thing on My Mind" - Dolly Parton
"White Horse" - Chris Stapleton
Best Country Duo/Group Performance:
"High Note" - Dierks Bentley Featuring Billy Strings
"Nobody's Nobody" - Brothers Osborne
"I Remember Everything" - Zach Bryan Featuring Kacey Musgraves
"Kissing Your Picture (Is So Cold)" - Vince Gill & Paul Franklin
"Save Me" - Jelly Roll with Lainey Wilson
"We Don't Fight Anymore" - Carly Pearce Featuring Chris Stapleton
Best Americana Album:
"Brandy Clark" - Brandy Clark
"The Chicago Sessions" - Rodney Crowell
"You're The One" - Rhiannon Giddens
"Weathervanes" - Jason Isbell and the 400 Unit
"The Returner" - Allison Russell
Best Rock Album:
"But Here We Are" - Foo Fighters
"Starcatcher" - Greta Van Fleet
"72 Seasons" - Metallica
"This Is Why" - Paramore
"In Times New Roman..." - Queens of The Stone Age
Best Rock Performance:
"Sculptures Of Anything Goes" - Arctic Monkeys
"More Than A Love Song" - Black Pumas
"Not Strong Enough" - Boygenius
"Rescued" - Foo Fighters
"Lux Æterna" - Metallica
Best Alternative Music Album:
"The Car" - Arctic Monkeys
"The Record" - boygenius
"Did You Know That There's a Tunnel Under Ocean Blvd" - Lana Del Rey
"Cracker Island" - Gorillaz
"I Inside The Old Year Dying" - PJ Harvey
Best Jazz Vocal Album:
"For Ella 2" - Patti Austin Featuring Gordon Goodwin's Big Phat Band
"Alive At The Village Vanguard" - Fred Hersch & Esperanza Spalding
"Lean In" - Gretchen Parlato & Lionel Loueke
"Mélusine" - Cécile McLorin Salvant
"How Love Begins" - Nicole Zuraitis
Best Jazz Instrumental Album:
"The Source" - Kenny Barron
"Phoenix" - Lakecia Benjamin
"Legacy: The Instrumental Jawn" - Adam Blackstone
"The Winds of Change" - Billy Childs
"Dream Box" - Pat Metheny
Best Latin Pop Album:
"La Cuarta Hoja" - Pablo Alborán
"Beautiful Humans, Vol. 1" - AleMor
"A Ciegas" - Paula Arenas
"La Neta" - Pedro Capó
"Don Juan" - Maluma
"X Mí (Vol. 1)" - Gaby Moreno
Best Contemporary Blues Album:
"Death Wish Blues" - Samantha Fish and Jesse Dayton
"Healing Time" - Ruthie Foster
"Live In London" - Christone "Kingfish" Ingram
"Blood Harmony" - Larkin Poe
"LaVette!" - Bettye LaVette
Best Gospel Album:
"I Love You" - Erica Campbell
"Hymns (Live)" - Tasha Cobbs Leonard
"The Maverick Way" - Maverick City Music
"My Truth" - Jonathan McReynolds
"All Things New: Live in Orlando" - Tye Tribbett
Best Global Music Album:
"Epifanías" - Susana Baca
"History" - Bokanté
"I Told Them..." - Burna Boy
"Timeless" - Davido
"This Moment" - Shakti
Best Reggae Album:
"Born For Greatness" - Buju Banton
"Simma" - Beenie Man
"Cali Roots Riddim 2023" - Collie Buddz
"No Destroyer" - Burning Spear
"Colors Of Royal" - Julian Marley & Antaeus
Best Comedy Album:
"I Wish You Would" - Trevor Noah
"I'm An Entertainer" - Wanda Sykes
"Selective Outrage" - Chris Rock
"Someone You Love" - Sarah Silverman
"What's In a Name?" - Dave Chappelle
Best Audio Book, Narration, and Storytelling Recording:
"Big Tree" - Meryl Streep
"Boldly Go: Reflections on a Life of Awe and Wonder" - William Shatner
"The Creative Act: A Way of Being" - Rick Rubin
"It's Ok to Be Angry About Capitalism" - Senator Bernie Sanders
"The Light We Carry: Overcoming in Uncertain Times" - Michelle Obama
Best Score Soundtrack for Visual Media (includes Film and Television):
"Barbie" - Mark Ronson and Andrew Wyatt, composers
"Black Panther: Wakanda Forever" - Ludwig Göransson, composer
"The Fabelmans" - John Williams, composer
"Indiana Jones and the Dial of Destiny" - John Williams, composer
"Oppenheimer" - Ludwig Göransson, composer
Best Song Written for Visual Media:
"Barbie World" (from "Barbie: The Album") - Naija Gaston, Ephrem Louis Lopez Jr. and Onika Maraj, songwriters (Nicki Minaj and Ice Spice featuring Aqua)
"Dance the Night" (from "Barbie: The Album") - Caroline Ailin, Dua Lipa, Mark Ronson and Andrew Wyatt, songwriters (Dua Lipa)
"I’m Just Ken" (from "Barbie: The Album") - Mark Ronson and Andrew Wyatt, songwriters (Ryan Gosling)
"Lift Me Up" (from “Black Panther: Wakanda Forever — Music from and Inspired By") - Ryan Coogler, Ludwig Göransson, Robyn Fenty and Temilade Openiyi, songwriters (Rihanna)
"What Was I Made For?" (from "Barbie: The Album") - Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)
Songwriter of the Year (Non-Classical):
Edgar Barrera
Jessie Jo Dillon
Shane McAnally
Theron Thomas
Justin Tranter
Producer of the Year (Non-Classical):
Jack Antonoff
Dernst "D’Mile" Emile II
Hit Boy
Metro Boomin
Daniel Nigro
This year’s Rock & Roll Hall of Fame inductees are another impressive selection of musicians: British pop-art visionary, Kate Bush, country-rock singer/songwriter, Sheryl Crow, groundbreaking hip-hop artist, Missy Elliott, the late pop superstar, George Michael, country music legend, Willie Nelson, alt-rockers, Rage Against the Machine, and classic r&b group, the Spinners. And while many of these artists may not fall under what some might consider traditional rock, this year the Hall's mission statement has been altered to define rock and roll more generally as a spirit that is inclusive and ever-changing that celebrates the sound of youth culture.
The legendary soul vocalist, Chaka Khan; songwriter and musician behind organizing the rock band, Blood, Sweat & Tears, Al Kooper, and the songwriter best known for his work with Elton John, Bernie Taupin will be acknowledged with the Musical Excellence Award for their "dramatic impact on music". And Don Cornelius, the creator behind the innovative television program that put a spotlight on African American musical artists with "Soul Train", will receive the Ahmet Ertegun Award.
The thirty-eighth annual induction ceremony was held this year on November 3rd at the Barclays Center in Brooklyn. For the first time, the event was streamed live on Disney+ and now available to view on Disney+ on-demand. An edited version of the ceremony will also air on ABC this New Year's Day.
KATE BUSH
With the staggering recent success of the re-release of her 1985 hit, "Running Up That Hill" (thanks to its use on the Netflix series, "Stranger Things"), this resurgence helped put the British singer/songwriter, Kate Bush back on the radar of the Rock & Roll Hall and finally getting her inducted. Bush had taught herself how to play the piano as a young child before eventually writing her own music and lyrics. At sixteen, she began recording demos of her material and sent them out to several record labels, but none were interested. However, David Gilmour of the rock band, Pink Floyd got his hands on her work, helped get more polished demos made and sending them to EMI Records who would sign her. Moody, dark and eclectic, Bush crafted songs over nine albums that have an unusually distinctive sound that remains unlike what any other artist could possibly imagine. And while she has largely stepped away from public life and her professional career, Bush still inspires and influences listeners with her visionary music.
SHERYL CROW
Born and raised in Kennett, MO, Sheryl Crow began her career in music as an elementary school music teacher. But after hours, she was performing with several local bands and singing on advertising jingles. Crow's first big break came in 1987 when she was hired as a backing vocalist for Michael Jackson's Bad Tour, staying on the road with him for three years. This led to more work for Crow, performing background singing for several established artists but Crow was still determined to make her own music. After getting signed to A&M Records, Crow recorded an album and was on the verge of releasing it when she and the label mutually decided the record just didn't best represent her as an artist. Crow set out again to record her debut, working with a loose group of musicians who called themselves, "Tuesday Music Club" that helped her put together the album. "Tuesday Night Music Club" was released in 1993 and the single, "All I Wanna Do" would break out as a big hit with "Leaving Las Vegas" and "Strong Enough" following. This led Crow to become a major player with the album selling more than seven million copies and winning her three Grammys including Record of the Year. Crow has continued to make memorable music over the years, with her twelfth studio album, "Evolution" due out early next year.
MISSY ELLIOTT
Missy "Misdemeanor" Elliott has become the first female rapper to be inducted into the Rock & Roll Hall and it goes without saying that this honor is long overdue. Enduring a tough and traumatic childhood in Virginia, Elliott managed to remain good natured, outgoing and loved to perform. Her first opportunity in music came when she was a part of an all-female r&b act called Sista in 1991. She recruited her neighborhood friend, Timothy Mosley (who would later be known as "Timbaland") to serve as the group's producer. Sista's debut, "4 All the Sistas Around da World" failed to make an impression and Elliott would move behind the scenes, writing and producing with Timbaland for other artists like Jodeci, SWV, 702, and the late, Aaliyah. Elliott soon began making featured appearances rapping on several tracks for various artists and signed a deal in 1996 to create her own imprint music label, The Goldmind Inc. With Timbaland on board, Elliott released her debut album, "Super Dupa Fly" with the lead single, "The Rain" becoming a major hit, enhanced by her playful, groundbreaking Afro-futuristic music video directed by "Hype" Williams. And while Elliott was enjoying wild success as a performer, she continued to write and produce for other top musicians, creating hits for Whitney Houston, Monica, Keyshia Cole, Jazmine Sullivan, Mariah Carey and Janet Jackson.
GEORGE MICHAEL
He was first a part of the wildly popular British boy-band duo, Wham! but after going solo, George Michael became even more famous yet also gained further respect as an artist of introspective pop music. Michael's 1987 debut album, "Faith" had five top-ten singles and would go on to sell well over twenty-five million copies worldwide and win the Grammy Award for Album of The Year. Yet all of this success took a toll on Michael, causing him to want to retreat from the intense pressure of the business and simply just wanted to make music. With his 1990 follow-up album, "Listen Without Prejudice Vol. 1", he refused to do interviews, live performances, music videos or even have his image on the cover. The album sold well but not nearly as well as "Faith" which created friction between Michael and his record label, Sony. A lawsuit followed in 1992 with Michael wanting to end his contract. And although he lost, Sony sold his contract to Virgin Records and Michael went on to create more mature works Like "Older", the 1999 covers album, "Songs from the Last Century" and "Patience". After an unfortunate incident in a public men's restroom in 1998, Michael was forced out of the closet yet proudly embraced his queer identity. Sadly, Michael passed away from heart disease on Christmas Day in 2016.
WILLIE NELSON
At the incredible age of ninety, Willie Nelson is still on the road bringing country music to audiences across the globe. The Texas native was first a DJ for several radio stations and an aspiring singer/songwriter before heading to Nashville to try his luck breaking into the music business. Nelson would sign a publishing contract, writing several songs made popular by other artists (most famously, "Crazy" by Patsy Cline), and joined Ray Price's band as a bass guitar player before recording his debut album, " ...And Then I Wrote" in 1962. He had a few more successful albums but grew tired of the controlling Nashville establishment and headed back to Texas ten years later. While living in Austin, this was when Nelson moved towards what became known as "outlaw country", a more progressive form of country music, which brought him even greater fame. By the 1980's, Nelson found pop crossover success with the songs, "On the Road Again" and "To All the Girls I've Loved Before" and began to experiment with other genres of music like jazz, blues and reggae. He ventured into acting, appearing in films and television, and has long been a vocal advocate for the legalization of marijuana in the US.
RAGE AGAINST THE MACHINE
Formed in 1991, Rage Against the Machine is a rock band of extreme contrasts; thrashing together sounds of punk, heavy metal and rap while crafting songs that are politically motivated on activism and socialist views. The LA based band, consisting of vocalist, Zack de la Rocha, bassist, Tim Commerford, guitarist, Tom Morello, and drummer, Brad Wilk, released their self-titled debut in 1992 which received critical and commercial success. There was tension and conflicts during the recording of their follow-up (with rumors of the band breaking up) and "Evil Empire" was finally released four years later. The album entered the Billboard Hot 200 chart at number one and went on to sell over three million copies, taking RATM to the next level. Two more albums were released before de la Rocha left the band over the relentless internal battles and Rage Against the Machine would come to an end in 2000. But RATM would reunite at Coachella seven years later, begin a tour that lasted for a couple of years before disbanding again and reuniting nine years later, wouldn't actually hit the stage together until 2022 due to the pandemic and had to postpone a world tour over de la Rocha's leg injury.
THE SPINNERS
The Spinners were a r&b vocal group formed in Ferndale, MI., a suburb outside of Detroit, in 1954. With original members, Billy Henderson, Henry Fambrough, Pervis Jackson, C. P. Spencer and Bobby Smith, the group had their first charting single, "That's What Girls Are Made For" in 1961. The Spinners joined Motown Records two years later but initially only found modest success there. It would not be until 1970 when the Spinners had their first major hit with "It's a Shame", co-written and produced by Stevie Wonder. Aretha Franklin encouraged the group to join her label, Atlantic Records when their contract was up and that's when their fortunes shifted considerably. The Spinners would enjoy a string of very popular singles which included "I'll Be Around", "Could It Be I'm Falling in Love", "One of a Kind (Love Affair)", "They Just Can't Stop It (Games People Play)", "The Rubberband Man" and "Then Came You" a duet with Dionne Warwick which reached the top of the pop charts. Egos and conflicts grew between members of the group by 1977, causing singers to leave and new vocalists to take their place. They still managed to have a couple of more hits in 1980 with "Working My Way Back to You" and "Cupid". The Spinners still continue to tour to this day, remaining a popular draw on the nostalgia concert circuit.
Being touted as "the final song by The Beatles", "Now and Then" effectively brings an end to the sounds of the Fab Four, the British rock band from Liverpool that helped shift the culture in the '60's and has continued to be highly influential long after they came to an end in 1970. And the story behind the creation of this track is as fascinating as the idea that the Beatles are together for one last time.
It all began when John Lennon's widow, Yoko Ono gave the three surviving members of the group, Paul McCartney, George Harrison and Ringo Starr, four unfinished demos by Lennon for an anthology project they were working on. After rejecting one track as unsalvageable, they went to work on "Free as a Bird", "Real Love" and "Now and Then". With Jeff Lynne of Electric Light Orchestra, who had worked with Harrison on their side project, The Traveling Wilburys and Harrison's 1987 comeback album, "Cloud Nine", on board to contribute, "Free as a Bird" was completed in 1995 and "Real Love" was released the following year. But work on "Now and Then" ended not long after when Harrison decided there just wasn't enough there on the track and not worthwhile to devote any more time on.
However, McCartney strongly disagreed and wanted to finish "Now and Then". After Harrison's passing in 2001, McCartney no longer had a dissenter in the band to stand in the way, yet the song still proved to be extremely complicated to complete. That changed last year when technology helped overcome some of these obstacles. Filmmaker Peter Jackson's team had developed a way to isolate specific sounds on an audio track in order to clean up a muddied recording. McCartney along with Giles Martin, son of the Beatles' legendary producer, George, went to work arranging the track with Starr's original drums, McCartney providing an accompanying vocal with Lennon and playing all other instruments while merging elements of Lennon's piano and Harrison's rhythm guitar.
As for the completed song? While it's certainly wonderful to once again have something "new" from this classic band, "Now and Then" simply lacks a vitality that makes this ballad still feel like a work in progress. I certainly understand the attraction that made McCartney want to attempt to finish this song, with a lovely melody and Lennon's wistful lyrics but without the rest of the band available to offer contributions, "Now and Then" continues to leave an impression as a possibility of what could have been. The music video for "Now and Then" reflects the sentiment of the song, featuring the current McCartney and Starr merged seamlessly with past images of Lennon and Harrison and them all together as a band. This final collaboration from one of the world's most popular musical acts is absolutely thrilling in concept yet remains slightly disappointing in execution.
And here are the previous two tracks released by The Beatles:
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