BILLY STEINBERG (1950 - 2026)

Billy Steinberg, the incredibly prolific songwriter who was behind many of the most popular songs throughout the 1980's and 1990's, has passed away on February 16th at the age of seventy-five. With his with longtime songwriting partner, Tom Kelly, together wrote or co-wrote with other artists the songs, "Like a Virgin" by Madonna, "True Colors" by Cyndi Lauper, "So Emotional" by Whitney Houston, "I Touch Myself" by Divinyls and "I'll Stand by You" by The Pretenders to name just a few.

Born in Palm Springs and raised in Fresno, Steinberg formed a band called, Billy Thermal and they were signed to Richard Perry's Planet Records. The band's actual breakthrough came only when their songs that Steinberg wrote were covered by other artists like Linda Ronstadt who did her version of "How Do I Make You", the lead single form her 1980, "Mad Love" album and Pat Benatar recorded "I'm Gonna Follow You" for her 1980 album, "Crimes of Passion". After the band broke-up, Steinberg soon moved behind the scenes, working with Benatar the following year on her next album and writing the title track, "Precious Time" and teaming with Kelly to co-write another track, "Fire and Ice". This lead to Steinberg and Kelly being suggested to work with Madonna, a rising artist who was working on her follow-up album to her self-titled debut. "Like a Virgin" would be the lead single and title of that album, reaching number one in 1984 on the US pop chart for six weeks.

This helped this newly formed songwriting team become very in demand and other popular songs Steinberg and Kelly wrote include "Alone" (recorded by Heart), "Eternal Flame", "In My Room" (both co-written with Susanna Hoffs and recorded by the Bangles) and "I Drove All Night" (recorded by Cyndi Lauper, Roy Orbison and Celine Dion). By the mid-1990s, Kelly had lost enthusiasm for songwriting, leaving the business. But Steinberg continued on with his career, going on to co-write with other musicians including Rick Nowels, Marie-Claire D'Ubaldo and Josh Alexander.

RANDOM SIGHTS + SOUNDS

The first time I had heard of Durand Bernarr was when I saw the clip of him racing to the stage during this year's Grammys to accept the award for Best Progressive R&B Album and delivering a humorously exuberant speech of joyous gratitude. But I must shamefully admit that I had not heard of Bernarr's album, "Bloom" which won him the prize. So I immediately set about listening to his record and now understand completely why he was the recipient of this honor.  

The Cleveland, Ohio native was surrounded by music, raised by parents who were involved in the business with his mother being a music teacher and vocal coach and his father was an audio engineer. After learning production by working with his father, Bernarr began his professional career posting videos on YouTube and released a mixtape that featured his versions of popular songs of the day in 2009. Another mixtape that was covers of Erykah Badu songs lead to him working with her as a backing vocalist. Bernarr went on to record some EPs and collaborate with various other artists as a featured vocalist or providing background vocals. He received attention with "Wanderlust" in 2022 and "En Route" was Grammy nominated for Best Progressive R&B Album in 2024. Openly queer, Bernarr is an artist to watch who is boldly pushing r&b in exciting new directions.





Taylor Swift has released the music video for her single, "Opalite" which came together following her appearance on the British chat program, "The Graham Norton Show" and features the guests that was on her episode; Karyn White has finally returned to music with "You Gonna Want Me Back" that has the r&b vocalist, who made a splash with her self-titled debut back in 1988, delivering a fresh, midtempo groove; No Na is an Indonesian girl group that is receiving attention on this side of the world thanks to their latest single, "Work" and their energetic music video.

Another artist I slept on was Rochelle Jordan and her third studio album, "Through The Wall" released last year. This collection is an explosive mix of funky progressive soul and sleek electronic sounds that will leave you exhilarated as you are dancing through the night. Born in London and raised in Toronto, Jordan has been creating music since 2012, releasing her debut album, "1021" two years later which featured fairly traditional r&b. But it wouldn't be until almost seven years later when she would return with her follow-up, "Play with the Changes" which was due to some health issues and a battle with her former label over her artistic expression. With this album, Jordan was able to experiment further with underground dance and house, finding that she was in her element. A performer who is not sonically aggressive, Jordan prefers to keep her luxurious beats smooth and steady to help elevate the dance floor.

And I will close by paying tribute to Chuck Negron, one of the vocalists of the pop-rock group, Three Dog Night, who passed away on February 2nd at the age of eighty-three. Born and raised in New York, Negron (whose father was nightclub performer, Charles Negron) sang in local vocal groups as a teen. He headed to Los Angeles after being recruited to play basketball at CAL State. His interests soon returned to music and in 1967, Negron, along with fellow singers, Cory Wells and Danny Hutton came together to form a musical group called Redwood, They were briefly signed to the Beach Boys' imprint record label, Brother Records. But during recording sessions, Brian Wilson was producing their demos and not happy with their sound. The rest of the Beach Boys soon wanted him to concentrate on their band's next album so Redwood was dropped. Not long after, these vocalists assembled their own backing band with Ron Morgan on guitar, Floyd Sneed on drums, Joe Schermie on bass, and Jimmy Greenspoon on keyboards and became "Three Dog Night" which refers to the practice of using dogs for warmth in the outback with "three dogs" indicating a freezing night. 

Beginning with their 1968 self-titled debut album that featured their first pop hit, "One" which was a cover of Harry Nilsson's song, Three Dog Night went on to have twenty-one top-forty singles including three reaching number one. But legal battles, internal conflicts and drug abuse, the band imploded by 1976. Negron had his own struggles with serious drug addiction, even living for a period on Skid Row in Los Angeles, before seeking recovery and finally getting clean by 1991. He found his way back to music, recording four solo albums including "Negron Generations" from 2017 which featured him with two of his daughters. Here are a couple of Three Dog Night songs that Negron sang lead vocals on:

CONTROL: THE 40TH ANNIVERSARY

I can't believe that it's been forty years (February 4, 1986, to be exact) since the release of the breakthrough album by Janet Jackson, "Control". I remember like it was yesterday when the first single, "What Have You Done For Me Lately?" was dropped, a blunt feminist anthem with a funky beat that was enhanced by Jimmy Jam and Terry Lewis' progressive production. More hit songs followed (with seven of the nine album tracks released as singles) and Jackson would no longer be in the shadow of her very famous brothers as "Control" went on to become a worldwide smash, selling more than ten million copies.

As a teenager, Jackson was largely focusing on acting, appearing in the television shows, "Different Strokes" and "Fame", and not really interested in pursuing music. But her father and manager, Joseph got her a recording contract with A&M Records. Jackson went on to release two albums, a self-titled debut in 1982 and "Dream Street" two years later. Both albums were collections of bubblegum soul that received scant attention and failed to give Jackson, who had very little creative control, much of an identity as a musical artist. 

After deciding to take charge of her career, the then nineteen year old first fired her father and then hired her label's A&R manager, John McClain to help guide her into the next phase. He introduced her to Jam and Lewis, who were former members of the funk band, The Time. The trio clicked and went to work together to create her next album with Jackson even co-writing and producing for the first time.

"Control" was made intentionally to appeal primarily to the African-American community with the feeling that if it crossed over to the pop charts, that would be an added bonus. And the album did have a major impact on both the r&b and pop charts. This was also during MTV and the age of the music video which helped bring even more attention to the singles, "Nasty", "When I Think of You", "Let's Wait Awhile" "The Pleasure Principle" and the title track, assisting them in riding high on the charts.

This album has since gone on to become a highly influential and groundbreaking collection, helping to usher in the sounds of contemporary hip-hop soul with Jackson now considered to be one of the preeminent female artists of popular music. Here is a reminder of the enduring legacy of "Control" and the extraordinary artistry of Janet Jackson:

THE 68TH ANNUAL GRAMMY AWARDS

Last year, the focus was on the fires that devastated Los Angeles and this year during the ceremony of the 68th annual Grammy Awards, was the current administration’s immigration crackdown that has recently turned tragically deadly. "ICE OUT" pins were worn by many in attendance and several artists made subtle yet passionate comments during their acceptance speeches including Billie Eilish who accurately proclaimed that "No one is illegal on stolen land".

For his sixth and final time as host, Trevor Noah largely continued to focus on playfully teasing the starry audience, rattling off Grammy statistics and rousing the crowd to give a performer or winner another round of applause. One notable change is that Noah, no longer feeling constrained with concern about his future on the show, delivered more pointed political jokes with one reference to Trump and the Epstein files which has sent the President into a litigious tizzy.

As always, the Grammys ceremony is less about handing out awards and more about the performances that you won't see anywhere else. And this show did not disappoint. Bruno Mars kicked off the show with a guitar-driven version of "APT", his duet with K-pop star, Rosé before returning later his band, the Hooligans to perform his new single, "I Just Might". Justin Bieber delivered a literally stripped down performance of "Yukon" from his nominated album, "Swag" in just his underwear and socks. Sabrina Carpenter reliably brought her campy style to the show with an airport setting for her performance of "Manchild" while Lady Gaga went darker for a manic version of "Abracadabra". And just like last year, all of the eight nominees for Best New Artist were given a spotlight to perform on the telecast with some (Lola Young, Leon Thomas and the eventual winner, Olivia Dean) faring better than others (Addison Rae, Katseye and Sombr).

But the highlight of the evening turned out to be a lengthy, "In Memoriam" musical tribute. It began with a lovely rendition of "Trailblazer" by country music legend, Reba McEntire, accompanied by Brandy Clark and Lukas Nelson, shockingly making her very first appearance on the Grammy stage. Then an all-star rock line-up that included Post Malone, Slash and Duff McKagan from Guns N' Roses, paid tribute to the late heavy metal artist, Ozzy Osbourne by blasting through with a rousing version of Black Sabbath's, "War Pigs". The set concluded with Ms. Lauryn Hill, who had not appeared on the show since 1999, leading a memorable tribute to D'Angelo and Roberta Flack that was incredibly packed with an impressive group of performers that featured Raphael Saadiq, Anthony Hamilton, Leon Thomas, Jon Batiste, Lalah Hathaway, John Legend, Chaka Khan and Wyclef Jean, who reunited with his former Fugees bandmate on stage to close with Flack's "Killing Me Softly With His Song".

While he was unable to perform due to his contractual commitment for his upcoming half-time show on the Super Bowl, Bad Bunny still made a major impact on the show with him winning Album of the Year for "Debí Tirar Más Fotos", becoming the first winner with a Spanish-language recording. The thirty-one performer also won two more awards for Best Música Urbana Album and Best Global Performance. Kendrick Lamar also scored big by winning five of his nine nominations which included Record of the Year for his musical tribute to the late Luther Vandross that featured SZA. Cher, a recipient of a Grammy Lifetime Achievement Award this year, made an appearance to present Record of the Year. While it ended up being a bit of a mess with missed cues and the winners unable to decide who would speak, this iconic legend looked incredible and contributed to an unforgettable night. And Billie Eilish along with her brother, Finneas made history by becoming the first artists to win Song of the Year three times.

This is the final year the Grammys will air on CBS after fifty-four years of broadcasting the ceremony. The show will begin a ten-year deal on ABC, Hulu and Disney+ starting next year and taking it through to 2036. Time will tell if this will just be a continuation of the show's traditions or begin an exciting new chapter for the Grammys.

Here is a partial list of winners of the 68th Annual Grammy Awards:

Album of the Year: "Debí Tirar Más Fotos" - Bad Bunny
Record of the Year: "Luther" - Kendrick Lamar with SZA
Song of the Year: "Wildflower" - Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)
Best New Artist: Olivia Dean
Best Pop Vocal Album: "Mayhem" - Lady Gaga
Best Traditional Pop Vocal Album: "A Matter of Time" - Laufey
Best Pop Solo Performance: "Messy" - Lola Young
Best Pop Duo/Group Performance: "Defying Gravity" - Cynthia Erivo and Ariana Grande
Best Dance/Electronic Album: "Eusexua" - FKA twigs
Best Dance/Electronic Recording: "End of Summer" - Tame Impala
Best Dance Pop Recording: "Abracadabra" - Lady Gaga
Best Remixed Recording: "Abracadabra (Gesaffelstein Remix)" - Gesaffelstein, remixer (Lady Gaga, Gesaffelstein)
Best Rock Album: "Never Enough" - Turnstile
Best Rock Performance: "Changes (Live From Villa Park) Back to the Beginning" - Yungblud featuring Nuno Bettencourt, Frank Bello, Adam Wakeman and II
Best Rock Song: "As Alive as You Need Me to Be" - Trent Reznor and Atticus Ross, songwriters (Nine Inch Nails)
Best Alternative Music Album: "Songs of a Lost World" - The Cure
Best Alternative Music Performance: "Alone" - The Cure
Best R&B Album: "Mutt" - Leon Thomas
Best Progressive R&B Album: "Bloom" - Durand Bernarr
Best R&B Performance: "Folded" - Kehlani
Best Traditional R&B Performance: "Vibes Don’t Lie" - Leon Thomas
Best R&B Song:"Folded" - Darius Dixson, Andre Harris, Kehlani Parrish, Donovan Knight, Don Mills, Khris Riddick-Tynes and Dawit Kamal Wilson, songwriters (Kehlani)
Best Rap Album: "GNX" - Kendrick Lamar
Best Rap Performance: "Chains & Whips" - Clipse, Pusha T and Malice featuring Kendrick Lamar and Pharrell Williams
Best Rap Song: "TV Off" - Jack Antonoff, Larry Jayy, Kendrick Lamar, Dijon McFarlane, Sean Momberger, Mark Anthony Spears and Kamasi Washington, songwriters (Kendrick Lamar featuring Lefty Gunplay)
Best Traditional Country Album: "Ain’t in It for My Health" - Zach Top
Best Contemporary Country Album: "Beautifully Broken" - Jelly Roll
Best Country Solo Performance: "Bad as I Used to Be (from "F1: The Movie")" - Chris Stapleton
Best Country Duo/Group Performance: "Amen" - Shaboozey and Jelly Roll
Best Country Song: "Bitin’ List" - Tyler Childers, songwriter (Tyler Childers)
Best Americana Album: "Big Money" - Jon Batiste
Best American Roots Performance: "Beautiful Strangers" - Mavis Staples
Best Americana Performance: "Godspeed" - Mavis Staples
Best Folk Album: "Wild and Clear and Blue" - I’m With Her
Best Jazz Vocal Album: "Portrait" - Samara Joy
Best Jazz Instrumental Album: "Southern Nights" - Sullivan Fortner featuring Peter Washington and Marcus Gilmore
Best Alternative Jazz Album: "Live-Action" - Nate Smith
Best Jazz Performance: "Windows — Live" - Chick Corea, Christian McBride and Brian Blade
Best Traditional Blues Album: "Ain’t Done With the Blues" - Buddy Guy
Best Contemporary Blues Album: "Preacher Kids" - Robert Randolph
Best Gospel Album: "Heart of Mine" - Darrel Walls and PJ Morton
Best Latin Pop Album: "Cancionera" - Natalia Lafourcade
Best Tropical Latin Album: "Raíces" - Gloria Estefan
Best Reggae Album: "Blxxd & Fyah" - Keznamdi
Best African Music Performance: "Push 2 Start" - Tyla
Best Musical Theater Album: "Buena Vista Social Club" - Marco Paguia, Dean Sharenow and David Yazbek, producers (Original Broadway Cast)
Best Comedy Album: "Your Friend, Nate Bargatze" - Nate Bargatze
Best Audio Book, Narration and Storytelling Recording: "Meditations: The Reflections of His Holiness the Dalai Lama" - Dalai Lama
Best Compilation Soundtrack for Visual Media: "Sinners" (Various Artists); Ryan Coogler, Ludwig Göransson and Serena Göransson, compilation producers; Niki Sherrod, music supervisor
Best Score Soundtrack for Visual Media (Includes Film and Television): "Sinners" - Ludwig Göransson, composer
Best Song Written for Visual Media: "Golden" from "KPop Demon Hunters" - Ejae, Park Hong Jun, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Mark Sonnenblick, songwriters (Huntr/x: Ejae, Audrey Nuna, Rei Ami)
Best Music Video: "Anxiety" - Doechii
Best Music Film: "Music by John Williams" - John Williams
Best Album Cover: "Chromakopia" - Shaun Llewellyn and Luis “Panch” Perez, art directors (Tyler, the Creator)
Songwriter of the Year (Non-Classical): Amy Allen
Producer of the Year (Non-Classical): Cirkut