It is sad to report the passing of Angela Bofill, the gifted jazz and r&b vocalist/songwriter, on June 13th at the age of seventy. Bofill had suffered two strokes in 2006 and 2007, leaving her mobility and speech impaired. But through extensive physical therapy, she regained some speech and movement which allowed her to participate in "The Angela Bofill Experience" in 2011, a stage show where she recounted her life and career while singers, Phil Perry and Melba Moore performed many of Bofill's beloved songs.
The Cuban-Puerto Rican singer began her professional career after meeting Dave Grusin and Larry Rosen, both musicians, producers and owners of the jazz label, GRP Records. They produced her 1978 debut, "Angie" which properly put on display her incredible vocal prowess as well as her songwriting abilities where she wrote four of the eight tracks. The single, "This Time I'll Be Sweeter" became Bofill's first hit, reaching number twenty-three on the Billboard Hot R&B chart. Her follow-up album, "Angel of the Night" became an even bigger success, reaching the top-ten on the jazz and r&b charts as well as cracking the top-forty on the pop album chart.
Bofill moved over to Clive Davis' label, Arista Records in 1981 with an agenda to help her gain more crossover appeal. She recorded a total of five studio albums over five years during her time with Arista, which featured more dance-pop and soul. While Bofill continued to achieve moderate success on the r&b chart, she was unable to become a considerable presence on the pop chart.
After taking some time off to raise her daughter, Shauna, Bofill returned to music in 1988, releasing "Intuition" on a new label, Capitol Records and getting back to her musical roots of jazz and blues. Her final studio album was "Love in Slow Motion", released in 1996.
Lady Gaga had released her sixth studio album, "Chromatica" in May 2020, which also happened to be right in the middle of a worldwide pandemic. At the time, it didn't seem like a great plan since she was unable to properly promote or tour for the album. But this record proved to be very helpful during this stressful period of time, offering pulsating dance grooves with the song lyrics providing some much needed themes of unshakable optimism and a pursuit of healing. Gaga was finally able to hit the road two years later with the Chromatica Ball, a twenty-date, all-stadium concert tour that took her across the globe.
Now "Gaga Chromatica Ball", the concert recorded during the stop in Los Angeles at Dodger Stadium, has premiered on HBO and MAX on May 25th. This filmed live show covers the entire two hour concert with visual interludes directed by Nick Knight. I have to say I'm surprised that "Chromatica Ball" bypassed the possibility of a theatrical release, especially since Gaga has just of a rabid fan base like Swift and Beyoncé who I'm certain would have turned out to pay to see this performance on the big screen. Anyway at the end of the program, there is a plug announcing that new music from Gaga is on the way.
CYNDI LAUPER
With her thrift store attire and neon colored hair with one side of her scalp shaved off, most people didn't know what to make of Cyndi Lauper when she first appeared in the music scene. But once she revealed that formidable voice with her 1983 debut album, "Girls Just want To Have Fun", Lauper would become greatly admired for her style and talent.
Since the success of the dance-punk title track (which has since gone on to become a girl-power anthem) and the follow-up single, "Time After Time", a moving ballad that became her first number one hit, Lauper has continued to astonish with not only her music but even some acting appearances, winning an Emmy Award for Outstanding Guest Actress In A Comedy Series in 1995 and a Tony Award for writing the original score for the musical, "Kinky Boots".
The now seventy year old artist is the focus of a new documentary, "Let the Canary Sing" from filmmaker, Alison Ellwood that began airing on Paramount+ on June 4th. The film explores her emerging from a scrappy New York performer to a quirky pop music star to an outspoken activist who has been a long-time ally to the LGBTQ+ communities, aggressively pushing for greater inclusion and acceptance.
Lauper has just announced she's about to embark on The Girls Just Wanna Have Fun Farewell Tour to begin this fall, stating she wanted to properly thank her fans for sticking by her all these years while still in good shape.
KYLIE MINOGUE
Kylie Minogue has been a major worldwide pop star since the late '80's who has gone on to sell well over eighty million records. But it's taken until last year with her dance hit, "Padam Padam" for Minogue to be truly appreciated here in the US with the Australian singer winning her first Grammy Award for the song. To help celebrate Pride month, you will be able to catch the live concert special, "An Audience With Kylie" on Hulu beginning on June 5th. This show was performed at the legendary Royal Albert Hall in London back in December, with an audience that included some star-studded attendees, where she performed her greatest hits and songs from her latest album, "Tension". Here is a clip of Minogue performing live from the program one of my all-time favorites from her, "Love At First Sight".
And Minogue is also featured on the just released single from the masked country artist, Orville Peck. Slightly changing musical directions, Peck has also brought in dance music DJ, Diplo on the track, "Midnight Ride" a dance song that still has some twang, which will be featured on his upcoming duets album, "Stampede". The single made it's premiere live by Peck and Minogue during her set at Outloud Festival at WeHo Pride last weekend.
I can't believe it's been forty years since the release of Bronski Beat's "Smalltown Boy", a distressing lament of a young man looking back on having to leave home because he's gay. This openly queer British band named after keyboard player, Steve Bronski also featured Larry Steinbachek on percussion and vocalist, Jimmy Sommerville released this 1984 single at a time when gay themes were beginning to appear in mainstream music and films although largely in Europe as the US was still many years behind seriously engaging in such discourse in pop culture. In between their songs of heartbreak, Bronski Beat also offered some much needed queer pride and political defiance to the music scene.
When I first heard "Smalltown Boy", I was shocked and ecstatic to hear something I could connect with expressed so vividly and direct. While I personally didn't have this experience, I could fully understand and actually knew people who were having to go through this trauma. And while we have made some great advances since this song's release, sadly "Smalltown Boy" still resonates with gay people who feel forced to leave their homes in order to be their authentic selves.
Their first album, "The Age of Consent" (which also featured another hit, "Why?") was their only album together with Sommerville leaving in 1985 to join another band, The Communards before going on to have a solo career. But Bronski Beat continued on with a couple of new lead singers over the years and a popular 1985 dance track, "Hit That Perfect Beat" before coming to an official end in 2018. Here are Bronski Beat's first two singles, with both reaching the top ten on the UK pop chart:
To celebrate Pride month, here is some new music by gay musicians: Adam Lambert has a sexy new single, "Lube" from his upcoming EP which will feature an exploration of queer sexuality and liberation as well as providing vocals to a special dance track from Vincint, "Another Lover" that will appear on his upcoming EP; an up-and-coming artist, Benjamin Elgar with his new single, "Shameless"; Ben Platt, who first found fame on the Broadway stage with his Tony Award winning role in "Dear Evan Hansen", has released his third studio album, "Honeymind" with the romantic video for the single, "Cherry on Top" features his fiancé, fellow actor, Noah Galvin And "A New Bohemia", the third single from Pet Shop Boys' latest album, "Nonetheless" which is a lovely ballad with the video directed by filmmaker, Andrew Haigh ("Weekend", "All of Us Strangers") and features actor, Russell Tovey:
And a new biopic, "Back to Black" is out in theaters now on the brief yet tumultuous life and career of the electrifying British vocalist, Amy Winehouse. Named after her breakthrough, international hit 2006 album and directed by Sam Taylor-Johnson, the film tends to fall into the standard beats of a contemporary cinematic biography yet it remains thoroughly entertaining with star, Marisa Abela convincingly portraying the complicated pop singer. But in the film, I discovered why Winehouse's 2003 debut album, "Frank" never reached these shores until after her follow-up became a mega success including winning the Grammy Award for Album of the Year.
While "Frank" had generated interest and awards in Britain and throughout Europe, the label still didn't feel it was just enough to warrant an expanded release, leaving Winehouse pissed and frustrated. Having loved "Black", I quickly got my hands on the album (which the title is indeed a reference to Sinatra who was one of Winehouse's early musical influences) as soon as I could, really enjoying it's singular blend of jazz, neo-soul and hip-hop. Yet I do tend to agree that the overall album was not nearly as cohesive and persuasive as "Back to Black". There are definitely some standout tracks with my favorites being "Stronger Than Me" and "Fuck Me Pumps":
On April 16th, The National Recording Registry selected the latest twenty-five sound recordings to be inducted to highlight what it calls "the range and diversity of the American recorded sound heritage". The Registry is an extension of the passage by Congress in 2000 of the National Recording Preservation Act. Since 2002, the Library of Congress oversees the selection of 25 recordings, which must be at least 10 years old at the time of induction, and deemed "culturally, historically or aesthetically significant". This latest group brings the total number of recordings in the registry to 650.
Some of the recordings selected include the debut album by the new-wave rock band, The Cars; "Chances Are", the second single by easy listening crooner, Johnny Mathis to sell over a million copies; the punk-rock group, Blondie's breakthrough album, "Parallel Lines" that features the disco tune, "Heart of Glass"; "Ain't No Sunshine", Bill Withers' soul-folk song that became his first major hit; "Arrival", the fourth album by the Swedish pop quartet,ABBA that contains their international smash, "Dancing Queen"; Patti Page's popular pop version of the country song, "Tennessee Waltz"; "Ready To Die", the semi-autobiographical debut studio album from the late hip-hop artist, The Notorious B.I.G.; the crossover pop hit, "Don't Worry, Be Happy" by jazz performer, Bobby McFerrin; "This Is a Recording", Lily Tomlin's first comedy album that won her a Grammy Award and the holiday classic about that reindeer with the shiny red nose originally recorded by Gene Autry, "Rudolph, the Red-Nosed Reindeer".
Here is the complete list of the twenty-five selections entered into the 2024 Recording Registry:
"Clarinet Marmalade" – Lt. James Reese Europe’s 369th U.S. Infantry Band (1919)
"Kauhavan Polkka" – Viola Turpeinen and John Rosendahl (1928)
Wisconsin Folksong Collection (1937-1946)
"Rose Room" – Benny Goodman Sextet with Charlie Christian (1939)
"Rudolph, the Red-Nosed Reindeer" – Gene Autry (1949)
"Tennessee Waltz" – Patti Page (1950)
"Rocket ‘88’" – Jackie Brenston and His Delta Cats (1951)
"Catch a Falling Star" / "Magic Moments" – Perry Como (1957)
"Chances Are" – Johnny Mathis (1957)
"The Sidewinder" – Lee Morgan (1964)
"Surrealistic Pillow" – Jefferson Airplane (1967)
"Ain’t No Sunshine" – Bill Withers (1971)
"This is a Recording" – Lily Tomlin (1971)
"J.D. Crowe & the New South" – J.D. Crowe & the New South (1975)
"Arrival" – ABBA (1976)
"El Cantante" – Héctor Lavoe (1978)
"The Cars" – The Cars (1978)
"Parallel Lines" – Blondie (1978)
"La-Di-Da-Di" – Doug E. Fresh and Slick Rick (MC Ricky D) (1985)
"Don’t Worry, Be Happy"– Bobby McFerrin (1988)
"Amor Eterno" – Juan Gabriel (1990)
"Pieces of Africa" – Kronos Quartet (1992)
"Dookie"– Green Day (1994)
"Ready to Die" – The Notorious B.I.G. (1994)
“Wide Open Spaces” – The Dixie Chicks (1998)
Billie Eilish is back with her third studio album, "Hit Me Hard and Soft". Still working with her brother, Finneas O'Connell (with the album recorded in his home studio), Eilish has expanded her sound, diving even more deeper into her own personal experiences and desires.
No singles were released prior to the album's release on May 17th with Eilish proclaiming she doesn't like her work to be viewed out of context to the complete project. With that being said, a single has been dropped on the release date and the song, "Lunch" is certainly an eye opener from Eilish who had recently come out as bisexual. In this guitar-driven dance track, she details her lust for a woman by making a comparison to wanting to eat her like a noon-time meal.
Here are few more songs from the album I like and Eilish will be hitting the road with the Hit Me Hard and Soft World Tour with a start this fall in Canada.
There was unfortunately plenty of controversy long before a note was sung during the 2024Eurovision Song Contest. People had begun protesting, numbering in the thousands, earlier in the week before the contest began May 7th outside the venue, Malmö Arena in host country, Sweden over Israel’s participation due to their actions in Gaza. And then during the contest, the Netherlands’ contestant, Joost Klein was disqualified and sent home, over allegations of intimidation against a production crew member were made.
But despite all of this, the show went on and there was a winner: Switzerland’sNemo won for their song "The Code". Baby Lasagna of Croatia was in second place with their song, "Rim Tim Tagi Dim" and Alyona Alyona and Jerry Heil of Ukraine with "Teresa & Maria" came in third. Thirty-seven countries participated in this year's contest, with Luxembourg competing for the first time since 1993, while Romania opted not to participate after doing so last year.
Indie pop artist, Chappell Roan is rising up the charts with her latest release, "Good Luck, Babe!", an offbeat song that challenges heteronormative societal behavior, a subject that certainly is not discussed much in pop music. The twenty-six year old Missouri native, born Kayleigh Amstutz, is a queer artist who has stated she had taken on "Chappell Roan" as her own form of a drag queen persona, finding much in common with those gifted illusionists.
Immersed in music since she was a child, a fourteen year old Roan began like many aspiring musicians do today by uploading herself performing covers on YouTube. And this did help her gain attention by record labels, signing with Atlantic Records. Roan soon began writing original songs and at nineteen released her first single, "Good Hurt", followed by an EP, "School Nights", gaining her critical praise and a small following.
This lead to Roan connecting with Dan Nigro, a producer who had worked with Sky Ferreira, Carly Rae Jepsen, Caroline Polachek and Kylie Minogue, and after signing to his label imprint, the two began working together in 2020. Their first musical creation was "Pink Pony Club", inspired by Roan's trip to the Abbey, a gay bar in West Hollywood.
This record soon brought more buzz to Roan and two year later, released her debut album, "The Rise & Fall of a Midwest Princess". This collection of quirky, dance-pop tunes found it's way on several year-end Best Album lists. While fitting comfortably into the edgy pop vibe of fellow singer/songwriters, Lorde, Charli XCX, Lana Del Rey and Olivia Rodrigo (which Nigro was also behind), Roan has her own brand of distinctive, over-the-top musical flair to offer.
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