Tuesday, October 10, 2023

STOP MAKING SENSE


In December 1983, the art-rock band, Talking Heads were on tour to promote their latest album, "Speaking in Tongues". Reuniting after a three-year hiatus to create their fifth studio record and enjoying commercial success with their first (and ultimately only) US top-ten hit with "Burning Down the House", the Heads, made up of Jerry Harrison on keyboards and guitar; Tina Weymouth on bass guitar; her husband, Chris Frantz on drums and lead vocalist and songwriter, David Bryne, decided to film their concert for a feature film. Shot over four nights at the Pantages Theatre in Hollywood and enlisting relatively new filmmaker, Jonathan Demme to direct, "Stop Making Sense" was created to highlight the band in live performance and its unique sound that merged new-wave, punk, soul and world music.

Now, almost forty years later, "Stop Making Sense" returns to theaters newly restored in 4K and in IMAX. The Heads had sadly disbanded by 1991 but all members reunited for a special screening and conversation with Spike Lee during the premiere at this year's Toronto Film Festival last month for the first time since their induction into the Rock and Roll Hall of Fame in 2002. 

Now I didn't have the opportunity to see "Stop Making Sense" when it was first released as I was a young man living in the suburbs in Michigan at the time and it did not play anywhere near me. Over the years that followed, I just never had a chance to catch this film, so I was determined to finally see it on the big screen.

And I can now say that all the praise that has been heaped upon "Stop Making Sense" as one of the greatest concert films ever made is no exaggeration. From the beginning with Bryne coming out solo with a guitar and boombox to perform "Psycho Killer" to the entire sweat-drenched band together on the final song, "Crosseyed and Painless", the film presents, at a brisk eighty-eight minutes, a wild, thrilling ride of a show that you truly do not want to see end.

With impressive backing musicians, keyboardist Bernie Worrell, Alex Weir on guitar, percussionist Steve Scales and back-up vocalists Lynn Mabry and Ednah Holt on board to help enhance their sound, Talking Heads deliver a lively, highly energetic production with unfussy yet inventive staging that effectively brings fresh vitality to the live versions of their quirky pop songs. There is even a brief moment when Weymouth and Franz's side project, Tom Tom Club get a chance to do their funky hit single from 1981, "Genius of Love" (which has been sampled to death ever since) before Bryne returns to the stage in the infamous big suit while performing "Girlfriend Is Better". Inspired by Kabuki, Bryne has later stated that the point of his wearing this oversized outfit was to make his head look smaller although I'm still not sure why he wanted to do that.

But what I do know is that the response from a new generation of viewers to "Stop Making Sense" has been quite remarkable, with people actually dancing in the aisles at some screenings. Whether you saw the film when it first came out or are a curious, young music lover, do yourself a favor and catch Talking Heads in a movie theater on the biggest screen possible.



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