Lizzo is back with a new sound and a new look. Following some unpleasant allegations and lawsuits made against her, the singer took some time away from the spotlight. But Lizzo has reemerged fully energized and in fighting shape, having recently achieved significant weight loss although she has made it clear she still continues to advocate for body positivity. And she has new music with the release of the title track off of her upcoming fifth studio album, "Love in Real Life". This rock-inspired song looks back at a time before social media when people connected face-to-face. The music video for "Love in Real Life" was influenced by 90's style and features Lizzo decked out in black leather and doing some moves with back-up dancers that Michael Jackson would envy. And the video for another song,the dance-pop track, "Still Bad" continues where the other clip ended. Lizzo will be hit the road this month for some shows in New York, LA and Minneapolis.
Here are some new songs that I'm feeling which includes "Taste", the latest from Coco Jones which samples Britney Spears' "Toxic"; Haim returns with the sisters getting funky while bemoaning "Relationships"; the Canadian singer, Tate McRae talks about her need for speed with her single, "Sports Car"; Sam Smith returns with a lovely ballad, "Love is a Stillness", rising British artist, Bishop Briggs has dropped a new single with the positivity anthem, "Woman is King" and Lil Nas X is back, embracing the pink, with a new single, "Hotbox".
Roy Ayers, a pioneer of jazz-funk whose music would be one of the most sampled in hip-hop, passed away on March 4th at the age of eight-four. The LA-born Ayers came from a family of musicians and began learning to play the vibraphone at the age of five. After playing with several bands and recording solo projects, he formed his own acid-jazz group in 1972, Roy Ayers Ubiquity, which he chose because "ubiquity" means "a state of being everywhere at the same time". Ayers worked on the soundtrack for the Pam Grier film, "Coffy" and released the 1976 album, "Everybody Loves The Sunshine" which the title track would go on to find great popularity later by being heavily sampled, with the song used at least two hundred times on various recordings. Some of his other music was also sampled and he returned the favor by performing the vibraphone as a session musician for albums of many neo-soul, jazz and hip-hop artists. During his career, Ayers would record thirty studio albums as a solo artist and with his band.
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