BURT BACHARACH (1928 - 2023)

With his musical partner, lyricist Hal David, Burt Bacharach composed some of the greatest and most enduring pop songs of the twentieth century. This gifted pianist and producer passed away on February 8th at the age of ninety-four of natural causes. While these compositions from Bacharach and David may best represent the era in which they were created during the swinging '60's, they have since gone on to become timeless classics, songs that still captivate with their offbeat rhythms and complicated arrangements yet remain extraordinarily catchy.

The New York City raised Bacharach was started on piano lessons as a child, encouraged by his creative mother. But as he got older, he became more interested in jazz than classical music. After serving in the army for two years, Bacharach went to work as a pianist and conductor for singer, Vic Damone who he has first met while they were both serving in Germany. This lead to other jobs as a pianist for other noted performers of the day, accompanying Steve Lawrence, The Ames Brothers and Joel Grey.

Bacharach's first major break came in 1956 when he was recommended to actress Marlene Dietrich who was about to begin touring with her nightclub act. As her musical arranger and conductor, they would work together on and off until the early 1960's.

After joining the songwriting factory at the Brill Building, Bacharach first met Hal David with the team writing together their first two hits; "The Story of My Life" which became a number one song on the US Country chart in 1957 for Marty Robbins and the top-five pop hit, "Magic Moments" recorded by Perry Como. Despite these early successes with David, Bacharach worked with other writers, most notably Bob Hilliard with this team's songs, "Any Day Now (My Wild Beautiful Bird)" and "Mexican Divorce" becoming charting pop hits. It was during the recording of the later song in 1962 with The Drifters that Bacharach would first meet the singer that would change the course of his career.

One of the background singers during that recording session was Dionne Warwick who stood out with her formidable vocal abilities, impressing Bacharach enough to hire her to record his demos. By 1962, Bacharach and David had officially become a songwriting team and started their own production company, signed to Scepter Records. And their first artist was Warwick who released her debut album, "Presenting Dionne Warwick" in 1963. Beginning with "Don't Make Me Over", this trio had a long string of worldwide pop hits which included "Anyone Who Had a Heart", "Walk On By", "I Say a Little Prayer", "Do You Know the Way to San Jose?", "Message to Michael", "I Just Don't Know What to Do with Myself" and "Alfie". Many of these songs were covered by other singers, most notably Cilla Black, Sandie Shaw and Dusty Springfield, who would also find success on the pop charts with their versions.

Bacharach-David also went on to write music for films ("The Look of Love" for "Casino Royale", "What's New Pussycat?" and the Oscar-winning "Raindrops Keep Fallin' on My Head" for "Butch Cassidy and the Sundance Kid") and the stage (the 1968 musical, "Promises, Promises"). Bacharach would work on his own projects during this time as well, making a name for himself and creating some visibility as a personality with several television specials, talk show appearances and released solo albums. But the recording of the score for the 1973 film musical version of "Lost Horizon", a critical and commercial disappointment, lead to the dissolution of the creative partnership between Bacharach and David with each suing the other and Warwick filing a lawsuit against them both.

Bacharach went on to find a new songwriting partner, singer/lyricist Carole Bayer Sager who would later become his third wife in 1982. Some of the songs they wrote together included "Heartlight", "Making Love", "On My Own" and "Arthur's Theme (Best That You Can Do)" (co-written with Christopher Cross and Peter Allen) which won the 1981 Oscar for Best Original Song. And "That's What Friends Are For" (originally recorded by Rod Stewart in 1982 for the soundtrack of the film, "Night Shift")  would reunite Bacharach and Warwick in 1985 with this number one song, that featured Gladys Knight, Elton John, and Stevie Wonder, was a charity single with all proceeds going for AIDS research.

After his marriage to Bayer Sager ended in 1991, Bacharach continued to work over the years with one of his most notable musical collaborations was with Elvis Costello, releasing an album together "Painted From Memory" in 1998 and later working on several tracks for Costello's 2018 album, "Look Now". One of Bacharach's last projects was in 2020 when he collaborated with multi-instrumentalist, Daniel Tashian on the EP, "Blue Umbrella".

RANDOM SIGHTS + SOUNDS

5 Star were a British pop-soul group who were largely popular in their native country during the mid 1980's. This family act began as teens, comprised of siblings Stedman, Lorraine, Denise, Doris and Delroy Pearson, that was clearly modeled after the Jackson 5 with their father, Buster Pearson, a former session musician, managing them. Although I didn't really hear their music on the radio in this country, I became familiar with 5 Star from their music videos I caught on the Canadian version of MTV, MuchMusic.

Their breakout single, "All Fall Down" reached the UK top-twenty in 1985 and that was followed by the hits, "System Addict", "Can't Wait Another Minute", "Rain or Shine", "Love Take Over" and "Let Me Be the One" which would be their biggest success in the US, peaking at number two on the Hot R&B chart. 5 Star went on to win the BRIT Award for Best British Group in 1987. But by 1989, 5 Star saw their songs failing to chart and after getting dropped by their record label, the group informally disbanded in 1995. If you are a fan or have never heard of their music, here's a small sample of the catchy songs and slick moves from 5 Star for your enjoyment:







Here are a few recent releases I'm enjoying at the moment:







I was surprised to hear a cover of "Put Your Records On", first performed by singer/songwriter, Corinne Bailey Rae back in 2006, from Ritt Momney. This Utah-based act (which is a play on the Republican Senator's name) was an indie-rock band but is now just Jack Rutter after the other members left to become Mormon missionaries. Feeling depressed while stuck in quarantine at his parents' house, Rutter decided to record Bailey's joyous hit as a way create some sense of happiness for himself. TikTok helped this unlikely cover get some attention, becoming a viral hit and eventually helped this re-imagined song chart across the globe.



And Ms Rae gave her blessing to Rutter's version of her song. Here is a bonus of Corrine Bailey Rae performing "Put Your Records On" live:



And to close this out, here are two of the biggest names of 1960's British soul, Tom Jones and Dusty Springfield, teaming up together on his 1970 television variety show with a cover of "I'm Gonna Make You Love Me", originally recorded by Diana Ross & the Supremes and The Temptations.

2020 NATIONAL RECORDING REGISTRY

"The Chronic", the debut solo album from rapper/producer and member of N.W.A., Dr Dre; a blues classic, "Me and My Chauffeur Blues" from guitarist, Memphis Minnie, Dusty Springfield's iconic soul album, "Dusty In Memphis", Whitney Houston's mesmerizing cover of Dolly Parton's song, "I Will Always Love You" from "The Bodyguard" soundtrack, the original cast recording of the Broadway musical, "Fiddler On The Roof" and the disco-anthem-turned-wedding reception staple, "Y.M.C.A." by the Village People are some of this year's selections to be inducted in to the National Recording Registry.

The Recording Registry is an extension of the passage by Congress in 2000 of the National Recording Preservation Act. Each year the Library of Congress oversees the selection of 25 recordings, which must be at least 10 years old at the time of induction, and deemed "culturally, historically or aesthetically significant" and this latest group brings the total number of recordings in the registry to 550.

Here is the complete list of the twenty-five selections entered in to the 2020 Recording Registry:

"Whispering" (single) - Paul Whiteman and his Orchestra (1920)
"Protesta per Sacco e Vanzetti" (singles) - Compagnia Columbia (1927)
"Sacco e Vanzetti" (single) - Raoul Romito (1927)
"La Chicharronera" - Narciso Martinez and Santiago Almeida (1936)
"Arch Oboler’s Plays" - episode from “The Bathysphere.” (November 18, 1939)
"Me and My Chauffeur Blues" (single) - Memphis Minnie (1941)



"The 1951 National League tiebreaker: New York Giants vs. Brooklyn Dodgers" — Russ Hodges, announcer (October 3, 1951)
Puccini’s "Tosca" (album) - Maria Callas, Giuseppe di Stefano, Angelo Mercuriali, Tito Gobbi, Melchiorre Luise, Dario Caselli and Victor de Sabata (1953)
"Hello Muddah, Hello Fadduh" (single) - Allan Sherman (1963)



"WGBH broadcast of the Boston Symphony on the day of the John F. Kennedy assassination" - Boston Symphony Orchestra (1963)
"Fiddler on the Roof" - original Broadway cast album (1964)
"Make the World Go Away" (single) - Eddy Arnold (1965)



"Hiromi Lorraine Sakata Collection of Afghan Traditional Music" - (1966-67; 1971-73)
"Wichita Lineman" (single) - Glen Campbell (1968)



"Dusty in Memphis" (album) - Dusty Springfield  (1969)



"Mister Rogers Sings 21 Favorite Songs From ‘Mister Rogers’ Neighborhood’" (album) - Fred Rogers (1973)
"Cheap Trick at Budokan" (album) - Cheap Trick (1978)
“"Holst: Suite No. 1 in E-Flat, Suite No. 2 in F / Handel: Music for the Royal Fireworks / Bach: Fantasia in G" - Frederick Fennell and the Cleveland Symphonic Winds (1978)
"Y.M.C.A." (single) - Village People (1978)



"A Feather on the Breath of God" - Gothic Voices; Christopher Page, conductor; Hildegard von Bingen, composer (1982)
"Private Dancer" (album) - Tina Turner (1984)



"Ven Conmigo" (album) - Selena (1990)
"The Chronic" (album) - Dr. Dre (1992)



"I Will Always Love You" (single) - Whitney Houston (1992)
"Concert in the Garden" (album) - Maria Schneider Orchestra (2004)
"Percussion Concerto" (album) - Colin Currie (2008)

A "DUSTY" SUNDAY - THE FINAL

For this last Sunday post featuring the music of Dusty Springfield, I'm looking back on the later part of the British vocalist's career. She had experienced a decline in popularity and record sales throughout the 1970's but with "What Have I Done To Deserve This?", Springfield's world-wide smash duet with The Pet Shop Boys in 1987, the public became fascinated with the singer once again. With production assistance from The Pet Shop Boys and Dan Hartman ("Instant Replay", "I Can Dream About You"), Springfield released her first album in eight years, "Reputation" in 1990. The album reached the top twenty in her native Britain and three singles also hit the top twenty on the UK pop chart.

Although "Reputation" didn't find nearly the same reception here in the U.S. but a single, "In Private", which is today's tune, made it to number fourteen on the dance chart. I hope you enjoy another classic moment from Dusty Springfield:



"In Private" - Dusty Springfield (1990)

As a bonus, here is the video for Dusty Springfield's comeback, "What Have I Done To Deserve This?":

ANOTHER "DUSTY" SUNDAY

Today's tune is "I Can't Wait Until I See My Baby's Face". This song was originally performed by "Baby" Washington in 1964 and tells the tale about a woman who wonders what the look will be on her no-good man's face after she dumps him. Dusty's take of the song appeared on her third British album, "Where Am I Going?" in 1967. While Aretha Franklin and Dionne Warwick would later record their own memorable versions but what Ms Springfield does with this material is truly mesmerizing:



"I Can't Wait Until I See My Baby's Face" - Dusty Springfield (1967)

A "DUSTY" SUNDAY - THE SEQUEL

This Sunday's Dusty Springfield tune is entitled "Goodbye".

As what is common in the music biz, many songs are recorded for an album and some are ultimately never used for a variety of different reasons. This unreleased track finally made the light of day on the 1999 Deluxe Edition reissue of "Dusty In Memphis" which was around the time when "Goodbye" was originally recorded. I'm really shocked this beautiful but sad song, written by Roland Chambers and Leonard Pakula, never made it on any official record.

If you have never heard this, you are in for a treat as Ms Springfield delivers some of her most impassioned vocals:

"Goodbye" - Dusty Springfield

A "DUSTY" SUNDAY

I can't think of a better way to spend a lazy Sunday afternoon than by listening to some Dusty Springfield. Today's tune is "Just a Little Lovin'" from the now classic 1969 record, "Dusty In Memphis".

Working with her idol, Aretha Franklin's producers, Jerry Wexler, Arif Mardin and Tom Dowd, Springfield decided she wanted to make a entire album of American soul music. The initial recording was done in Tennessee using the legendary backing band, The Memphis Cats and the background singing group, The Sweet Inspirations but the session was difficult due to the British singer's insecurities. Dusty's final vocals were later completed in New York. This song, written by Barry Mann and Cynthia Weil, was surprisingly never released as a single but still was a highlight on a near perfect collection.

"Just A Little Lovin'" - Dusty Springfield (1969)

HAL DAVID (1921 - 2012)

Along with his long-time musical partner, Burt Bacharach, Hal David wrote some of the world's most beloved pop songs, most during the 1960's, that are still being performed to this day. Mr. David passed away yesterday at the age of 91

David and Bacharach met while they were part of a large team of writers working at the Brill Building who wrote pop songs to sell to publishers. Their first big hit recording together was in 1957 with "Magic Moments" performed by Perry Como.

In 1959, they were introduced to a young singer named Dionne Warwick and the team was quite impressed with the range of her voice and how easy she could handle their complicated melodies. The trio had their first success with "Don't Make Me Over" in 1962 which was followed by a long string of hit songs for them. David and Bacharach created hits for other notable performers including Dusty Springfield, Tom Jones, B.J. Thomas and The Carpenters.

This successful duo broke-up after the difficult work on the disastrous musical remake of "Lost Horizon" in 1973. Shortly thereafter, David and Bacharach sued each other and Warwick sued them both for breach of contract. The cases were eventually settled out of court in 1979 but this dynamic trio eventually made up and came back together in 1992 to record one final song, "Sunny Weather Lover".

Here are just a few of the notable songs by Hal David and Burt Bacharach:

"Raindrops Keep Fallin' on My Head" - B.J. Thomas (1969)

"What the World Needs Now Is Love" - Jackie DeShannon (1965)

"One Less Bell to Answer" - The Fifth Dimension (1969)

"Wishin' & Hopin"" - Dusty Springfield (1964)

MY TUNE OF THE DAY

The Tune:  Dusty Springfield - "The Look Of Love" (1967)

My last tune of the day shared the same title but this is a completely different song.

This song has been covered by a variety of artists but I think this is the best (and the original) version although Nina Simone's cover is a very close second.

Written for the soundtrack of the film, "Casino Royale" by Burt Bacharach and Hal David, I just love the moody and sensual feeling of this timeless classic and I think Ms Springfield has always been underrated as a vocalist. You don't hear her much on the radio these days, even on oldies stations and that's a shame.

Enjoy:

The Look of Love - Dusty Springfield