MAVIS!

Over the last few years, there have been many fascinating documentaries made about some of our finest musical artists. The most recent subjects have ranged from Glen Campbell, Kurt Cobain, Janis Joplin, Nina Simone, The Wrecking Crew and Any Winehouse, who was the focus of this year's Best Documentary Oscar winner. There are more on the horizon and the latest to hit the screen is on one of the most recognizable voices in music history, Mavis Staples.

The doc, "Mavis!" tells how the Chicago-born singer began as a nine year old performing with her family (which included siblings, Cleotha, Yvonne, Purvis and father, Roebuck "Pops" Staples) in their church. After scoring a national hit with "Uncloudy Day" in 1956, the Staples Singers became a major gospel act. They worked with Martin Luther King, Jr during the civil rights movement to deliver spiritual songs of encouragement. The group received some criticism for their move in to secular music but the Staples found their greatest commercial success with songs like  "I'll Take You There" and "Let's Do It Again" with both reaching the top spot on the soul and pop charts in the '70s.

At the age of seventy-six, Mavis continues to perform and just released her latest album, "Livin' on a High Note" in February. In celebration of this glorious performer, here are just a few of my favorite songs she recorded over her long career:

"For What It's Worth" - The Staple Singers (1967) mp3

"A House Is Not a Home" - Mavis Staples (1969) mp3

"I'll Take You There" - The Staple Singers (1972) mp3

"Livin' On a High Note" - Mavis Staples (2016) mp3

Don't miss "Mavis!" which is currently being shown right now on HBO. Check out the trailer for this spectacular film:

RANDOM SIGHTS + SOUNDS

"The Sound" - The 1975 (2016) mp3

"Waves" (remix) - Miguel featuring Kacey Musgraves (2016) mp3

"This Ain't Over" - Alex Newell (2016) mp3

"Atomic Number" - Case/lang/Veirs (2016) mp3

Esperanza Spalding, who went from a child jazz prodigy to become the first jazz performer to win the Best New Artist Grammy Award, has just released some new music. But with her fourth album, "Emily's D + Evolution" (Emily is Spalding's middle name), the thirty-one year old performer has reinvented her sound and image. Gone is the Afro and boho chic style and in it's place are long braids, nerdy, oversized glasses and sleek, theatrical outfits. The music has also shifted from straight-forward jazz to experimenting with adding funkier beats and progressive rock to create an alt-jazz movement. Check out a couple of tracks from the album:

"One" - Esperanza Spalding (2016) mp3



While Lady Gaga gave us a wildly exuberant (and very American) tribute to David Bowie at this year's Grammys, Lorde honored the legendary artist with something far more low-key and tasteful. The nineteen year old performed at the recent Brit Awards with an amazing rendition of "Life On Mars". This also served as a reminder that she is long overdue with a follow-up to her debut album which was released almost four years ago. Here is the complete tribute that features moving words by Annie Lennox and actor, Gary Oldman with members of Bowie's band playing a musical melody of his music before backing-up Lorde's performance:

Ariana Grande was the host and musical guest of the March 12th episode of "SNL". She didn't really leave much of an impression with her comedy skills but was far more successful with the debut of new music from her upcoming album, "Dangerous Woman".  She performed the title track which is a slight change of course for the pop singer. With production by Max Martin, this sexy, guitar-driven ballad has Grande telling her man he's got her so worked-up, she'll pretty much do anything.

"Dangerous Woman" - Ariana Grande (2016) mp3

NUMBER ONE FLASHBACK

The number one song in America during this week in 1976 was "December, 1963 (Oh, What a Night)" by the Four Seasons. It remained at that spot for three weeks and became the popular group's fifth chart-topper.

The original Four Seasons (made up of Tommy DeVito, Nick Massi, Bob Gaudio and Frankie Valli) first reached the top of the charts together with "Sherry" in 1961 and, despite a few personnel changes, rode a wave of hit songs throughout the rest of the decade. This featured the classic tunes like "Let's Hang On", "Working My Way Back to You", "Dawn (Go Away)", "Rag Doll" and "Walk Like a Man".

By 1969, the easy-listening, vocal harmonies of the Four Seasons fell out of favor for harder-edged, socially-conscious rock that began to take over the music scene. The Four Seasons struggled with their recording career as they went through several labels (including a brief time at Motown) during the early '70's but had no luck with their music hitting the charts. That all changed in 1975 when lead vocalist, Frankie Valli had a solo number one hit with "My Eyes Adored You" while the Four Seasons reached the top five on the pop chart with "Who Loves You".

Then the following year, the band made a comeback to the top of the charts with a song co-written by member Bob Gaudio and wife, Judy Parker. Disco was just beginning to emerge in popular music and together with the band's slick harmonies and the song's romantic lyrics made "December, 1963 (Oh, What a Night)" irresistible. This would be the last major hit for Frankie Valli & the Four Seasons but thanks to the very successful 2005 Broadway musical, "Jersey Boys", a new generation of fans were introduced to this sensational group.

NEW SOUNDS

SIA

"This Is Acting", the seventh studio album by the hesitant pop star, Sia, has a very clever concept. The record is made-up of songs the Australian songwriter wrote with other pop artists in mind but were rejected. The idea to use material that superstars like Rihanna, Beyoncé and Adele passed on doesn't seem encouraging yet Sia appears inspired and brings these songs to life with her own unique style. Produced with fellow hitmakers, Greg Kurstin and Jesse Shatkin, the songs feel less glossy than if those other vocalists had performed them but are no less potent.

One of the highlights is "One Million Bullets", an original song that was never offered to anyone else. Sia delivers her reliably fiery passion that makes this track all her own:

"One Million Bullets" - Sia (2016) mp3

RIHANNA

With her eighth album, "Anti", Rihanna has made a radical departure from the dance-powered pop that first brought her fame. With no apparent concern for musical trends, the new music reflects a much more personal side than what we're used to hearing from the performer. She has collaborated with some rising production talent like Boi-1da, Hit-boy and DJ Mustard to help guide her in a new direction with more of an emphasis on edgier alt-soul and dancehall. Not all of the songs are successful and there aren't many obvious pop singles to be found here but Rihanna is attempting to grow as an artist, making a creatively adventurous work that should definitely be heard.

For the first single, "Work" (that features Drake), there are two different music videos for the track. One is set at a Jamaican dance hall party with the young crowd enjoying weed and jerk chicken, The other is just Rihanna and Drake, in a tacky living room, bumping and grinding on each other. Here are both videos together so you can watch them and decide which one you like best:



BLOC PARTY

After taking a hiatus in 2013 which resulted with two members ultimately leaving the band, the British alt-rock group, Bloc Party has returned with their fifth album, "Hymns". New band-mates, Justin Harris on bass and drummer, Louise Bartle join Russell Lissack on guitar and lead vocalist/guitarist, Kele Okereke on music that moves closer towards dance and electronic sounds. Okereke explains that he was inspired by religious hymns and symbolism which resulted with an abstract spirituality moving throughout the record.

Take a look at the fun video for the first single, "The Love Within":

2016 OSCAR NOMINEES FOR BEST ORIGINAL SONG

It had been previously announced that pop stars the Weeknd, Sam Smith and Lady Gaga were invited to perform their nominated songs on the 2016 Oscars telecast next Sunday. Now, it's just been revealed that the other two nominees, J. Ralph & Antony Hegarty and David Lang were NOT invited to perform their songs.

The lame excuse is due to "time constraints" but I must ask when has the Oscars ever seriously been concerned about time? With the show to surely run well over three hours long, what's another ten minutes to give these performers their deserved moment in the spotlight? The real reason is clearly because these nominees are relatively unknown and their songs are not conventional enough to fit comfortably in to the star-filled evening. I think it's shameful, a disgrace and completely unfair. It should be all or nothing!

Let me get off my soapbox and let you listen to the two nominees snubbed from the show:

“Simple Song #3” from "Youth" (Music and Lyric by David Lang)



“Manta Ray” from "Racing Extinction" (Music by J. Ralph and Lyric by Antony Hegarty)



And here are the other nominees:

“Earned It” from "Fifty Shades of Grey" (Music and Lyric by Abel Tesfaye, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio)



“Til It Happens to You” from "The Hunting Ground" (Music and Lyric by Diane Warren and Lady Gaga)



“Writing’s on the Wall” from "Spectre" (Music and Lyric by Jimmy Napes and Sam Smith)

THE 58TH ANNUAL GRAMMY AWARDS

Compton rap performer, Kendrick Lamar received the most awards at the 58th Annual Grammy Awards with five although country-turned-pop singer, Taylor Swift took home the top prize of Album of The Year. Ms Swift and the alt-rock band, Alabama Shakes each received three Grammy awards. In fact, all of the Album of The Year nominees, which included the previously mentioned artists as well as urban soul vocalist, the Weeknd and country singer, Chris Stapleton, won the album award in their respective categories this year. British pop-folk artist, Ed Sheeran won Song of The Year  while Mark Ronson and Bruno Mars received Record of The Year for "Uptown Funk".

LL Cool J once again was our host and the program was filled with twenty musical performances.
Taylor Swift kicked off the awards with her new single, "Out of The Woods" and this bombastic but unimpressive appearance seemed to indicate the direction of most of the show. We had a chemistry-free country performance by Best New Artist nominee, Sam Hunt and Carrie Underwood, a low-energy the Weeknd doing his hit "Can't Feel My Face", a very nervous duo of Best New Artist nominees, Tori Kelly and James Bay and just plain weird set by Justin Bieber, Diplo and Skrillex. Even Adele, who sang "All I Ask" (from her mega-smash, "25" which she co-wrote with Bruno Mars) had difficulty connecting although it wasn't entirely her fault as she clearly had sound issues.

What did manage to work best were the tributes to important musical artists, some that have recently passed away. We had a fun celebration of the music by Lionel Richie that included John Legend, Demi Lovato and Meghan Trainor before being reduced to a flood of tears after predictably wining Best New Artist. The a Capella performance by Steve Wonder and Pentatonix to honor the late Maurice White of Earth, Wind & Fire was amazing. B.B. King was remembered by Bonnie Raitt, Gary Clark Jr. and Grammy-winner, Stapleton with a rousing take of the Blues man's hit, "The Thrill Is Gone". There were still a few clunkers here with The Eagles reuniting with Jackson Browne to pay their respects to the band's founding member, Glen Frey with a listless version of "Take It Easy" while the tribute to hard rock legend, Lemmy Klimister by The Hollywood Vampires, a new rock super-group that features Alice Cooper and actor Johnny Depp, was just loud and a little tragic. And I have to add that the Grammys could have done much more regarding a remembrance to the late r&b singer, Natalie Cole. The nine-time winner deserved better.

Then there was Lady Gaga and her hotly anticipated performance to honor the memory of rock chameleon David Bowie. With Nile Rodgers by her side, Gaga did not disappoint, giving it her all with a spirited set that featured visual effects, dancers and Bowie-inspired costume changes as she burned through the singer's hits like "Life On Mars", "Fame" and "Let's Dance". Another highlight was Kendrick Lemar's politically charged performance of "The Blacker The Berry" with the rapper coming on stage out of a prison cell in chains to make a pointed and creative statement on social injustice and police brutality against African-Americans.

Lamar wasn't the only one who had something to say. Before Beyoncé presented the Record of The Year, she spoke about the importance of artistic expression which indirectly referenced the silly fuss made over her Super Bowl performance. A fed-up Taylor Swift finally took aim at Kanye West for his offensive lyrics regarding her in his new music and ridiculous claim of being responsible for her fame. Never mentioning the rapper by name, she encouraged young female artists during her Album of The Year speech to stay strong and focused, reminding them there will be people out there trying to diminish your accomplishments.

The most inspired moment of the entire evening was presenting the opening number of Lin-Manuel Miranda's hit Broadway musical, "Hamilton" to the television audience. The winner for Best Musical Theater Album was dynamic, innovative and thoroughly modern which was everything this year's Grammys was not. Overall, not a memorable night for the music world's biggest event.

Here is a partial list of winners from the 2016 Grammy Awards:

Album of the Year: "1989" - Taylor Swift
Song of the Year: "Thinking Out Loud," - written by Ed Sheeran and Amy Wadge
Record of the Year: "Uptown Funk," - Mark Ronson featuring Bruno Mars
Best New Artist: Meghan Trainor
Best Pop Vocal Album: "1989" - Taylor Swift
Best Pop Solo Performance: "Thinking Out Loud" - Ed Sheeran
Best Pop Duo/Group Performance: "Uptown Funk," - Mark Ronson featuring Bruno Mars
Best Traditional Pop Vocal Album: "The Silver Lining: The Songs Of Jerome Kern" — Tony Bennett & Bill Charlap
Best Rap Album: "To Pimp a Butterfly" - Kendrick Lamar
Best Rap Song: "Alright," - written by Kendrick Lamar
Best Rap Solo Performance: "Alright," - Kendrick Lamar
Best Rap/Sung Collaboration: "These Walls," - Kendrick Lamar featuring Bilal, Anna Wise, and Thundercat
Best Country Album: "Traveler" - Chris Stapleton
Best Country Song: "Girl Crush" - written by Little Big Town
Best Country Solo Performance: "Traveller" - Chris Stapleton
Best Country Duo/Group Performance: "Girl Crush" - Little Big Town
Best Rock Album: "Drones" - Muse
Best Rock Song: "Don't Wanna Fight" - Written by Alabama Shakes
Best Rock Performance: "Don't Wanna Fight" - Alabama Shakes
Best Metal Performance: "Cirice," - Ghost
Best Alternative Album: "Sound & Color" - Alabama Shakes
Best Dance/Electronic Album: "Skrillex and Diplo Present Jack Ü" - Skrillex and Diplo
Best Dance Recording: “Where Are Ü Now” — Skrillex And Diplo With Justin Bieber

Best Urban Contemporary Album: "Beauty Behind the Madness" - the Weeknd
Best R&B Album: "Black Messiah" — D’Angelo And The Vanguard
Best R&B Song: "Really Love" - written by D'Angelo and Kendra Foster
Best R&B Performance: "Earned It" - the Weeknd
Best Traditional R&B Performance: “Little Ghetto Boy” — Lalah Hathaway
Best Jazz Vocal Album: "For One To Love" — Cécile McLorin Salvant
Best Blues Album: "Born To Play Guitar" — Buddy Guy
Best Gospel Album: "Covered: Alive Is Asia [Live] (Deluxe)" — Israel & Newbreed
Best Americana Album: "Something More Than Free" — Jason Isbell
Best Reggae Album: "Strictly Roots" — Morgan Heritage
Best Latin Pop Album: "A Quien Quiera Escuchar (Deluxe Edition)" — Ricky Martin
Best Comedy Album: "Live At Madison Square Garden" — Louis C.K.
Best Musical Theater Album: "Hamilton"
Best Score Soundtrack for Visual Media: "Birdman" - Antonio Sanchez
Best Compilation Soundtrack For Visual Media: “Glen Campbell: I’ll Be Me”
Best Song Written for Visual Media: "Glory" - Common and John Legend
Best Music Film: "Amy"
Best Music Video: "Bad Blood," - Taylor Swift featuring Kendrick Lamar
Producer of the Year (Non-Classical): Jeff Bhasker

VANITY (1959 - 2016)

I am very sad to report that Vanity, the beautiful singer who once fronted Prince's girl group, Vanity 6, best known for the sexually provocative song, "Nasty Girl", passed away on February 15th. She had left behind show business and a wild lifestyle years ago and became a born-again evangelist in the '90's. The former singer/actress had recently been suffering from kidney failure and being treated with peritoneal dialysis due to many years of drug abuse.

She was born Denise Matthews in Ontario, Canada and started in beauty pageants before moving on to some modeling and acting in low-budget films as "D.D. Winters". She soon traveled to America and landed in Los Angeles and it didn't take long for her to get noticed.

Matthews met Prince during the American Music Awards in 1980 and encouraged her to move in to music. The Purple One renamed her "Vanity", teamed her with his former girlfriend, Susan Moonsie and Brenda Bennett and they became "Vanity 6". The sexy trio released a self-titled album in 1982 and with the help of the hit song, "Nasty Girl", the record sold over half a million copies.

Vanity decided to leave the group to start a solo career and signed with Motown Records in 1984. She recorded two moderately successful albums on the label and appeared in films like "The Last Dragon" and "Action Jackson" with Carl Weathers. It was during this time she got heavily involved with drugs. After nearly dying from an overdose, Vanity claims to have seen Jesus and told her if she left this life behind to devote herself to him, he would save her. Matthews recovered and never looked back, spending the rest of her life as a born-again Christian.

Here are some notable songs during her time as Vanity:

"Nasty Girl" - Vanity 6 (1982) mp3

"Mechanical Emotion" - Vanity (1984) mp3

Take a look at the music video for one of Vanity's songs from her solo career, "Under The Influence":