After her major breakthrough album, "Come Away With Me", a sultry collection of jazz-pop that went on to sell over twenty-six million copies and win five Grammy Awards including "Album of the Year" in 2002, Norah Jones wanted to keep her options open. Not wanting to be pigeonholed as just a jazz singer, she went on with her subsequent work to cover country, folk, blues and indie rock. Jones even gave acting a try with a lead role in the poorly received Wong Kar Wai film, "My Blueberry Nights".
With her sixth studio album, "Day Breaks", Jones has returned to her roots, so to speak, as she has slipped back towards the piano-driven sounds that first brought her fame. Recorded live and inspired by a wide range of jazz music, the singer co-wrote and produced the album. Her adventurous side is still evident as Jones includes some interesting covers from Neil Young and Duke Ellington. Take a look at the video for the first single, "Carry On":
If you want to get a party started right, I recommend you put on anything by The Whispers. This r&b group, formed in Los Angeles in 1964 and featured Marcus Hutson, Nicholas Caldwell, Leavell Degree and twins, Wallace "Scotty" and Walter Scott, scored some minor hits throughout the 1970's but had their biggest smash on the U.S. dance chart with "And The Beat Goes On" in 1980 which topped that chart as well as the soul chart. The Whispers used their classic soul vocals and merged them with a throbbing funky beat, a perfect remedy during the post-disco era for people who still wanted to dance. Enjoy two of their big hits:
The Dixie Chicks had loved Beyoncé's country-flavored track "Daddy Issues" and covered it while on their reunion tour. So it was supposed to be a magical moment when the two decided to team up to perform the song during the 50th annual Country Music Awards. But the reaction to the performance brought out a lot of ugliness and thinly-veiled racism, making a big deal about her having no place on the show. I don't seem to recall this response when another pop act, Justin Timberlake sang on the show just last year. Anyway, in case you missed it, here is a clip of the Dixie Chicks and Queen Bey performing the song on the program and I think it's amazing:
I had been out of the country for the last couple of weeks and was saddened to learn on my return the passing of Pete Burns, the outrageous lead vocalist of the dance-pop group, Dead or Alive, at the age of fifty-seven from sudden cardiac arrest on October 23rd.
The appearance of the British singer had been heavily altered since the days of the group's worldwide smash, "You Spin Me Round (Like a Record)" back in 1985. He began with a simple nose procedure before claiming to have had about three hundred cosmetic surgeries which gave him a more feminine look with over-sized lips and a sculpted face. There were several major complications and Burns wound up spending his life savings on many reconstructive surgeries, particularly on his lips.
Since he was a child, Burns always had a unique and theatrical nature. He dropped out of school at fourteen after being called to the headmaster's office for arriving with flaming red hair, no eyebrows and an earring.
Burns went on to work at a Liverpool record store and was not exactly a model employee as he gave customers a hard time if he didn't like their selections. During this period, he met some musicians and joined several early goth bands before forming what would become Dead or Alive in 1980. By the time of their 1984 debut album, "Sophisticated Boom Boom", the group had evolved in to a synthpop outfit. The first single, a cover of KC & the Sunshine Band's "That's the Way (I Like It)", became a minor success in Britain.
After their first hit, Dead or Alive had several other songs reach the charts throughout the rest of the '80's like "Lover Come Back To Me", "My Heart Goes Bang (Get Me To The Doctor)", "Something In My House" and "Brand New Lover".
With the '90's and '00's, Dead or Alive had a sporadic musical output and what was released failed to find much of an audience. Burns later turned to reality television to make ends meet and appeared on the UK versions of "Celebrity Big Brother" and "Celebrity Wife Swap". He is survived by an ex-wife, Lynne Corlett and a husband, Michael Simpson.
To honor this dynamic musical personality, here are a few videos featuring my favorites songs that spotlighted Pete Burns and his time with Dead or Alive:
It must be challenging for Solange Knowles to be seen as an artist in her own right due to the overwhelming shadow of her superstar older sister. But she continues to go down her own path, stressing there is no rivalry and has very different artistic and creative goals. This is evident in Solange's tenacious third studio album, "A Seat At The Table" which is released on her own label, Saint Records through a distribution deal with Sony.
While the record may share some sonic similarities with her sister's own alt-r&b album, "Lemonade", Solange pushes the boundaries of soul music even further with her introspective lyrics and experimental sounds. She explores the complicated and volatile issues facing African-Americans today through powerful songs expressing anger, indignation, insight and empowerment.
Also like her sister, Solange is using the music video to help further express her creative vision and has released two clips for the songs, "Don't Touch My Hair" and "Cranes in the Sky" that were directed by Knowles and her video director husband, Alan Ferguson.
The song that was on top of the U. S. pop chart during this exact time back in 1966 was "Cherish" by The Association. This group's record label had felt that the song sounded too old-fashioned yet it managed to spent three weeks at number one and has remained a timeless classic.
"Cherish" represents a much simpler time in pop music when the airwaves were filled with tender songs of love and romance. The worst thing you would possibly hear would be about some boy cheating on his girl and breaking her heart. In these darker, troubling times we are living in, it wouldn't be so bad to have a little more love and kindness in our music to help soothe people.
This Los Angeles based band first hit the charts earlier in 1966 with "Along Comes Mary" which reached number seven. "Cherish" became The Association's first number one smash and first record to sell over a million copies. The group, that initially featured Terry Kirkman on percussion, Jules Alexander on lead guitar, Russ Giguere on rhythm guitar, Brian Cole on bass, Jim Yester on keyboards and Ted Bluechel, Jr. on drums, had two more major hits the following year with "Never My Love" and "Windy" which also made it to the top of the U.S. pop chart.
By the end of the decade, the hits began to dry up and by 1978, with difficulties booking gigs and getting a recording contract, The Association called it quits. Ted Bluechel, who owned The Association trademark and heavily in debt, leased out the group's name for a replacement band to perform on tour.
It didn't take long before the founding members, Kirkman, Alexander, Giguere, Bluechel and Yester along with later additions, Larry Ramos and Richard Thompson reunited The Association to perform on a '60's revival tour with The Turtles in 1984. The group continues to go out on the road to this day in a variety of 1960's package tours.
The Weeknd, who became one of the biggest pop acts of 2015, has just dropped a new track. "Starboy" is an unexpected collaboration with the French dance duo, Daft Punk and will be the title of his third album due in November. With a low throbbing electro-beat, the song is a dark examination at his struggles dealing with the overwhelming fame and success that came his way during that time. Be sure to check out his appearance on the season opener of "Saturday Night Live" on October 2nd where he will be the musical guest.
In the dramatic video for the track, it begins with the twenty-six year old Canadian killing off his former image before revealing that he has cut his trademark hair and struts around in a slick new style.
Fellow Canadian, Nelly Furtado had one of the hottest songs of 2006 when she teamed up with Timbaland and they produced a worldwide smash with "Promiscuous". She's been relatively quiet for a little while now but recently resurfaced earlier this year on a duet with Blood Orange for a song on his latest album. Then she dropped a tune "Behind Your Back" in July which she called an "appetizer" for her upcoming record.
Furtado has just released the official first single from "The Ride", her sixth studio album which is tentatively scheduled for early next year. Furtado says the beat-heavy ballad "Islands of Me" is about "narcissism, lust, isolation and altruism." and she premiered the song live during the New York Fashion Week kickoff party.
The last time I went to a concert at Dodger Stadium was back in 2008 to see Madonna's Sticky and Sweet Tour. Due to the horrendous traffic to get in to the venue (which caused us to be late for the show), lousy sound system and the inability to see what was happening on stage, I swore I would never go back there to see a show.
Well, I have found myself returning to the scene of the crime to witness Beyoncé's Formation Tour on September 14th. Only the Queen Bey had the power to lure me back. Now I still think that a colossal baseball field makes it virtually impossible for a performer to connect with their audience but Beyoncé certainly tried to make it work. Using a towering, LED lighted vertical parallelogram that served as a stage prop as well as flashing images and projecting what was happening on stage upon it, this helped somewhat to draw us in to her glittering orbit.
After an army of female dancers strutted out on to the stage, Beyoncé ascended from below, kicking off the show with "Formation", the slinky first single off her critically acclaimed recent album, "Lemonade". The emphasis of the show was on those eclectic new songs and she covered most of them with highlights included the Jack Black penned, guitar-driven "Don't Hurt Yourself", the unrepentant electro-soul track, "Sorry" and the unexpected country-pop of "Daddy Issues".
But she certainly didn't forget her older material. While some of the songs were done in abbreviated forms, she performed full versions of her hits "Run The World (Girls)", "Me. Myself and I", "Drunk in Love" and "Crazy in Love". Girl power was on full display as Beyoncé once again had an all-female band, background vocalists and dancers by her side on this tour.
During one interlude, which Bey changed from one revealing bodysuit in to another, the stage was awash in purple as Prince's version of "Purple Rain" played in honor of the late artist.
Throughout the show, Beyoncé was determined to give you an incredible array of spellbinding effects that you couldn't believe was coming from her stage. That ranged from massive blasts of fire (which you could still feel the heat from as far away from the stage as I was) shooting in to the air, several firework displays shot in to the sky and on the actual stage and a powerful shower of colorful confetti that covered the entire arena.
Perhaps the most amazing moment in the show came near the end when the entire front of the stage was transformed in to a shallow pool of water with Beyoncé and her ladies splashing about during energetic performances of "Freedom", Destiny Child's, "Survivor" and "End of Time". I wonder if I was the only one concerned that if Bey dropped her mic during these numbers that we would be witnessing a high-profile electrocution.
By the time a drenched Beyoncé reached her final song of the night, "Halo" (and one of my favorites from the singer) alone on stage, she looked physically and emotionally drained yet quite content. She knew that she had given her all and left the audience, judging from their enthusiastic response, with a thrilling, magical and memorable evening.
After briefly setting aside her pop music glory to pursue some acting and trip the light fantastic with the legendary Tony Bennett to record a collection of jazz standards, Lady Gaga is back to reclaim her crown. She has just dropped a new song "Perfect Illusion" and it's another surprise move from the glittering, over-the-top artist.
With writing and production assistance from Mark Ronson, Bloodpop and Kevin Parker of Tame Impala, Gaga has crafted a blistering raw dance-rock track instead of the usual slick pop extravaganza. She delivers a full-throated vocal assault on the song without the aid of any noticeable correction to sweeten her voice.
While I appreciate the low-key approach and change of pace from Gaga, I must admit to still being underwhelmed by "Perfect Illusion". The song is certainly catchy but I don't know if I would really pay much attention to it if it wasn't from the Lady. I know it will grow on me and makes me even more curious about her upcoming album. Check it out and judge for yourself:
