SLY LIVES (AKA THE BURDEN OF BLACK GENIUS)

The question is asked in "Sly Lives", the follow-up to musician-turned-filmmaker, Ahmir "Questlove" Thompson's Oscar-winning documentary feature, "Summer of Soul (...or, When the Revolution Could Not Be Televised)" on the legendary musical creator, Sly Stone; "Is there a burden on Black Genius?". It is answered by many artists who appear in this riveting film like Chaka Khan, George Clinton, D'Angelo, Andre 3000, Jimmy Jam and Terry Lewis who all tend to agree that when you put art out into the world, there is an intense pressure by success which can be even more stifling than a fear of failure. They also agreed that Stone, a free-spirited prodigy, was an important and highly influential visionary who kicked down the racial, gender and musical barriers that had been long held-up in society. He would go on to pay a heavy price for his rewarding sonic disruption, although some of the trauma may have been self-inflicted through his struggles with lingering drug addiction. Yet his profound musical legacy has continued to endure and thrive.

Born Sylvester Stewart, he first got into music performing with his family as a gospel group in church after migrating to the Bay area from Texas. As a child, he became proficient at playing several instruments, effortlessly mastering the keyboards, guitar, bass, and drums. Stewart went on to become involved in a mixed-race, doo-wop singing group, the Viscaynes in the early 1960's, finding some local success. After later becoming a DJ in San Francisco at KSOL where he played soul records while occasionally mixing in some British rock, Stewart got the opportunity to produce for Autumn Records, making records with San Francisco-area rock bands such as The Beau Brummels, The Mojo Men and The Great Society that featured Grace Slick in her first band.

This lead to the forming of Sly and the Family Stone, a racially integrated, mixed-gender band who performed what would become known as Psychedelic soul, a merging of funk, rock and r&b. After an indifferent reaction to their debut album, Sly and the Family Stone broke through with their follow-up release, "Dance to the Music" in 1968 with the title track reaching the top-ten on the pop charts. More hits followed; "Everyday People", "Thank You (Falettinme Be Mice Elf Agin)", "Everybody Is a Star", "I Want to Take You Higher", "Family Affair" with a highlight being an electrifying live appearance during the summer of love at Woodstock.

This sudden success brought problems to the band with creative and personal friction between the musicians and far more prevalent drug usage. But it was Stone's increasingly erratic behavior that would eventually drive some band members to leave the group. And while they would usually be replaced, largely for touring purposes, Stone began to perform most of the instruments and vocals himself during the recording of new music.

Fast-paced and visually arresting, "Sly Lives" reminds us of what a musical anomaly Stone was as an artist at the time. Fearlessly challenging the convention of genres, he was unmotivated by chasing fame, only making music that truly inspired him. Sly and his band were officially together for about seventeen years but really only had almost a decade where they were productive creatively as a musical outfit. But what they were able to accomplish during that explosive period was absolutely innovative and breathtaking.

RANDOM SIGHTS + SOUNDS

David Archuleta had seemed to be happy during his time pursuing a music career and getting a jump start by becoming runner-up during the seventh season of "American Idol" back in 2008. As a member of the Church of Jesus Christ of Latter-day Saints, his faith was very important to Archuleta, even putting his rising career as a pop singer on hold while he spent two years as a missionary. But he had also been keeping a secret that he had been struggling with for many years: he was gay. This created a problem for him with the Mormon Church when he finally came out in 2021, eventually feeling he had to leave it behind. Archuleta has continued with his music career, more recently with a desire to perform freely whatever kind of music that personally motivates him and he can have fun with. His latest single, "Crème Brulée" is exactly that, clearly inspired by Sabrina Carpenter's catchy hit, "Espresso" which he had performed live in concert. The music video for this playful song has Archuleta dancing with smooth choreography interchangeably locked with male and female dancers.



Here is a spotlight on some new music: Kendrick Lamar and SZA team up on the single, "Luther" from his album, "GNX" with the video as a short film; "Tonight", the latest from British pop artist, PinkPantheress that is a part of her upcoming mixtape; Lucy Dacus, member of the indie supergroup, Boygenius, has just released her fourth solo album, "Forever is a Feeling" and this is a single from the collection and Kesha is back with new music from her upcoming album, a country/hip-hop hybrid that features T-Pain.

It's not really a great surprise that the romantic relationship between actress/pop singer, Selena Gomez and producer/songwriter, benny blanco would lead to a musical connection between these two. Beginning their love affair a little over two years ago, although they first met working together on music for her second solo album, "Revival" in 2015, this couple, who are engaged, has just released their recent collaboration, "I Said I Love You First", an album filled with songs that focuses on the ending of one relationship and finally finding true love in a new one. Gomez, who stars in the popular series, "Only Murders in the Building" and recently co-starred in the provocative, Oscar-nominated big-screen musical, "Emilia Pérez" and blanco, the pop music creator who has probably worked at some point with every contemporary artist you may know, has brought on board Gracie Abrams, The Marías and J Balvin to appear on their project. Here are a few of my favorite tracks from the album:

2025 NATIONAL RECORDING REGISTRY

The National Recording Registry has just selected the latest twenty-five sound recordings inducted with the goal each year to highlight what it calls "the range and diversity of the American recorded sound heritage". Some of the recordings that have been honored include the debut albums of the pop-rock group, Chicago and the '80's folk musician, Tracy Chapman; the jazz legend, Miles Davis and his experimentation with electric instruments on "Bitches Brew" that became his very first gold album; "My Heart Will Go On", the love ballad from one of the biggest box-office movie hits of all-time, "Titanic" sung by Celine Dion; the recording of the jazz classic, "Sweet Georgia Brown" by Brother Bones and His Shadows which would later become the theme song of the Harlem Globetrotters basketball team; the original Broadway cast album of the hip-hop flavored biography of the first US Secretary of the Treasury, "Hamilton"; "Goodbye Yellow Brick Road", an album considered by many to be the masterpiece of Elton John's recording career; "Happy Trails", the popular theme song for "The Roy Rogers Show" on radio and television written and sung by Rogers and his wife, Dale Evans; Helen Reddy's enduring feminist anthem for the women's liberation movement, "I Am Woman"; and "Back To Black", the breakout hit album by the late British pop vocalist, Amy Winehouse.

The Registry is an extension of the passage by Congress in 2000 of the National Recording Preservation Act. Since 2002, the Library of Congress oversees the selection of 25 recordings, which must be at least 10 years old at the time of induction, and deemed "culturally, historically or aesthetically significant". This latest group brings the total number of recordings in the registry to 650.

Here is the complete list of the twenty-five selections entered into the 2025 National Recording Registry:

"Aloha ‘Oe" - Hawaiian Quintette (1913) (single)
"Sweet Georgia Brown" - Brother Bones & His Shadows (1949) (single)



"Happy Trails" - Roy Rogers and Dale Evans (1952) (single)



Radio Broadcast: "Game 7 of the 1960 World Series" - Chuck Thompson (1960)
Harry Urata Field Recordings (1960-1980)
"Hello Dummy" - Don Rickles (1968) (album)
"Chicago Transit Authority" - Chicago (1969) (album)



"Bitches Brew" - Miles Davis (1970) (album)



"Kiss An Angel Good Mornin" - Charley Pride (1971) (single)
"I Am Woman" - Helen Reddy (1972) (single)



"El Rey" - Vincente Fernandez (1973) (single)
"Goodbye Yellow Brick Road" - Elton John (1973) (album)
"Before the Next Teardrop Falls" - Freddy Fender (1975) (single)



"I’ve Got The Music In Me" - Thelma Houston & Pressure Cooker (1975) (album)
"The Kӧln Concert" - Keith Jarrett (1975) (album)
"Fly Like An Eagle" - Steve Miller Band (1976) (album)



Nimrod Workman Collection (1973-1994)
"Tracy Chapman" - Tracy Chapman (1988) (album)
"My Life" - Mary J. Blige (1994) (album)



"Microsoft Windows Reboot Chime" - Brian Eno (1995)
"My Heart Will Go On" - Celine Dion (1997) (single)
"Our American Journey" - Chanticleer (2002) (album)
"Back to Black" - Amy Winehouse (2006) (album)



"Minecraft: Volume Alpha" - Daniel Rosenfeld (2011) (album)
"Hamilton" - Original Broadway Cast Album (2015) (album)

SOMEONE TO CALL MY LOVER

I am still amazed about the power of Tik Tok and the short-form, video platform's ability to breathe new life into older or more obscure music. The latest is the resurgence of Janet Jackson's 2001 pop hit, "Someone To Call My Lover" which has seen a streaming surge once again by going viral on the app. There is usually a current dance craze that helps propel a song's popularly but that isn't clear here with Jackson's twenty-four year old song gaining traction through remixes by her fans and the use as background music on various Tik Toks.

"Someone To Call My Lover" was a track from Jackson's seventh studio album, "All for You" and was the second single released from the record. Jackson and her producers, Jimmy Jam and Terry Lewis crafted this song during the difficult demise of her over ten year marriage to dancer and producer, René Elizondo Jr. Feeling lonely and wishing she had a companion so she could do things differently in a new relationship, the song was inspired by these emotions. With a sample of the guitar riff from the rock band, America's 1972 top-ten hit, "Ventura Highway" driving the song, "Someone To Call My Lover" reached number three on the Billboard Hot 100 chart and the top-twenty in several other countries.

But this sadly would become Jackson's final top-ten hit in the US and the last time Jam and Lewis would produce her music for ten years. Following her appearance on the Super Bowl XXXVIII halftime show in 2004 and the infamous "wardrobe malfunction", Jackson became vilified in the press, losing work and her new music would suffer the consequences from this incident. Thankfully, Jackson's career recovered from this controversy, enjoying a renewed, surge in popularity with her Together Again World Tour which began in 2023 and has continued with a Las Vegas residency. And it's been ten years since her last studio album, "Unbreakable", so let's hope this viral hit will help inspire Jackson to get back in the studio to make some new music.

RANDOM SIGHTS + SOUNDS

Lizzo is back with a new sound and a new look. Following some unpleasant allegations and lawsuits made against her, the singer took some time away from the spotlight. But Lizzo has reemerged fully energized and in fighting shape, having recently achieved significant weight loss although she has made it clear she still continues to advocate for body positivity. And she has new music with the release of the title track off of her upcoming fifth studio album, "Love in Real Life". This rock-inspired song looks back at a time before social media when people connected face-to-face. The music video for "Love in Real Life" was influenced by 90's style and features Lizzo decked out in black leather and doing some moves with back-up dancers that Michael Jackson would envy. And the video for another song,the dance-pop track, "Still Bad" continues where the other clip ended. Lizzo will be hit the road this month for some shows in New York, LA and Minneapolis.





Here are some new songs that I'm feeling which includes "Taste", the latest from Coco Jones which samples Britney Spears' "Toxic";  Haim returns with the sisters getting funky while bemoaning "Relationships"; the Canadian singer, Tate McRae talks about her need for speed with her single, "Sports Car"; Sam Smith returns with a lovely ballad, "Love is a Stillness", rising British artist, Bishop Briggs has dropped a new single with the positivity anthem, "Woman is King" and Lil Nas X is back, embracing the pink, with a new single, "Hotbox".

Roy Ayers, a pioneer of jazz-funk whose music would be one of the most sampled in hip-hop, passed away on March 4th at the age of eight-four. The LA-born Ayers came from a family of musicians and began learning to play the vibraphone at the age of five. After playing with several bands and recording solo projects, he formed his own acid-jazz group in 1972, Roy Ayers Ubiquity, which he chose because "ubiquity" means "a state of being everywhere at the same time". Ayers worked on the soundtrack for the Pam Grier film, "Coffy" and released the 1976 album, "Everybody Loves The Sunshine" which the title track would go on to find great popularity later by being heavily sampled, with the song used at least two hundred times on various recordings. Some of his other music was also sampled and he returned the favor by performing the vibraphone as a session musician for albums of many neo-soul, jazz and hip-hop artists. During his career, Ayers would record thirty studio albums as a solo artist and with his band.

MAYHEM

Lady Gaga has made her little monsters very happy with the release of her latest studio album, "Mayhem".  After her venture into cinema power-ballads and jazz standards, Gaga has returned to her pop music roots, recapturing the dark-edged, dance vibe from her debut seventeen years ago.

With long-time co-creator, Andrew Watt and more recent collaborators, Cirkut and French DJ, Gesaffelstein, Gaga explores subjects that she touched as a aspiring musician on with her first album; drugs, sex and the dance floor. But now as a more mature and established artist, she returns to these ideas with a seasoned yet far from jaded attitude. We have her relationship with fame, still sweating on the dance floor, sly tributes to some of her early musical inspirations and influences (like the Cure, Yaz, Blondie, David Bowie, and Prince) and finally finding true love. Much like the title, "Mayhem" is a chaotic and messy collection and that's exactly what we love from Gaga.

This past Saturday, Gaga was the host and musical guest on "SNL" where she had the opportunity to display her gifts as an all-around entertainer. Here are a few of my favorite tracks from the album:

ANGIE STONE (1961 - 2025)

Angie Stone, the neo-soul singer who expertly merged old school r&b with modern sounds,  has tragically passed away on March 1st. She had been traveling from Alabama to her next concert in Atlanta when becoming involved in a car accident. Stone was sixty-three.

Born Angela Brown in South Carolina, she found her love of music in the church, singing gospel as part of the choir. As a teenager, Brown joined an all-female hip-hop trio, The Sequence with Cheryl Cook and Gwendolyn Chisolm. Signed to Sugar Hill Records, they had a hit with their 1980 single "Funk You Up", reaching number fifteen on the US Billboard Black Singles chart. During this time, she married Rodney Stone, a musician from the hip-hop group, Funky Four Plus One. The Sequence continued to achieve modest success before disbanding five years later.

Stone would join other bands; an electro-funk group, Mantronix, the lead vocalist of the r&b trio, Vertical Hold and soul group, Devox. She began songwriting, working on D'Angelo's first two albums and going on tour with him as well as performing on Lenny Kravitz's "5" album in 1998. This helped lead Stone to the attention of Clive Davis and she was signed to his label, J Records. 

Her solo debut, "Black Diamond" was released in 1999, a collection of hip-hip infused soul that was warmly received and critically acclaimed. Stone would record two more albums for the label before joining a revived Stax Records in 2007. She released her last album, "Love Language" two years ago that featured her version of classic Southern R&B and Philly soul.

Stone was a powerful vocalist who kept the spirit of soul music alive and well. Yet she was also a vital and gifted artist who was not fully recognized for her brilliant contributions to contemporary hip-hop soul.